scholarly journals La ciencia en la literatura española decimonónica

Author(s):  
Carlos Miguel Pueyo

Algunos fenómenos científicos, como el tren, los globos aerostáticos, o referencias a química, o física, son las pocas muestras que se pueden encontrar en la prensa y en las obras literarias. Sin embargo, en el contexto del romanticismo español, las ciencias nutren las obras literarias, especialmente en Bécquer. Filosóficamente, las ciencias son un elemento inexcusable para el poeta / artista, pues el conocimiento científico le permitía conocer el universo del que pretendía escribir literariamente. La luz y el color son los elementos indispensables en la literatura romántica, que unen en forma de arte total las ciencias y las artes.Some scientific phenomena, such as the train, the aerostatic balloons, or references to chemistry, or physics, are the few cases that can be found in the press or in the literary works. However, in the context of the Spanish Romanticism, sciences nurture literary works, especially Bécquer. Philosophically, sciences are an unavoidable element for the poet / artist, since scientific knowledge allows him or her to know the universe about which he or she wanted to write. Light and colour are indispensable elements in Romantic literature, which combine in the shape of total art sciences and the arts.

IJOHMN ◽  
2015 ◽  
Vol 1 (3) ◽  
pp. 52-68
Author(s):  
Swati Rani Debnath

In literary works, truth and beauty have been expressed in a varied number of ways by authors of all genres. Rabindranath Tagore and John Keats, two prominent writers from two languages have linked beauty and truth in philosophical manners in many of their writings. Beauty and truth are not separate entities; they flow from the same spring. Tagore views beauty as linked to eternal characteristics of nature and truth is associated with it. Keats sees beauty from spiritual perspective and according to him, realization of truth leads to the fulfillment of beauty. Readers of Tagore and Keats get eye-opening insights from the viewpoints that are followed by their expressions in regarding the tenets of truth and beauty. Truth and beauty fulfill each other in their harmonious existence in the universe. The authors make us realize that beauty does not emanate merely from sensual pleasure; it is an abstract idea, a spiritual understanding that originates from rhythmic attachment with truth. This article compares and contrasts philosophies of truth and beauty from the writings of Tagore and Keats. In doing so, the paper investigates the literary works of the two writers and explores how they have philosophized truth and beauty in the domain of human thought as well as in the realm of spiritual discipline.


2001 ◽  
Vol 22 (1) ◽  
pp. 7-45 ◽  
Author(s):  
Kenneth Ober

Although the noted nineteenth-century Danish-Jewish writer Meïr Goldschmidt (1819–1887) made his entry into literature with a novel on Jewish themes, his later novels treated non-Jewish subjects, and his Jewish heritage appeared progressively to recede into the background of his public image. Literary historians have paid little attention to his complex perception of his own Jewishness and have made no effort to discover the immense significance he himself felt that Judaism had for his life and for his literary works. Moreover, no previous study has comprehensively treated Goldschmidt’s far-reaching network of interrelationships with an astonishing number of other major Jewish cultural figures of nineteenth-century Europe. During his restless travels crisscrossing Europe, which were facilitated by his phenomenal knowledge of the major European languages, he habitually sought out and associated with the leading Jewish figures in literature, the arts, journalism, and religion, but this fact and the resulting mutually influential connections he formed have been overlooked and ignored. This is the first focused and documented study of the Jewish aspect of Goldschmidt’s life, so vitally important to Goldschmidt himself and so indispensable to a complete understanding of his place in Danish and in world literatures.


2004 ◽  
Vol 13 (07) ◽  
pp. 1345-1349 ◽  
Author(s):  
JOSÉ A. S. LIMA ◽  
LUCIO MARASSI

A generalization of the Press–Schechter (PS) formalism yielding the mass function of bound structures in the Universe is given. The extended formula is based on a power law distribution which encompasses the Gaussian PS formula as a special case. The new method keeps the original analytical simplicity of the PS approach and also solves naturally its main difficult (the missing factor 2) for a given value of the free parameter.


2018 ◽  
Vol 9 (1) ◽  
pp. 67
Author(s):  
Moslem Ahmadi

The focus of this research is in the area of the British Romantic literature. Such a study is important in order to demonstrate how the great poets of the British Romantic literature possess the potential to be regrouped under new labels based on the existence of similar attitudes in their literary works. The findings from this research provide evidence that the labels by means of which the scholars group different poets of an age are not fixed and they are susceptible to change. The main conclusion drawn from this study is that new literary labels can be an excellent methodology for determining the real attitudes which influence different poets’ literary works. This paper recommends that new literary labels can be an excellent way for a better understanding of literary works. 


Author(s):  
Maggie Gray

This chapter engages with important strands of scholarship on comics work, arguing for a critical comics studies that attends to the political economy, social relations, and material processes of production. It examines the relationship between struggles over the organization of cultural labor and the forms of value inscribed in comics, via the case study of a specific site of British comics production that reimagined how comics work could be organized and the artistic value comics could have– the cooperative Birmingham Arts Lab Press (1969-1982) and its Ar:Zak imprint. Bringing together archival inquiry and participant interviews, wider historical research into the arts lab, alternative press, community arts and underground/alternative comics movements, and Marxist political and aesthetic theory, this chapter analyzes how struggles for an autonomous, democratized, participatory creative practice that took place within this context of comics production were embodied in the material and visual form of the comics made.


2016 ◽  
Vol 4 (1) ◽  
pp. 152-169
Author(s):  
Martin Sahlén

Modern scientific cosmology pushes the boundaries of knowledge and the knowable. This is prompting questions on the nature of scientific knowledge, and the emergence of the new field “Philosophy of Cosmology.” One central issue is what defines a “good” model. I discuss how “good” models are conventionally chosen, and how those methods operate in data-sparse situations: enabling the implicit introduction of value judgments, which can determine inference and lead to inferential polarization, e.g., on the question of ultimate explanation. Additional dimensions for comparing models are needed. A three-legged comparison is proposed: evidence, elegance and beneficence. This explicitly considers the categories of criteria that are always at least implicitly used. A tentative path to an implementation of the proposed model comparison framework is presented. This extends the Bayesian statistical framework. Model comparison methodology is fertile ground for dialogue between the sciences and the humanities. The proposed framework might facilitate such a dialogue.


1999 ◽  
Vol 52 (2) ◽  
pp. 342-365
Author(s):  
Donald R. Kelley

AbstractChristophe Milieu's De Scribenda Vniversitatis rervm historia libri qvinqve (Basel, 1551) interprets the "universe of things" (universitas return) within an evolutionary and historical framework consisting of five connected and progressive "grades" (gradus) of existence accessible to human understanding: nature (natura), the world of God's creation and man's animal aspect; prudence (prudentia), including the arts of survival; government (principatus), the stage of civil society and political history; wisdom (sapientia), equivalent to civilization and including the higher sciences and philosophy; and literature (litetatura), in which knowledge of the preceding phases of "progress" (progressio) is expressed in writing. Milieu's "narrative" constitutes a pioneering and comprehensive history of western culture.


2011 ◽  
Vol 20 (08) ◽  
pp. 1327-1337
Author(s):  
SEOKCHEON LEE

Dark energy affects the abundance and evolution of clusters owing to their dependence on the geometry of the Universe and the power spectrum. Usually, there exits the degeneracy between σ8 and the matter energy density contrast [Formula: see text]. We avoid this by using the explicit dark energy dependent rms linear mass fluctuation σ8 which is consistent with the CMB normalization for general constant dark energy equation of state, ω Q . When we use the correct value of the critical density threshold δc = 1.58 into the cluster number density n calculation in the Press–Schechter (PS) formalism, PS formalism predicts the cluster number consistent with both simulation and observed data at the high mass region. The improved coefficients of Sheth–Tormen (ST) formalism by using the correct δc is also obtained. We found that changing ω Q by Δω Q = -0.1 from ω Q = -1.0 causes the changing of the comoving numbers of high mass clusters of M = 1016h-1M⊙ by about 20 and 40% at z = 0 and 1, respectively.


Author(s):  
Maria Antónia Pires de Almeida

This is a study of how scientific knowledge reached common citizens in nineteenth-century Portugal, using newspapers as the main source. Despite the population's limited access to written material, each leading newspaper might be read by 30 000 people a day in Lisbon. This made newspapers the most widely available vehicle for the diffusion of the latest scientific information to the general public. With a cholera morbus epidemic affecting the second largest Portuguese town and all the northern regions, as well as the Algarve, reports on the course of the epidemic were considered essential. The author bases her study on a database of news about the disease in 1855 and 1856, especially with regard to prevention and treatment.


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