A Hint of Things to Come …

Author(s):  
Charles R. Cobb

This chapter provides an overview of landscape studies in archaeology, particularly as practiced in the southeastern United States. There is an extended discussion justifying historical anthropology as an important point of departure for this study, in particular because of its usefulness for exploring processes of colonialism. The chapter provides summaries of the major Native American groups and European powers that appear in the remainder of the volume. Generally speaking, the three major European players, or the Spanish, English, and French had different goals and methods of colonization. These methods cumulatively spurred a highly ramified history of landscape transformations for Native Americans. The chapter’s approach resonates well with post-colonial approaches that attempt to decolonize the past by removing Europeans as the primary lens by which we view the actions of Indigenous peoples. Working under rubrics such as “Native-lived colonialism” and “decolonizing the past,” archaeologists increasingly are seeking to integrate European texts, the archaeological record, oral histories, and the perspectives of Native peoples to try and achieve a plural perspective on past lifeways.

Onomastica ◽  
2020 ◽  
Vol 64 ◽  
Author(s):  
Urszula Wójcik

The aim of the article is an attempt to trace the fate of several appellatives grouped in the lexical field around the hyperonym świnia ʽpig, swine’ (wieprz ʽhog’, knur/kiernoz ʽboar’ and prosię ʽpiglet’) as the motivation of many names in Polish onymy, mainly in anthroponymy and toponymy. My research has been conducted along the lines of historical anthropology. Proper names in this approach play an important role in the reconstruction of the past. The field of interest of this article includes mainly names belonging to the old onymic layer. Proper names arise from the lexicon of a given language, which is why my analysis is based on lexical and semantic methodology. My point of departure is the meaning (often reconstructed) of appellative lexical units, including their semantic modifications in the proprial layer. I interpret proper names on the basis of findings regarding their origin and motivation. The first names motivated by the lexeme świnia were associated with the economic organization of the Piast state. In the article I present the history of their creation. I go on to discuss the other lexemes which became the basis of many names belonging to different naming categories. The presence of etymons of interest to us in so many proper names during the Middle Ages allows us to draw the conclusion that pigs played an extremely important role in the lives of our ancestors.


Author(s):  
Christine M. DeLucia

This chapter examines how King Philip’s War gave rise to a significant but often ignored or misperceived history of bondage, enslavement, and diaspora that took Native Americans far from their northeast homelands, and subjected them to a range of brutal conditions across an Atlantic World. It focuses on Algonquians’ transits into captivity as a consequence of the war, and historicizes this process within longer trajectories of European subjugation of Indigenous populations for labor. The chapter examines how Algonquian individuals and families were forcibly placed into New England colonial as well as Native communities at the war’s conclusion, and how others were transported out of the region for sale across the Atlantic World. The case of King Philip’s wife and son is especially complex, and the chapter considers how traditions around their purported sale into slavery in Bermuda interact with challenging racial politics and archival traces. Modern-day “reconnection” events have linked St. David’s Island community members in Bermuda to Native American tribes in New England. The chapter also reflects on wider dimensions of this Algonquian diaspora, which likely brought Natives to the Caribbean, Azores, and Tangier in North Africa, and propelled Native migrants/refugees into Wabanaki homelands.


2018 ◽  
Vol 14 (1) ◽  
pp. 110-121
Author(s):  
Mateusz Chaberski

Summary In recent science-fiction literature, we can witness a proliferation of new counterfactual narratives which take the 17th century as their point of departure. Unlike steampunk narratives, however, their aim is not to criticise the socio-political effects caused by contemporary technological development. Such authors as Neal Stephenson or Ian Tregillis, among others, are interested in revisiting the model of development in Western societies, routing around the logic of progress. Moreover, they demonstrate that modernity is but an effect of manifold contingent and indeterminate encounters of humans and nonhumans and their distinct temporalities. Even the slightest modification of their ways of being could have changed Western societies and cultures. Thus, they necessitate a rather non-anthropocentric model of counterfactuality which is not tantamount to the traditional alternative histories which depart from official narratives of the past. By drawing on contemporary multispecies ethnography, I put forward a new understanding of counter-factuality which aims to reveal multiple entangled human and nonhuman stories already embedded in the seemingly unified history of the West. In this context, the concept of “polyphonic assemblage” (Lowenhaupt-Tsing) is employed to conceptualize the contingent and open-ended encounters of human and nonhuman historical actors which cut across different discourses and practices. I analyse Stephenson’s The Baroque Cycle to show the entangled stories of humans and nonhumans in 17th century sciences, hardly present in traditional historiographies. In particular, Stephenson’s depiction of quicksilver and coffeehouse as nonhuman historical actors is scrutinized to show their vital role in the production of knowledge at the dawn of modernity.


2021 ◽  
Author(s):  
◽  
Grace Campbell Russell

<p>This dissertation is concerned with the ways in which photographs are discursively deployed and used in the writing of history. More specifically, it will consider how photos, and the historical, scientific, ethnographic and romantic discourses surrounding them, are used to erase or ‘make safe’ the traces of the radical resistances of dominated groups within colonial frameworks. The case explored here concerns the tintype photograph claimed as being of the Lakota chief and warrior Crazy Horse (c.1840-1877). Exhibited by the Custer Battlefield Museum in Montana, the claim that this photograph is of Crazy Horse is controversial. It is generally thought that no visual likeness of Crazy Horse exists; and his refusal to be photographed can be read as a practice of opposition to his assimilation into colonial narratives and accounts of American frontier history. In claiming the photo to be of Crazy Horse, the history of his resistance is rewritten and repositioned. This changes the way he becomes knowable and understandable within the contexts of (neo)colonial discourses and narratives, in which Native Americans are often relegated to the past, and appear either as casualties of the policies of Manifest Destiny, or as a romantic other which has been symbolically integrated into American mythic culture. This dissertation focuses on how the claim that this photograph is of Crazy Horse is made, and how the various associated cultural fields (photography, historiography, museology) are affected by, and play into, such a claim. This involves identifying the discursive processes and disciplinary mechanisms through which meaning is produced in relation to a particular cultural object. It considers the supposed photograph of Crazy Horse as an example of how history assigns significance to objects “in terms of the possibilities they generate for producing or transforming reality” (de Certeau, 1986:202), rather than as representations or reflections of reality.</p>


Antiquity ◽  
1992 ◽  
Vol 66 (250) ◽  
pp. 153-171 ◽  
Author(s):  
Thomas E. Sheridan

The Spanish conquest of the Americas was one of the most dramatic cultural and biological transformations in the history of the world. Small groups of conquistadores toppled enormous empires. Millions of Native Americans died from epidemic disease. Old World animals and plants revolutionized Native American societies, while New World crops fundamentally altered the diet and land-tenure of peasants across Europe. In the words of historian Alfred Crosby (1972: 3),The two worlds, which God had cast asunder, were reunited, and the two worlds, which were so very different, began on that day [I1 October 14921 to become alike.


2020 ◽  
Vol 14 ◽  
pp. 15-21
Author(s):  
Madhusudan Subedi

  Most epidemiological studies focus on the direct causes of diseases while wider, social causal factors are ignored. This paper briefly highlights the history of major epidemics and the role of Anthropocene and Capitalocene for the emergence and reemergence of pandemics like COVID-19. Books, journal articles, and statistics offer information that can explain the phenomena. A historical inquiry can inform us about the fundamental causes of pandemics. Human security and ecology are intertwined, and the global effect of pandemics responded to at the national level is inadequate. The lessons from the past and present help us devise effective ethically and socially appropriate strategies to mitigate the threats. If the present crisis is not taken seriously at the global level, the world has to face more difficult challenges in years to come.


1985 ◽  
Vol 13 (2) ◽  
pp. 32-60
Author(s):  
M.A. Vazey

This paper includes a short history of Aboriginal women in Australia from about the turn of the century. This has been made possible by the writings of such women. Most non-Aboriginal women have been and are ignorant of this history. They need to understand this past in order to come to terms with it. Aboriginal women are also not aware of how misinformed non-Aboriginal women are of the role of Aboriginal women in their own society. An extensive dialogue is needed to develop the mutual understanding necessary for the construction of a peaceful and just post-colonial Australia.


Anthropology ◽  
2020 ◽  
Author(s):  
Bronwen Douglas ◽  
Dario Di Rosa

This article situates ethnohistory historically, conceptually, methodologically, and geographically in relation to its intertwined “parent” disciplines of anthropology and history. As a named interdisciplinary inquiry, ethnohistory emerged in the United States in the mid-1950s in the “applied” context of academic involvement in Native American land claims hearings after 1946. However, anthropology (the science of humanity) has overlapped, intersected, or diverged from history (study or knowledge of the past) since becoming a distinct field in Europe in the mid-18th century and gradually professionalized as an academic discipline from the 1830s, initially in Russia (see Before Boas: The genesis of ethnography and ethnology in the German Enlightenment [Lincoln: Univ. of Nebraska Press, 2015], cited under Anthropology and History). Anthropological approaches oscillated between historicization and its neglect or denial, with recurring tension between event and system, process and structure, diachrony and synchrony. In the late 18th and 19th centuries, ethnology (comparative study of peoples or races, their origins and development) was distinguished from the natural history of man and from anthropology (the science of race), initially in France. From the 1860s to the 1920s, Anglophone anthropological theory was dominated by the opposed doctrines of sociocultural evolution and diffusion—both superficially historical but largely ahistorical processes. For the next half century, prevailing functionalist, structuralist, and culturalist discourses mostly denied knowable history to ethnography’s purportedly vanishing “primitive” subjects. This uneven, agonistic disciplinary history did not encourage a subfield uniting anthropology and history. However, after 1950, in global contexts of anticolonialism, decolonization, and movements for Indigenous or egalitarian rights, anthropologists, historians, and archaeologists developed the hybrid fields of Ethnohistory and Ethnographic History, which flourished for half a century. Practitioners transcended ethnohistory’s spatial and conceptual roots in the United States and Canada to investigate Indigenous or African American pasts in Latin America and the Caribbean, Indigenous or local pasts in Africa, Asia, and Oceania, and non-Indigenous pasts in Europe and elsewhere. The need to incorporate Indigenous or popular histories and viewpoints was increasingly emphasized. From the 1980s, ethnohistory was condemned as Eurocentric, outdated, even racist, by postcolonial and postmodern critiques (see: The state of ethnohistory. Annual Review of Anthropology 20 (1991):345–375, cited under General Overviews). The label’s usage declined in the 21st century in favor of the already established terms anthropological history or historical anthropology, or the emergent fields of Anthropology of History, historical consciousness, and historicity.


Author(s):  
Marc Raymond

Martin Scorsese’s name has come to symbolize many broad ideas over the past few decades, to the point where he is no longer merely a filmmaker, but rather a cultural touchstone. He is associated with a particular religion (Catholicism), ethnicity (Italian), genre (gangsters), and time period (New Hollywood), while also being the foremost cinephile in American cinema, influencing whole generations in his wake. Consequently, the amount of writing on Scorsese is quite vast, and this bibliography will try to represent that variety while pointing readers to the best of this work. It is thus organized with a focus on Scorsese’s own scholarly contributions, interviews, career overviews, anthologies, major films, documentaries, and influence. There is a temptation to try to divide the work thematically, since so much of the writing centers around either religion, ethnicity, or masculinity, but doing so would risk perpetuating this overemphasis in the scholarship while also not representing the best writing on this important auteur. Thus, while certainly the work on Italian-Catholicism and masculinity will be frequent within the citations to come, they will not predominate among the selections taken as a whole. This bibliography also attempts to give some of the history of Scorsese scholarship itself, focusing on scholarly touchstones that tended to define particular historical moments and how Scorsese has been useful to particular critical approaches and/or arguments.


Author(s):  
Rakesh M. Bhatt

This chapter will address the teaching of “post-colonial Englishes,” focusing on the sociopolitical and cultural conditions that enabled changes in English as it was used during, and after, the colonial encounter. To capture the complexity of linguistic hybridities associated with plural identities, our disciplinary discourses of the global use and acquisition of English must (i) liberate the field of World Englishes from the orthodoxies of the past and instead connect it to a more general theory of the sociolinguistics of globalization, and, especially (ii) bring into focus local forms shaped by the local logics of practice. This chapter discusses specific examples of the practice of creativity in grammar, discourse, and sociolinguistic use of World English varieties.


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