scholarly journals Bequests with a special review of The Heritage House-Belgrade

Kultura ◽  
2020 ◽  
pp. 375-391
Author(s):  
Dejana Prnjat

Taking care of a country's cultural legacy is the priority of each nation's cultural policy. The most important is its protection, since lost legacy cannot be compensated. However, research is also very important as is its presentation to the public. On the one hand, it is not surprising that allocations for culture in a poor country are minimized. On the other hand, there are many unsolved problems that do not depend on finances, like legal regulations in this domain. In this research we are going to pay special attention to the bequests of The Heritage House-Belgrade, whose founder is the City of Belgrade, since it is a unique state institution whose main activity is related to heritage and legacy.

2016 ◽  
Vol 60 (2) ◽  
pp. 69-85
Author(s):  
Beata Kowalczyk

This text is an attempt at a sociological description of the phenomenon of street trading as a form of (in)visible presence in the public space of the city. Street traders are (in)visible in the sense that, in breaking the legal regulations setting the frame for public visibility, they must be invisible to the apparatus of power in order to avoid fines and ensure their ability to achieve their aims, their livelihoods. On the one hand, street traders balance on the edge of the law, transgressing the public order, and on the other hand, they are active creators of its (in)visible portion, metaphorically speaking—protesters against the established socio-cultural structures but in reality people seeking the means to survive.


Author(s):  
Jonathan Stutz

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.


2021 ◽  
Vol 17 (6) ◽  
pp. 564-575
Author(s):  
Irina I. Rutsinskaya

An artist who finds themselves in the last days of a war in the enemy’s defeated capital may not just fix its objects dispassionately. Many factors influence the selection and depicturing manner of the objects. One of the factors is satisfaction from the accomplished retribution, awareness of the historical justice triumph. Researchers think such reactions are inevitable. The article offers to consider from this point of view the drawings created by Soviet artists in Berlin in the spring and summer of 1945. Such an analysis of the German capital’s visual image is conducted for the first time. It shows that the above reactions were not the only ones. The graphics of the first post-war days no less clearly and consistently express other feelings and intentions of their authors: the desire to accurately document and fix the image of the city and some of its structures in history, the happiness from the silence of peace, and the simple interest in the monuments of European art.The article examines Berlin scenes as evidences of the transition from front-line graphics focused on the visual recording of the war traces to peacetime graphics; from documentary — to artistry; from the worldview of a person at war — to the one of a person who lived to victory. In this approach, it has been important to consider the graphic images of Berlin in unity with the diary and memoir texts belonging to both artists and ordinary soldiers who participated in the storming of Berlin. The combination of verbal and visual sources helps to present the German capital’s image that existed in the public consciousness, as well as the specificity of its representation by means of visual art.


Urban History ◽  
2017 ◽  
Vol 45 (2) ◽  
pp. 233-252
Author(s):  
MIKKEL THELLE

ABSTRACT:This article investigates the emergence of the Copenhagen slaughterhouse, called the Meat City, during the late nineteenth century. This slaughterhouse was a product of a number of heterogeneous components: industrialization and new infrastructures were important, but hygiene and the significance of Danish bacon exports also played a key role. In the Meat City, this created a distinction between rising production and consumption on the one hand, and the isolation and closure of the slaughtering facility on the other. This friction mirrored an ambivalent attitude towards meat in the urban space: one where consumers demanded more meat than ever before, while animals were being removed from the public eye. These contradictions, it is argued, illustrate and underline the change of the city towards a ‘post-domestic’ culture. The article employs a variety of sources, but primarily the Copenhagen Municipal Archives for regulation of meat provision.


2020 ◽  
Vol 6 (2) ◽  
pp. 112
Author(s):  
Wicaksono Dwi Pamungkas ◽  
Nina Setiyawati

Public services are services, both in the form of public goods and public services which are the responsibility and are carried out by the government in an effort to meet the needs of the community and in accordance with statutory provisions. One of the public services provided by the government is the One-Stop Administration System (SAMSAT). According to SAMSAT data in the city of Magelang, data on motorized vehicle ownership has increased and there has been an increase in the number of taxpayers. However, the tax payment service is considered to be less than optimal because there are still long queues when paying taxes.This also causes many people to make payments past the due date or entrust queues to brokerage services. Therefore, to overcome the problem, a mobile-based application (GO-PAJAK) was built which can be used to make tax payments by means of a vehicle document pick-up to pay motor vehicle taxes connected between drivers (SAMSAT employees) and customers (taxpayers). With this application, it is expected to improve service standards at the SAMSAT office and reduce taxpayer queues also reduce the use of brokers in administering public service administration that can increase public trust.  


2018 ◽  
Author(s):  
Rob Kitchin

This paper considers, following David Harvey (1973), how to produce a genuinely humanizing smart urbanism. It does so through utilising a future-orientated lens to sketch out the kinds of work required to reimagine, reframe and remake smart cities. I argue that, on the one hand, there is a need to produce an alternative ‘future present’ that shifts the anticipatory logics of smart cities to that of addressing persistent inequalities, prejudice, and discrimination, and is rooted in notions of fairness, equity, ethics and democracy. On the other hand, there is a need to disrupt the ‘present future’ of neoliberal smart urbanism, moving beyond minimal politics to enact sustained strategic, public-led interventions designed to create more-inclusive smart city initiatives. Both tactics require producing a deeply normative vision for smart cities that is rooted in ideas of citizenship, social justice, the public good, and the right to the city that needs to be developed in conjunction with citizens.


Author(s):  
Stephan De Beer

This essay is informed by five different but interrelated conversations all focusing on the relationship between the city and the university. Suggesting the clown as metaphor, I explore the particular role of the activist scholar, and in particular the liberation theologian that is based at the public university, in his or her engagement with the city. Considering the shackles of the city of capital and its twin, the neoliberal university, on the one hand, and the city of vulnerability on the other, I then propose three clown-like postures of solidarity, mutuality and prophecy to resist the shackles of culture and to imagine and embody daring alternatives.


2020 ◽  
Vol 102 ◽  
pp. 621-642
Author(s):  
Igor V. Omeliyanchuk

The article examines the creation, social structure, quantity, financing and main activity directions of the monarchist organizations in Odessa in 1904 – 1917. Odessa became one of the centers of the monarchist movement in Russia, in the period under consideration there were about ten right-wing organizations in the area, some of them being subsidiaries of the all-Russia parties, and some – independent parties. High degree of the city population politicization was conditioned by sharp interethnic and economic contradictions and became the cause of mass monarchic movement, while mixed social structure and personal conflicts among monarchist leaders promoted the split of active monarchist organizations in Odessa and the appearance of the new ones. Right-wing parties in Odessa played a prominent role in the public and political life of the city, especially in 1906 -1912. Then due to various reasons this influence started to decrease. With the beginning of the First World War the monarchist movement in Odessa experienced certain growth. However, the draft of right-wing activists to the army filed forces, the decrease of monarchist ideas popularity in society, as well as social and economic difficulties of the war time, very soon led to the critical weakening of the right organizations in Odessa, followed by their disappearance from the political arena in February of 1917.


2004 ◽  
Vol 3 (2) ◽  
pp. 111-144 ◽  
Author(s):  
Jennifer Koslow

On May 28,1912, Katherine Philips Edson took her seven-year-old son by the hand and headed for her local polling precinct. Women had recently won suffrage in California, and Edson went to exercise her new right. This was a special referendum election, and she needed to consider a number of very different issues. Should she support the creation of an Aqueduct Investigation Board? Should she allow the city to collect funds to erect a new city hall? On this day, the question on the ballot that interested her most was the one that she had played a role in crafting. It read, “Shall the ordinance providing for the tuberculin test to be applied to dairy cattle producing milk furnished to the City of Los Angeles, or its inhabitants, be adopted?” After casting her vote, she remained outside with her son at her side and attempted to persuade the electorate that they should vote in favor of the tuberculin ordinance because it protected the public, especially children, from tuberculosis. The Los Angeles Herald photographed her plea for pure milk and placed it on the front page of the evening edition. Much to Edson's dismay, however, the bill was resoundingly defeated.


2020 ◽  
pp. 130-155
Author(s):  
Mónica López Lerma

Chapter six turns to Marcelo Piñeyro’s El Método (2005) to examine a perceived tension in contemporary societies between the depoliticization of the public sphere and the opposite call for its repoliticization. The film productively presents this tension in two ways: first, by inviting viewers to participate in depoliticizing structures of power, and then by inviting them to question their role and responsibility in those structures. On the one hand, the film uses the cinematic split-screen technique to grant viewers a godlike perspective and ability to watch different actions and events synchronically, as if through a surveillance camera. Job candidates are scrutinized from the point of view of a multinational corporation during massive anti-corporate globalization protests in Madrid, which the mass media presents in dismissive terms. On the other hand, the film’s subtle use of sound effectively disrupts the complicity of the viewer in these structures and provides possibilities for political subjectivation. Drawing on the work of Michel Chion and Mdalen Dolar, the chapter shows how the “acousmatic sound” of protest irrupts into the viewer’s given space of the visible and provides avenues for what might be called a “sonic emancipation.”


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