1 “The circle in which you move”
Keyword(s):
The use of music as a sign of prestige extended across a wide spectrum, from enslaved women of color to the white daughters of affluent planters, and Part 1 reveals this social diversity by demonstrating how women employed binder’s volumes, etiquette guides, and other signs of cultural capital in the parlor to position themselves within a particular social class. Although it includes the historical actors who confirm currently-held views about social class and music in this period (the white middle-class), it juxtaposes these with examples across race and occupationally-defined status (barbers, farmers, mechanics, and planters) to bring to the fore a fuller view of women’s musical practices.
2011 ◽
Vol 76
(6)
◽
pp. 862-882
◽
Keyword(s):
2015 ◽
Vol 45
(1_suppl)
◽
pp. 95S-113S
◽
Keyword(s):
2012 ◽
Vol 55
(3)
◽
pp. 529-551
◽
Keyword(s):
Keyword(s):
2021 ◽
Keyword(s):
Keyword(s):