The genesis of mass culture: show business live in America, 1840-1940

2008 ◽  
Vol 46 (01) ◽  
pp. 46-0164-46-0164
Keyword(s):  
Author(s):  
Ivan Bobul

The aim of the work is to study pop and vocal art in the context of the development of mass culture, which is genetically determined and mediated by a number of its characteristics and traits. The research methodology involves recourse to an interdisciplinary approach, as well as the use of comparative, historical and logical methods of analysis and culturological approach in the study of these issues. The scientific novelty lies in the expansion of information on the development of pop and vocal art in the context of mass culture and the mediation of its main characteristics by the formats of mass art. Conclusions. The study found that the modern system of pop art, combined with the show business, reflects the state, trends and prospects of pop music, which can be improved by understanding the socio-cultural significance of mass culture and popular art, as well as a developed sense of responsibility the creators of mass culture. The development of musical variety should be based on the generalization of previous creative experience and inherited compositional and performing traditions. The current realities of socio-cultural life determine the fact that the substantive and professional components of pop music should be based on both traditional artistic and aesthetic ideas and the search for new views on art, relevant to modern trends, tendencies and spiritual needs of society. The intensification of the musical-performing process leads to the discovery of new horizons of mastering the artistic and creative space, which, in turn, will help update the paradigm of pop art, focusing on modern pop music as an important phenomenon of socio-cultural life.


2021 ◽  
Vol 20 (6) ◽  
pp. 263-277
Author(s):  
O. S. Issers

Purpose. The article examines the methods of building dialogue in interviews conducted by the popular video blogger and journalist Yury Dud, who is named the main hero of Russian cultural life in 2020 by Forbes Life. To determine his individual style, the author analyzes strategies of communicative behavior. The following parameters are the most significant for the description of interviewing strategies: thematic repertoire and thematic dominants of the conversation; methods of requesting/extracting information; methods of interpreting and evaluating what the interlocutor said; the choice of language code. The empirical basis of the study contains interviews by Yu. Dud with various interlocutors – journalists, TV presenters, cultural and show business figures, politicians, and other public figures, uploaded on the YouTube video hosting service in the period of 2017–2020. The analysis of more than 40 programs allows observing a wide range of techniques of a journalist, depending on the “addressee factor”.Results. The key topics that are regularly discussed in interviews are identified, including those that violate ethical taboos (about sex, bad behavior, and bad habits, judgments and hot takes on colleagues and senior officials, etc.). The thematic repertoire is considered as a deliberate communicative choice of a journalist, conditioned by the dramaturgy of public dialogue addressed to a mass audience and the tasks of portrayal.The author reveals the distinctive methods of requesting information and eliciting facts, which is inherent to the journalistic style of Yu. Dud: illocutionary forcing reasoning (“why-questions”), clarifying questions, reformulating, role modeling of relations with a guest, where the journalist often pretends being dilettante. Interpretation and evaluation of the interlocutor's statements are based on the clearest identification of their position for the mass addressee by an explication of ideas expressed by the guest implicitly, “delegation of opinion”, and the effects of “insight”.The choice of the language code indicates the “discursive adaptation” of the journalist to his interlocutor and allows the journalist to reveal to the mass audience their personality, including their speech characteristics. The dynamism of the dialogue is due to the setting to dramatize the conversation scenario: this is manifested not only in the choice of somewhat unexpected topics of conversation, but also in the expression of one's attitude to the statements of the interlocutor, explicit/implicit assessments, and the choice of the speech code.Conclusion. It is concluded that Dud’s interviews are a vivid example of the trends of modern Internet journalism, and the communicative strategies he implements allow us to see the prospects for the development of the genre. Given the popularity of the genre in traditional and new media, the author notices that the interview not only reflects the features of social communications of the 21st century but is also a powerful factor of shaping modern mass culture.


Author(s):  
Olena Khlystun

The purpose of the article is to analyze the main milestones of the activity and reveal the cultural and artistic features of the figure of Phineas Taylor Barnum as a representative of show business and professional art of the showman. The methodology combines methodological tools of culturological, historical, art history, bibliographic, socio-cultural approaches. Also used general scientific research methods - analysis, synthesis - to detail the subject of research; generalization - to conceptualize the conclusions. Scientific novelty. For the first time in Ukrainian culturology and art history, an attempt was made to briefly analyze the activities of FT Barnum and its significance for show business. Conclusions. Thus, the popularity of F. Barnum's show was based on the exploitation of unusual images and the image of his "star" artists. He also proved that show business is not only a part of mass culture, but also entrepreneurship, which should bring financial benefits. Any offer in the show business market is just a product, no matter what wrapper it is packaged to be in demand. It is the financial gain and tastes of the mass public that dictate the rules of the game in the show business market. That is, at the end of the XIX century, the showman understood and substantiated the main components that contribute to success in show business: finance, advertising, image. Thus, F. Barnum actually became the first image-maker, publicist and producer in one person. A man who may have been intuitive at first, but understood not only all these things, but also the subtleties of the psychology of the mass consumer of products in the show business sphere.


Author(s):  
Olena Besarab

The research deals with phenomenon of mass art (mass culture) as one of the components of mass art modern world. An attempt to identify mass culture, mass art as a phenomenon is made and main approaches to its treatment and different aspects of its study in contemporary science are analysed. The first part of the work offers an overview of researchers’ views on the problem of definition of mass culture, mass art phenomenon and reveals ways of self-identification of it in the course of its development. Main features of mass culture, mass art are also studied. The second part of the work is devoted to the analysis of main approaches to the study of mass art and mass culture in early and in modern scientific works. As we see this phenomenon is widely examined by representatives of different research schools and scientific spheres. Philosophers, political scientists, writers, art critics, culturologists are involved in this process. The majority of the twentieth century researchers perceived mass culture as negative aspect of cultural social development because of its low level of quality and as a part of bourgeois culture focused on manipulating the minds of the masses. On the other hand the 21st century researchers realizing all the negative moments (idolatry, personality levelling) consider mass culture and mass art as natural necessary phenomenon of modern life, a base for development of professional art, a product of modern technology, show-business. The analyses of the phenomenon of mass art, mass culture gives us the picture of variety in opinions and approaches to this phenomenon as well as of the great number of aspects of scientific interest to the problem. In the majority of cases researchers’ concepts of mass culture, mass art clearly reflects the ideas of the periods they belong to.


1972 ◽  
Vol 17 (7) ◽  
pp. 406-406 ◽  
Author(s):  
EDWARD E. JONES
Keyword(s):  

2012 ◽  
Vol 03 (05) ◽  
pp. 201-201
Author(s):  
Alexander Kretzschmar
Keyword(s):  

2019 ◽  
pp. 22-29
Author(s):  
Н. В. Фрадкіна

The purpose and tasks of the work are to analyze the contemporary Ukrainian mass culture in terms of its value and humanistic components, as well as the importance of cultural studies and Ukrainian studies in educational disciplines for the formation of a holistic worldview of modern youth.Analysis of research and publications. Scientists repeatedly turned to the problems of the role of spirituality in the formation of society and its culture. This problem is highlighted in the publications by O. Losev, V. Lytvyn, D. Likhachev, S. Avierintsev, M. Zakovych, I. Stepanenko and E. Kostyshyn.Experts see the main negative impact of mass culture on the quality approach, which determines mass culture through the market, because mass culture, from our point of view, is everything that is sold and used in mass demand.One of the most interesting studies on this issue was the work by the representatives of Frankfurt School M. Horkheimer and T. Adorno «Dialectics of Enlightenment» (1947), devoted to a detailed analysis of mass culture. Propaganda at all socio-cultural levels in the form is similar in both totalitarian and democratic countries. It is connected, according to the authors, with the direction of European enlightenment. The tendency to unify people is a manifestation of the influence of mass culture, from cinema to pop. Mass culture is a phenomenon whose existence is associated with commerce (accumulation in any form – this is the main feature of education), in general, the fact that it exists in this form is related to the direction of the history of civilization.Modern mass culture, with its externally attractive and easily assimilated ideas and symbols, appealing to the trends of modern fashion, becomes a standard of prestigious consumption, does not require intense reflection, allows you to relax, distract, not teach, but entertains, preaches hedonism as the main spiritual value. And as a consequence, there are socio-cultural risks: an active rejection of other people, which leads to the formation of indifference; cruelty as a character trait; increase of violent and mercenary crime; increase in the number of alcohol and drug addicts; anti-patriotism; indifference to the values of the family and as a result of social orphanhood and prostitution.Conclusions, perspectives of research. Thus, we can conclude that modern Ukrainian education is predominantly formed by the values of mass culture. Namely, according to the «Dialectic» by Horkheimer and Adorno, «semi-enlightenment becomes an objective spirit» of our modern society.It is concluded that only high-quality education can create the opposite of the onset of mass culture and the destruction of spirituality in our society. It is proved that only by realizing the importance of cultivating disciplines in the educational process and the spiritual upbringing of the nation, through educational reforms, humanitarian knowledge will gradually return to student audiences.Formation of youth occurs under the influence of social environment, culture, education and self-education. The optimal combination of these factors determines both the process of socialization itself and how successful it will be. In this context, one can see the leading role of education and upbringing. It turns out that the main task of modern education is to spread its influence on the development of spiritual culture of the individual, which eventually becomes a solid foundation for the formation of the individual. Such a subject requires both philosophical and humanitarian approaches in further integrated interdisciplinary research, since the availability of such research will provide the theoretical foundation for truly modern educational and personal development.


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