Isotopes, Dental Morphology, and Human Provenience at the Maya Site of Yaxuná, Yucatán, Mexico

2018 ◽  
pp. 70-98
Author(s):  
T. Douglas Price ◽  
Travis W. Stanton
Keyword(s):  
Material Culture ◽  
Oxygen Isotopes ◽  
Eighth Century ◽  
Human Migration ◽  
Classic Period ◽  
Dental Morphology ◽  
Crucial Point ◽  
Actual Movement ◽  
Maya Site ◽  
The City

Chapter 4 addresses the issue of human migration and mobility at the Classic period Maya site of Yaxuná, Yucatán, Mexico, located in the Maya northern lowlands, from the combined lens of bioarchaeology and archaeometry, specifically dental morphology and strontium and oxygen isotopes. The site is positioned at a crucial point of an east-to-west inland trade corridor, and the architectural evidence shows influence of the Puuc region, situated in the westernmost side of the peninsula. Given that material culture and ideas can be exchanged with or without the actual movement of people, the chapter evaluates the hypothesis that people from the Puuc region might have migrated to the city during the eighth century AD.

scholarly journals POLITICAL ALLIANCES AND TRADE CONNECTIONS OBSERVED IN THE CERAMIC RECORD OF THE CLASSIC PERIOD: THE PERSPECTIVE FROM THE MAYA SITE OF NAKUM, GUATEMALA

2020 ◽  
Vol 31 (3) ◽  
pp. 461-475
Author(s):  
Jarosław Źrałka ◽  
Christophe Helmke ◽  
Bernard Hermes ◽  
Wiesław Koszkul ◽  
Carmen Ting ◽  
...  
Keyword(s):  
Eighth Century ◽  
Classic Period ◽  
Political Connections ◽  
Large Collection ◽  
Late Classic ◽  
Political Independence ◽  
Ceramic Samples ◽  
Political Alliances ◽  
Maya Civilization ◽  
Maya Site

AbstractRecent research carried out at the Maya site of Nakum, located in northeastern Guatemala, has brought about the discovery of a large collection of ceramic artefacts. This substantial assemblage, apart from monochrome ceramics, includes fragments of polychrome vessels that are decorated with elaborate iconographic scenes and painted hieroglyphic texts. Most of them date to the Late Classic period (ca. a.d. 600–800), which represents the peak of the pre-Columbian Maya civilization. The style of these ceramics, their iconography and accompanying glyphic texts, supplemented in many cases by mineralogical and physicochemical analyses of the ceramic samples, indicate that Nakum was part of a broad and complex network of political and economic interactions between various sites and polities of the southern Maya lowlands in the Classic period. During the first part of the Late Classic period, Nakum seems to maintain close relations with Naranjo, probably serving as its vassal at least from the reign of its renowned king Aj Wosal. After the victory of Tikal over Naranjo in the first part of the eighth century, Nakum shows closer cultural and political connections with Tikal. Nevertheless, towards the end of the Classic era, when we observe the profound collapse of lowland Maya civilization, Nakum elites gain political independence from their former overlords.

Sicily

2019 ◽  
pp. 536-552
Author(s):  
Salvatore de Vincenzo
Keyword(s):  
Fourth Century ◽  
Eighth Century ◽  
Advanced Degree ◽  
Characteristic Type ◽  
Almost All ◽  
The City

Thucydides reports that the Phoenicians were present throughout Sicily and traded with the Sicels. A tangible Phoenician presence in Sicily, as expressed by pottery, is attested only at the end of the eighth century bce. The earliest hypothetical Phoenician settlements of Solunt and Panormus are still almost unknown. This earliest phase is associated in particular with the city of Motya, where pottery and a few other finds testify to it. The Punic phase of the island is much clearer, with almost all indications coming from Motya and Selinus, which were not built over in Roman times. The Pfeilertempel, as emerged from Motya, could be regarded as the prototype for the Phoenician temple in Sicily. In turn, it is possible to recognize a characteristic type of temple of Punic Sicily, as particularly shown at Selinus, These shrines, as well as other elements of the Punic settlements like the houses, the fortifications, or the necropoleis, in particular from the fourth century bce onwards, are evidence of an advanced degree of Hellenization, framed within a Mediterranean koine.

Ibero-American Architecture and Urbanism

2019 ◽  
pp. 285-311
Author(s):  
Paul Niell
Keyword(s):  
Material Culture ◽  
New World ◽  
Human Subjects ◽  
Urban Spaces ◽  
Counter Reformation ◽  
American Architecture ◽  
Political Norms ◽  
The City

The Baroque in Ibero-American Architecture and Urbanism, in parts of the Americas formerly comprising the Spanish and Portuguese empires, has been traditionally studied as a question of adherence to or deviation from a Counter-Reformation style promoted primarily by ecclesiastical institutions. This article expands upon what is meant by “Baroque” in the architecture and urbanism of the Iberian empires in the Americas. Through the analysis of urban plans, images of the city, architectural interiors and exteriors, physical urban spaces, and other forms of material culture, this article argues that Ibero-American architecture and urbanism in the age of the Baroque belonged to a phenomenon of ordering and thereby creating the “New World” as ideologically constituted colonial spaces that reified social and political norms. Furthermore, human subjects actively negotiated the spaces created by architecture and the city, making the American Baroque also part of a process of negotiating order and thereby producing American spaces.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

scholarly journals New Perspectives on Migration into the Tlajinga District of Teotihuacan: A Dual-Isotope Approach

2021 ◽  
pp. 1-21
Author(s):  
Gina M. Buckley ◽  
Rebecca Storey ◽  
Fred J. Longstaffe ◽  
David M. Carballo ◽  
Kenneth G. Hirth ◽  
...  
Keyword(s):  
Oxygen Isotopes ◽  
Human Remains ◽  
Past Research ◽  
Urban Center ◽  
Radiocarbon Dates ◽  
Future Studies ◽  
Dual Isotope ◽  
West Mexico ◽  
New Finding ◽  
The City

The city of Teotihuacan (AD 1–550) was a major multiethnic urban center that attracted migrants from as far away as west Mexico and the Maya region. Past research in the Tlajinga district at Teotihuacan using oxygen isotopes from human remains estimated that nearly 30% of the population of Tlajinga 33, a single apartment compound, were migrants. This study takes a dual-isotope approach (87Sr/86Sr and δ18O p ) to reevaluate the proportion of in-migration at Tlajinga and includes data from two additional apartment compounds, Tlajinga 17 and 18 (n = 23). New results indicate that migrants comprised ~45% of the Tlajinga population. Previously acquired radiocarbon dates combined with mortuary and isotope data suggest that immigration to Tlajinga was highest during the first centuries of compound occupation. Nevertheless, migration was a continual process throughout its history. Additionally, a new finding suggests that residents of Tlajinga 33 ingested foods with higher 87Sr/86Sr ratios than did those of Tlajinga 17 and 18. We hypothesize that the incorporation of imported lime for the nixtamalization process skewed the 87Sr/86Sr ratios of human remains, a potentially important finding for future studies at Teotihuacan.

Goods and States: The Political Logic of State-Socialist Material Culture

2009 ◽  
Vol 51 (2) ◽  
pp. 426-459 ◽  
Author(s):  
Krisztina Fehérváry
Keyword(s):  
Material Culture ◽  
Democratic Governance ◽  
Soviet Bloc ◽  
The Political ◽  
State Socialism ◽  
Iron Curtain ◽  
The Everyday ◽  
Widespread Phenomenon ◽  
The City ◽  
State Socialist

In the two decades since the fall of state socialism, the widespread phenomenon ofnostalgiein the former Soviet satellites has made clear that the everyday life of state socialism, contrary to stereotype, was experienced and is remembered in color. Nonetheless, popular accounts continue to depict the Soviet bloc as gray and colorless. As Paul Manning (2007) has argued, color becomes a powerful tool for legitimating not only capitalism, but democratic governance as well. An American journalist, for example, recently reflected on her own experience in the region over a number of decades:It's hard to communicate how colorless and shockingly gray it was behind the Iron Curtain … the only color was the red of Communist banners. Stores had nothing to sell. There wasn't enough food… . Lines formed whenever something, anything, was for sale. The fatigue of daily life was all over their faces. Now… fur-clad women confidently stride across the winter ice in stiletto heels. Stores have sales… upscale cafés cater to cosmopolitan clients, and magazine stands, once so strictly controlled, rival those in the West. … Life before was so drab. Now the city seems loaded with possibilities (Freeman 2008).

Kharkiv Scenography School of O. Khvostenko-Khvostov: The Experience of Professionalization

2021 ◽  
Vol 2021 (02) ◽  
pp. 85-95
Author(s):  
V. Chechyk ◽  
Keyword(s):  
Material Culture ◽  
Teaching Practice ◽  
Early Years ◽  
Music And Literature ◽  
Avant Garde ◽  
Theatrical Design ◽  
Outstanding Teachers ◽  
History Of ◽  
Compulsory Subject ◽  
The City

The article is devoted to the early years of formation of Kharkiv scenography school and to the creative and pedagogical activities of Olexander Khvostenko-Khvostov (1895–1967). It was reported that the bold experiments of this artist, in the field of theatrical design of 1918–1922, made him one of the central figures of Kharkiv avant-garde scene (“Mystery Buff”; “The Army in the City”; “Lilyuli”, etc), strengthening the reputation of an innovator and causing the beginning of pedagogical activity at the Kharkiv Art College in 1921. The theatrical and decorative workshop was opened at the faculty of painting at the Kharkiv Art College in 1922, it was headed by A. Khvostenko-Khvostov. Among the first graduates were such bright alumni as A. Volnenko, P. Suponin, V. Ryftin, A. Bosulaev, B. Chernyshov, and others. Fundamental provisions of the educational program, which A. Khvostenko borrowed from the teaching practice of A. Exter (Kyiv Studio, 1918–1920), reflected the formation idea of future theater artist’s synthetic thinking. It is known that the education program of the Theater and Scenery Workshop of KAC, equally with the Studio of A. Exter, in addition to the subjects common to all students of painting and drawing faculty as special subjects (theatrical scenery, technique and technology of the stage, etc.) included also the history of theater (I. Turkeltaub), material culture, costume, music and literature (A. Beletsky). O. Khvostenko paid special attention to theoretical and practical issues of composition. He introduced the course of fundamentals of directing (V. Vasilko) as a compulsory subject. Much of what the students mastered at the Workshop was tested on the professional stages of Kharkiv theaters. Associated with the Kharkiv Art School for a quarter of a century (1921–1946), O. Khvostenko-Khvostov has not still been included in the pantheon of its outstanding teachers.

Linguistic Divergence and the Collapse of Preclassic Civilization in Southern Mesoamerica

1987 ◽  
Vol 52 (2) ◽  
pp. 367-382 ◽  
Author(s):  
Bruce H. Dahlin ◽  
Robin Quizar ◽  
Andrea Dahlin
Keyword(s):  
Material Culture ◽  
Communication Networks ◽  
Classic Period ◽  
Late Classic ◽  
Postclassic Period ◽  
Proximate Cause ◽  
Terminal Classic ◽  
Early Postclassic ◽  
Ultimate Cause ◽  
Early Classic Period

Based on published lexicostatistical dates, two intervals in the prehistory of southern Mesoamerica stand out as fertile periods in terms of the generation of new languages: the Terminal Preclassic/early Early Classic Periods, and the Early Postclassic Period. After comparing archaeological evidence with language distributions within the subregions of southern Mesoamerica during the first of these periods, we conclude that the cultural processes during both periods had the same potential for producing rapid rates of linguistic divergences. Just as rapid proliferation of linguistic divisions was symptomatic of the well-known collapse of Late Classic Maya civilization, so it can be taken as a sign of a collapse of Terminal Preclassic civilization. Both collapses were characterized by severe population reductions, site abandonments, an increasing balkanization in material culture, and disruption of interregional communication networks, conditions that were contributory to the kind of linguistic isolation that allows language divergences. Unlike in the Terminal Classic collapse episode, small refuge zones persisted in the Early Classic Period that served as sources of an evolving classicism; these refuge zones were exceptions, however, not the rule. Although the collapse of each site had its own proximate cause, we suggest that the enormous geographical range covered by these Early Classic Period site failures points to a single ultimate cause affecting the area as a whole, such as the onset of a prolonged and devastating climatic change.

The Date of the Mosaics of the Rotunda at Thessaloniki

1970 ◽  
Vol 38 ◽  
pp. 183-187 ◽  
Author(s):  
Michael Vickers
Keyword(s):  
Eighth Century ◽  
Fifth Century ◽  
Second Phase ◽  
Main Body ◽  
The South ◽  
East And West ◽  
The City ◽  
The Church

In a recent important article on the mosaics of the basilica of St. Demetrius at Thessaloniki, R. S. Cormack proposes a list of churches in the city with mosaics ‘for which a late fifth century date must be considered.’ The list comprises the Acheiropoietos basilica, the first phase of the basilica of St. Demetrius, and Hosios David. The purpose of this article is to show that the mosaics of the second phase of the Rotunda (now known as the church of St. George) should be included in Cormack's list.The first thing to note about the Rotunda mosaics is that there has been less than unanimity concerning the date of their construction. Volbach, Lazarev and Cormack, amongst others, follow Dyggve and Torp in dating the mosaics to c. 400 or slightly earlier; Diehl and Dalton dated them to the fifth century, Weigand to the sixth and Holtzinger to the seventh or eighth century, all on largely stylistic grounds. What are obviously needed are some objective dating criteria, and these are to be found, not so much in the mosaics themselves, but rather in the building fabric and the furniture of the converted Rotunda. The conversion of the Rotunda, incidentally, consisted of the blocking of an opaion in the cupola and the addition of an ambulatory, a monumental entrance to the south, an apse to the east (Plate XXIII) and various subsidiary buildings to east and west. The mosaics were placed in the cupola and in the niches which connected the main body of the Rotunda with the ambulatory.

“As if she were Jerusalem”: Placemaking in Sephardic Salonica

2014 ◽  
Vol 30 (1) ◽  
pp. 141-169
Author(s):  
Peter Christensen
Keyword(s):  
Material Culture ◽  
Ottoman Empire ◽  
Social Systems ◽  
Demographic Shift ◽  
Early Nineteenth Century ◽  
Broad Array ◽  
Specific Concept ◽  
And Gender ◽  
Gender Groups ◽  
The City

No Mediterranean city witnessed as dramatic a demographic shift as Salonica following the expulsion of the Jews from Iberia in 1492. This article explores the specific concept of placemaking in the context of this transformation, examining how the industries, devotional spaces, mythology, and material traditions of Iberian Jews tactically engaged with extant forms of Ottoman multicultural governance and social systems. Drawing upon a broad array of visual and textual information, this article argues that under the evolving mechanics of the millet and dhimmi systems, the nimbler aspects of material culture–color, fabric, dress, spoliation–proved to be the most effective in articulating and developing diasporic Sephardic identity within both the city and the empire. This article further analyzes the ways in which this identity was capable of, if not inclined to, the delimiting of regional, class, and gender groups, ultimately contouring and challenging notions of a monolithic minority culture within the Ottoman Empire from the sixteenth through the early nineteenth century.

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