scholarly journals MASS CULTURE (MASS ART) IN CONTEMPORARY SCIENTIFIC RESEARCHES

2021 ◽  
pp. 17-35
Author(s):  
Olena Besarab
Keyword(s):  
Mass Culture ◽  
Modern Technology ◽  
Modern World ◽  
Modern Life ◽  
Contemporary Science ◽  
Show Business ◽  
Research Schools ◽  
Bourgeois Culture ◽  
Definition Of ◽  
The Masses

The research deals with phenomenon of mass art (mass culture) as one of the components of mass art modern world. An attempt to identify mass culture, mass art as a phenomenon is made and main approaches to its treatment and different aspects of its study in contemporary science are analysed. The first part of the work offers an overview of researchers’ views on the problem of definition of mass culture, mass art phenomenon and reveals ways of self-identification of it in the course of its development. Main features of mass culture, mass art are also studied. The second part of the work is devoted to the analysis of main approaches to the study of mass art and mass culture in early and in modern scientific works. As we see this phenomenon is widely examined by representatives of different research schools and scientific spheres. Philosophers, political scientists, writers, art critics, culturologists are involved in this process. The majority of the twentieth century researchers perceived mass culture as negative aspect of cultural social development because of its low level of quality and as a part of bourgeois culture focused on manipulating the minds of the masses. On the other hand the 21st century researchers realizing all the negative moments (idolatry, personality levelling) consider mass culture and mass art as natural necessary phenomenon of modern life, a base for development of professional art, a product of modern technology, show-business. The analyses of the phenomenon of mass art, mass culture gives us the picture of variety in opinions and approaches to this phenomenon as well as of the great number of aspects of scientific interest to the problem. In the majority of cases researchers’ concepts of mass culture, mass art clearly reflects the ideas of the periods they belong to.

scholarly journals The Antimodern Manifesto of the Rural Flaneur: When D'Arcy and John Go For a Wander

2013 ◽  
Author(s):  
Mike Grimshaw
Keyword(s):  
Mirror Image ◽  
The Self ◽  
Modern World ◽  
Modern Life ◽  
Definition Of

Central to the self-definition of modernity walks the flanuer, the modern, observing, critical individual who wanders amidst but against the crowds and urban flows of modern life.  Central to the flaneur is an identity that is incomplete, an existence that is dissatisfied.  As Bauman notes, the flanuer is the mirror-image, the imitation, the product of the stock-taking, the forced adjustment and mimicry of the modern world - which is itself the original flaneur.

Being in the Crowd

2020 ◽  
pp. 204-215
Author(s):  
Jennifer Anna Gosetti-Ferencei
Keyword(s):  
Mass Culture ◽  
Mass Production ◽  
Modern World ◽  
Georg Simmel ◽  
Modern Life ◽  
Contemporary World ◽  
Production And Consumption ◽  
Current Century ◽  
The Individual ◽  
Modern Mass

This chapter shows how many existentialists conceived the individual in the modern world and the challenges of modern life to individual authenticity. It takes up Kierkegaard, Nietzsche, Heidegger, Rilke, and the existential social theorist Georg Simmel, identifying their shared skepticism of modern mass culture and fear that it endangered human individuality. These existential thinkers could not have anticipated globalization, the breadth of mass production and consumption in the current century, or its data-driven anonymization of human culture. Yet this chapter argues that their insights are especially relevant for life in the contemporary world. It considers how the human individual may be existentially sustained despite these challenges.

ADMINISTRATIVE AND LEGAL STATUS OF THE CAPITAL OF UKRAINE - THE HERO CITY OF KYIV AS A GUARANTEE OF THE RIGHTS OF CITIZENS OF UKRAINE AND THE TERRITORIAL COMMUNITY OF THE CITY

2017 ◽  
Author(s):  
Oleksii Chepov ◽  
Keyword(s):  
Legal Status ◽  
Modern World ◽  
Legal Regime ◽  
Legal Doctrine ◽  
City Councils ◽  
The Social ◽  
District Management ◽  
Definition Of ◽  
The Relationship ◽  
The City

The qualitative and clear definition of the legal regime of the capital of Ukraine, the hero city of Kyiv, is influenced by its legislative enshrinement, however, it should be noted that discussions are ongoing and one of the reasons for the unclear legal status of the capital is the ambiguity of current legislation in this area. Separation of the functions of the city of Kyiv, which are carried out to ensure the rights of citizens of Ukraine and the functions that guarantee the rights of the territorial community of the city of Kyiv. In the modern world, in legal doctrine and practice, the capital is understood as the capital of the country, which at the legislative level received this status and, accordingly, is the administrative and political center of the state, which houses the main state bodies and diplomatic missions of other states. It is the identification of the boundaries of the relationship between the competencies of state administrations and local self-government, in practice, often raises questions about their delimitation and ways of regulatory solution. Peculiarities of local self-government in Kyiv city districts are defined in the provisions of the Law on the Capital, which reveal the norms of the Constitution in these legal relations, according to which the issue of organizing district management in cities belongs to city councils. Likewise, it is unregulated by law to lose the particularity of the legal status of the territory of the city. It should be emphasized that the subject of administrative-legal relations is not a certain administrative-territorial entity, but the social group is designated - the territorial community of the city of Kiev, kiyani. Thus, the provisions on the city of Kyiv partially ignore the potential of the territorial community.

MONARCHS, TRAVELLERS AND EMPIRE IN THE PACIFIC'S AGE OF REVOLUTIONS

2020 ◽  
Vol 30 ◽  
pp. 77-96
Author(s):  
Sujit Sivasundaram
Keyword(s):  
Pacific Islanders ◽  
Modern World ◽  
Global History ◽  
The Past ◽  
The Pacific ◽  
Cultural Terms ◽  
The Pacific Ocean ◽  
Definition Of ◽  
The Uk ◽  
A Site

AbstractThe Pacific has often been invisible in global histories written in the UK. Yet it has consistently been a site for contemplating the past and the future, even among Britons cast on its shores. In this lecture, I reconsider a critical moment of globalisation and empire, the ‘age of revolutions’ at the end of the eighteenth century and the start of the nineteenth century, by journeying with European voyagers to the Pacific Ocean. The lecture will point to what this age meant for Pacific islanders, in social, political and cultural terms. It works with a definition of the Pacific's age of revolutions as a surge of indigeneity met by a counter-revolutionary imperialism. What was involved in undertaking a European voyage changed in this era, even as one important expedition was interrupted by news from revolutionary Europe. Yet more fundamentally vocabularies and practices of monarchy were consolidated by islanders across the Pacific. This was followed by the outworkings of counter-revolutionary imperialism through agreements of alliance and alleged cessation. Such an argument allows me, for instance, to place the 1806 wreck of the Port-au-Prince within the Pacific's age of revolutions. This was an English ship used to raid French and Spanish targets in the Pacific, but which was stripped of its guns, iron, gunpowder and carronades by Tongans. To chart the trajectory from revolution and islander agency on to violence and empire is to appreciate the unsettled paths that gave rise to our modern world. This view foregrounds people who inhabited and travelled through the earth's oceanic frontiers. It is a global history from a specific place in the oceanic south, on the opposite side of the planet to Europe.

Entrepreneurship in the Digital Economy: Opportunities and Threats

2021 ◽  
pp. 68-70
Author(s):  
V.V. Altukhov ◽  
A.V. Kolesnikov
Keyword(s):  
Digital Economy ◽  
Modern World ◽  
Definition Of

The article examines the sequence of the development of entrepreneurship in the digital economy, as well as the approach to the definition of “digital economy”, the significance of the digital economy in the modern world, opportunities and threats in this area.

Digital Technology: the Answer to the Art Historical Conundrum of A ccessibility?

2018 ◽  
Author(s):  
Abigail Berry
Keyword(s):  
Digital Technology ◽  
Art History ◽  
18Th Century ◽  
Modern Technology ◽  
Travel Costs ◽  
Special Collections ◽  
The People ◽  
Accessibility Problem ◽  
Definition Of ◽  
High Level

The famous anthropologist Pierre Bourdieu argued that there is an “unnatural idea of inborn culture, of a gift of culture, bestowed on certain people by Nature.” [1] Bourdieu is arguing that people, who have not been born into a higher class, or who cannot receive a high level of education, are unable to appreciate and understand art. The study of art history is expensive, and often involves extremely high travel costs, thus making it inaccessible to anybody who does not enjoy the means to pursue it. How can we address this accessibility problem in the study of art history? Is there any way to bring art to the people who do not possess “inborn culture?” Bourdieu wrote his book on art and class in 1984, at a time when the computer, and its democratizing potential, was a new and little -understood invention. My research proposes that modern technology provides an answer to this problem, which has plagued the discipline of art history. This presentation will examine three research projects that I’ve been working on at Queen’s. Each project uses digital technologies to improve the general public’s knowledge and access to art. The projects are all different: the first focuses on creating a digital model of 18th - century Canterbury Cathedral based on a book from W.D. Jordan Rare Books and Special Collections, the second project works on understanding Herstmonceux Castle and medieval England through technology, and the third involves image processing for art historical investigations. Despite their differences, each project makes art accessible to people who do not possess Bourdieu’s definition of “inborn culture.”        

“Earth has clear call of daily bells”: Nature’s Apocalyptic Liturgy in Christina Rossetti’s Verses

2011 ◽  
Vol 15 (1-2) ◽  
pp. 172-171 ◽  
Author(s):  
Chene Heady Faulstick
Keyword(s):  
Religious Experience ◽  
Religious Conversion ◽  
Emotional Experience ◽  
Modern World ◽  
The Novel ◽  
Broad Definition ◽  
Emotional Interaction ◽  
Baroque Art ◽  
Definition Of ◽  
Religious Understanding

AbstractThis essay reconsiders Charles Ryder’s religious conversion in Brideshead Revisited in terms of a primarily emotional conversion. When reading the novel as a pilgrimage to passion, readers can see in Charles a legitimate, convincing emotional conversion, which should—when emphasizing traditional Catholic ideals—ultimately also be understood as a religious conversion. Charles’s emotional interaction with Catholicism includes his intimate, formative relationship with the Catholic Flyte family, especially Sebastian, and aspects of his career as a Baroque artist, as Baroque art is often identified with Catholicism. It also includes Charles’s disenchantment with both the soullessness of war, which drains its participants of any emotional experience, and the modern world, which lacks connection to depth and tradition. Finally, the emotive power of his inadvertent pilgrimage to Brideshead also connects Charles to Catholicism as the house facilitates Charles’s memories of his religious experience at Lord Marchmain’s deathbed, his artistic conversion to Baroque art, and his passionate friendship with Sebastian. Such a broad definition of Catholicism calls for an expansive understanding of religion, but it is this kind of a religious understanding that Brideshead Revisited recommends.

scholarly journals The partisanism: the foundations social-philosophical analysis

2020 ◽  
Vol 19 (7-8) ◽  
pp. 37-42
Author(s):  
Andrey Yu. Cherepanov ◽  
Andrey Yu. Klekovkin
Keyword(s):  
World Order ◽  
Philosophical Analysis ◽  
Guerrilla Warfare ◽  
Modern World ◽  
Historical Period ◽  
Social Phenomenon ◽  
Military Conflict ◽  
Definition Of ◽  
Goals And Objectives ◽  
Philosophical Understanding

Partisanism is a special social phenomenon that occurs in almost any protracted military conflict. Despite the fact that the term partisanism arose in the XVIII century, to this day quite conflicting meanings are invested in its concept, the meaning of which largely depends on the historical period of their use. The realities of the modern world order, which led to the loss of relevance of the classical wars, which in turn led to the destruction of the classical partisans, made even more confusion in the definition of partisanism and the formation of its image. The article is devoted to the socio-philosophical understanding of the image of classical partisanism based on the works of famous researchers of the partisan movement. As a result of the analysis, the main images of guerrilla warfare were revealed, depending on the belonging of the partisan movement participants to regular formations, as well as on the goals and objectives of the partisan war.

scholarly journals Variety and vocal art in the context of development mass culture

2021 ◽  
Author(s):  
Ivan Bobul
Keyword(s):  
Mass Culture ◽  
Interdisciplinary Approach ◽  
Pop Art ◽  
Spiritual Needs ◽  
Pop Music ◽  
Cultural Significance ◽  
Popular Art ◽  
Cultural Life ◽  
Show Business ◽  
Vocal Art

The aim of the work is to study pop and vocal art in the context of the development of mass culture, which is genetically determined and mediated by a number of its characteristics and traits. The research methodology involves recourse to an interdisciplinary approach, as well as the use of comparative, historical and logical methods of analysis and culturological approach in the study of these issues. The scientific novelty lies in the expansion of information on the development of pop and vocal art in the context of mass culture and the mediation of its main characteristics by the formats of mass art. Conclusions. The study found that the modern system of pop art, combined with the show business, reflects the state, trends and prospects of pop music, which can be improved by understanding the socio-cultural significance of mass culture and popular art, as well as a developed sense of responsibility the creators of mass culture. The development of musical variety should be based on the generalization of previous creative experience and inherited compositional and performing traditions. The current realities of socio-cultural life determine the fact that the substantive and professional components of pop music should be based on both traditional artistic and aesthetic ideas and the search for new views on art, relevant to modern trends, tendencies and spiritual needs of society. The intensification of the musical-performing process leads to the discovery of new horizons of mastering the artistic and creative space, which, in turn, will help update the paradigm of pop art, focusing on modern pop music as an important phenomenon of socio-cultural life.

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