Pioniere der Kinderchirurgie

2020 ◽  

This book provides interested readers a very personal insight into the history of German pediatric surgery. The experiences and perspectives of 10 retired pediatric surgeons in former leadership positions are complied in personal interviews. A particularly interesting aspect of this book is the availability of the audio files of the interviews, which can be accessed via weblinks and QR-codes. This provides an impressive, intimate connection to the history of pediatric surgery in German-speaking countries since the second world war.

Costume ◽  
2021 ◽  
Vol 55 (1) ◽  
pp. 74-96
Author(s):  
Marta Kargól

In 1932, Nellie van Rijsoort (1910–1996), the Dutch embroidery maker and designer, opened her atelier in Rotterdam. Among her clients were prestigious fashion stores in the Netherlands as well as wealthy middle-class customers. After the Second World War, van Rijsoort left Rotterdam and continued her career in Melbourne in the rapidly developing fashion network of Australia. Today, samples of embroidered fabrics and fashion drawings by Nellie van Rijsoort are part of the collections of the Museum Rotterdam and the National Trust of Australia in Melbourne. These collections provide insight into half a century of history of embroidered fabrics. This article illustrates the largely forgotten career of the embroidery designer. The first part of the article outlines the position and meaning of van Rijsoort's atelier in the fashion networks of the Netherlands and Australia, while the second part provides an analysis of embroidery samples and drawings, which reveal the place and function of embroideries as dress decorations.


Viking ◽  
1970 ◽  
Vol 82 ◽  
Author(s):  
Joakim Goldhahn

«As good as it can be done» – commented war letters from Norwegian colleagues to Arthur Nordén 1940–1945 This article is based on letters addressed to Arthur Nordén (1891–1965), from his Norwegian colleagues Anton Willhelm Brøgger (1884–1951) and Sverre Marstrander (1910–1986) during the Nazi occupation of Norway, which lasted from 9 April 1940 to 8 May 1945. The letters provide unique historical insights into Brøgger's and Marstrander's activities during the war and reveal how they were engaging with Swedish archaeological colleagues during the Nazi occupation of Norway. While there is no doubt the relationship between archaeology and Nazism during the Second World War is a complex issue, and one that has been addressed by a number of researchers (e.g. Nordenborg Myhre 1984, 2002; Hagen 2002), these letters reflect particular solidarity between Swedish and Norwegian colleagues. They act as aging photographs capturing unique insight into personal experience and agencies. The expressed solidarity in words and actions strengthened existing collegiality and friendships. The letters add to a more nuanced understanding of the history of our discipline. 


Author(s):  
Michelle Foster ◽  
Hélène Lambert

Chapter 2 sets the context of the book by examining the history and background to the formulation of two distinct regimes for refugees and stateless persons, respectively: the 1951 Refugee Convention and the 1954 Convention. It briefly reviews the pre-Second World War position, before examining in depth the UN’s seminal 1949 Study on Statelessness, which was the precursor to the formulation of the 1951 Refugee Convention. It also analyses the extensive debate by the Ad Hoc Committee on Statelessness and Related Problems on whether to separate issues relating to statelessness from the Refugee Convention. While the focus of the book is very much on the 1951 Refugee Convention, important insight into the contemporaneous understanding of the connection between stateless persons and refugees is provided in the drafting history of the 1954 Convention—given its proximity to the 1951 Refugee Convention. Chapter 2 therefore also analyses this history in order to assess whether it provides further insight into the scope, as understood at the time, of the 1951 Refugee Convention vis-à-vis stateless persons.


2008 ◽  
Vol 3 ◽  
Author(s):  
Gibran Van Ert

This essay draws on biographical material and radio transcripts to tell the story of Ezra Pound's collaboration with Italy during the Second World War. It pulls together the numerous and inaccessible broadcasts to provide an overview of the central themes— and important omissions—of the American poet's foray into broad casting. Pound's collaboration, it is argued, was more an expression of his own personality than an act of Italian psychological warfare. The essay highlights a curious chapter in the history of propaganda, contributes to the study of anti-Semitism, and provides for literary scholars an insight into the later thought of one of the most important figures in modern literature.


2010 ◽  
Vol 29 ◽  
pp. 119-159 ◽  
Author(s):  
Klaus Pietschmann ◽  
Steven Rozenski

The German singer, composer and writer Johannes von Soest (1448–1506), also referred to as Steinwart or Steinwert, is the author of a vernacular autobiography in verse. One of the very few such documents written by a musician, it gives a highly personal insight into his career, which extended from his training as a chorister in Soest to the ducal chapel in Cleves and afterwards to Bruges (in the company of two unnamed English musicians), Aardenburg (Overijssel), Maastricht, possibly Cologne, Kassel and finally Heidelberg, where he was appointed as Kapellmeister. He subsequently decided to become a physician. The article includes a complete transcription of the text, whose original was destroyed during the Second World War, but has been preserved in Johann Carl von Fichard's rare edition of 1811, and a translation of the sections of musical interest. In an introduction his training and career choices are discussed, and his observations concerning musical practice are analysed.


2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.


2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


1992 ◽  
Vol 13 (2) ◽  
pp. 101-126
Author(s):  
Hans Levy

The focus of this paper is on the oldest international Jewish organization founded in 1843, B’nai B’rith. The paper presents a chronicle of B’nai B’rith in Continental Europe after the Second World War and the history of the organization in Scandinavia. In the 1970's the Order of B'nai B'rith became B'nai B'rith international. B'nai B'rith worked for Jewish unity and was supportive of the state of Israel.


Author(s):  
David Hardiman

Much of the recent surge in writing about the practice of nonviolent forms of resistance has focused on movements that occurred after the end of the Second World War, many of which have been extremely successful. Although the fact that such a method of civil resistance was developed in its modern form by Indians is acknowledged in this writing, there has not until now been an authoritative history of the role of Indians in the evolution of the phenomenon.The book argues that while nonviolence is associated above all with the towering figure of Mahatma Gandhi, 'passive resistance' was already being practiced as a form of civil protest by nationalists in British-ruled India, though there was no principled commitment to nonviolence as such. The emphasis was on efficacy, rather than the ethics of such protest. It was Gandhi, first in South Africa and then in India, who evolved a technique that he called 'satyagraha'. He envisaged this as primarily a moral stance, though it had a highly practical impact. From 1915 onwards, he sought to root his practice in terms of the concept of ahimsa, a Sanskrit term that he translated as ‘nonviolence’. His endeavors saw 'nonviolence' forged as both a new word in the English language, and as a new political concept. This book conveys in vivid detail exactly what such nonviolence entailed, and the formidable difficulties that the pioneers of such resistance encountered in the years 1905-19.


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