The Journeys of Child Refugees, Lost and Rediscovered

Author(s):  
Tony Kushner

Using the concept of place, this chapter explores the child survivors who came to Britain after the end of the war and initially settled in the Lake District. It explores how the heritage of the area, which is dominated by William Wordsworth, both excluded but has recently managed to include the experiences of these children as ‘Wandering Jews’. It provides a longer term history of such child refugees by incorporating the experiences of Serbian refugees who were sent to British schools in the First World War and how and why they have subsequently been forgotten. The experiences of the Holocaust survivor children is explored, especially with regard to place identity. Finally the chapter concludes by considering contemporary child migrants with the focus on those who attempt to reach the USA from central America and why concepts such as children’s rights has not impacted on their negative treatment,

2020 ◽  
pp. 24-49
Author(s):  
Stefan Manz ◽  
Panikos Panayi

This chapter places the incarceration of Germans in the British Empire during the First World War into global and historical context. It looks back to the birth of the practice of internment in imperial wars involving Britain, the USA, and Germany in the late nineteenth and early twentieth century. It traces the path to the use of British incarceration during the First World War and demonstrates how this conflict acted as a key turning point in the history of civilian confinement, making it normal wartime practice. Civilian incarceration continued in the post-war period, especially in the fall-out from the Second World War and the collapsing colonial empires, while by the twenty-first century camps have become a weapon against refugees. The chapter demonstrates how the British Empire globalized and normalized civilian incarceration during the Great War and therefore argues that it played a key role in the normalization of this process.


2019 ◽  
pp. 136248061987573
Author(s):  
Lucas B Mazur ◽  
Mariusz Sztuka

The “agonistic perspective” on criminal justice posits that tensions are ubiquitous in the field irrespective of time, place, and the given paradigm. While the study of conflict and contestation is important, it is equally necessary to study harmony and shared interests. In the present article, we explore a period in the history of European penal reform that was marked by such a convergence of interests, and which would in Poland wed institutional reactions to crime with pedagogy, rather than the field of law as seen in many other nations. Macro-level shifts following the First World War allowed for the convergence of three broad “currents” of the day: national penal reform; the field of pedagogy; and the self-ascribed social mission of the Polish intelligentsia. By taking seriously practical collaboration and ideological harmony we are also reminded that the (penal) systems of the West (particularly the USA and the UK) are not obvious, automatic, or necessary.


2020 ◽  
Vol 15 (1-2) ◽  
pp. 108-137
Author(s):  
Andrey V. Ganin ◽  

The material is a publication of an annotated excerpt from the memoirs of General Pyotr Semyonovich Makhrov about the events of the Civil War in Ukraine from the autumn of 1918 to the winter of 1919. The manuscript of Makhrov’s memoirs is kept in the Bakhmetev archive of Columbia University in the USA. This valuable testimony of an informed contemporary of crucial historical events is an important source on the history of the First World War, the Civil War in Russia and Ukraine, and Russian mili- tary emigration, and covers the period from the late nineteenth century to the fi rst half of the twentieth century. Makhrov was an offi cer of the Russian army, a graduate of the Nicholas General Staff Academy, a man of liberal views, and brilliantly wielded a pen. In 1918, Makhrov lived in Ukraine in Poltava and was an eyewitness to a series of sig- nifi cant events, including several changes of power. The memoir covers in detail the life of Ukraine under Hetman Pavlo P. Skoropadsky, the German occupation, the anti-Hetman uprising, the fall of the Hetmanate, the rampant ataman, and the establishment of the power of the Directory of Ukrainian People’s Republic in late 1918. The memoirs represent the view of a military man who was critical of the new Ukrainian state and was focused on the ideology of the White movement. Much attention is paid to the be- haviour of offi cers in the varied conditions of independent Ukraine and in its collapse.


2016 ◽  
Vol 24 (4) ◽  
pp. 523-534 ◽  
Author(s):  
Éva Kovács

In the mid-summer of 2012, a sort of Historikerstreit broke out in Hungary. The main topics of the controversy were the language of and the attitude to the history of the Holocaust. In what follows I will argue that the Hungarian Historikerstreit is closely related to both the renaissance of the Horthy era (1920–1944) in current Hungarian politics and the ambivalent attitude towards the Holocaust in public memory. Since 2010, Hungary has celebrated ‘Trianon commemoration day’, remembering on the peace treaty of Trianon after the First World War. In today’s Hungary, Trianon seems to be a permanent trauma of the nation not only in the public memory but also in history writing. In spite of the fact that many respected scholars argue that currently the construction of the trauma of Trianon has a hegemonic position in Hungarian social memory and that the Holocaust cannot compete with it, I will show that the Trianon trauma is a construction of the current politics of history, which overshadows the tragic experiences of the First World War. Moreover, Trianon and the Holocaust are strongly interconnected historical events, which cannot be understood separately.


2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.


2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.


Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


2011 ◽  
Vol 70 (3) ◽  
pp. 276-289
Author(s):  
Luc Vandeweyer

Het wordt in de historiografie van de Vlaamse beweging aanvaard dat Hendrik Conscience door de Brusselse progressieve vereniging ‘De Veldbloem’ in 1872 werd gevraagd om te kandideren voor de parlementaire verkiezingen. Conscience zou dat geweigerd hebben. Dit is uiteraard geen onbetekenend feit in de biografie van de man die ‘zijn volk leerde lezen’.Dit gegeven is terug te voeren op de geschriften van Antoon Jacob (°1889) van na de Eerste Wereldoorlog. Jacob werd beschouwd als een autoriteit inzake Conscience. Maar waar is het bewijs? Hij verwees daarbij naar “uitvoerige correspondentie” maar die is niet te vinden. Het ADVN slaagde erin om de archivalische nalatenschap van de in 1947 gestorven Jacob te verwerven. Daarin bleken heel wat brieven van en aan Conscience te zitten. De briefwisseling met ‘De Veldbloem’ was onderwerp van deze bijdrage. Daarin is geen spoor te vinden van de poging om Conscience op het politieke strijdtoneel te brengen in Brussel. Daarbij moet de vraag gesteld worden hoe Jacob deze archiefstukken verzamelde en wat ermee is gebeurd tijdens zijn turbulente leven en talrijke omzwervingen. Het is best mogelijk dat er een en ander is verloren gegaan. Toch is deze nalatenschap een belangrijke aanwinst voor de studie van de geschiedenis van de Vlaamse beweging en die van Conscience in het bijzonder. ________ The Brussels association ‘De Veldbloem’ seeks contact with Hendrik Conscience. Two recently discovered letters It is an accepted fact in the historiography of the Flemish Movement that the Brussels progressive Association ‘De Veldbloem’ [=the Wildflower] asked Hendrik Conscience in 1872 to be their candidate for the parliamentary elections. It is said that Hendrik Conscience refused the request. This is of course a very significant fact in the biography of the man ‘who taught his people to read.’ This information may be inferred from the writings of Antoon Jacob (°1889) from the period after the First World War. Jacob was regarded as an authority on Conscience. But where is the evidence of this? In his claim, he referred to ‘extensive correspondence’, but that correspondence is not extant. The ADVN managed to acquire the archival legacy of Jacob who died in 1947. It turned out that it included quite a number of letters to and from Conscience. The exchange of letters with ‘De Veldbloem’ was the subject of this contribution. It contains no trace of the attempt to bring Conscience into the political arena in Brussels. It raises the question how Jacob collected these archival documents and what happened to them during his turbulent life and his many peregrinations.  It is certainly possible that some documents have been lost. However, this legacy is still an important acquisition for the study of the history of the Flemish Movement and of Conscience in particular.


2020 ◽  
Vol 9 (4) ◽  
pp. 22-33
Author(s):  
T.N. GELLA ◽  

The main purpose of the article is to analyze the views of a famous British historian G.D.G. Cole on the history of the British workers' and UK socialist movement in the early twentieth century. The arti-cle focuses on the historian's assessment and the reasons for the workers' strike movement intensi-fication on the eve of the First World War, the specifics of such trends as labourism, trade unionism and syndicalism.


This collection of essays examines the various ways in which the Homeric epics have been responded to, reworked, and rewritten by women writers of the twentieth and early twenty-first centuries. Beginning in 1914 with the First World War, it charts this understudied strand of the history of Homeric reception over the subsequent century up to the present day, analysing the extraordinary responses to both the Odyssey and the Iliad by women from around the world. The backgrounds of these authors and the genres they employ—memoir, poetry, children’s literature, rap, novels—testify not only to the plasticity of Homeric epic, but also to the widening social classes to whom Homer appeals, and it is unsurprising to see the myriad ways in which women writers across the globe have played their part in the story of Homer’s afterlife. From surrealism to successive waves of feminism to creative futures, Homer’s footprint can be seen in a multitude of different literary and political movements, and the essays in this volume bring an array of critical approaches to bear on the work of authors ranging from H.D. and Simone Weil to Christa Wolf, Margaret Atwood, and Kate Tempest. Students and scholars of classics—as well as those in the fields of translation studies, comparative literature, and women’s writing—will find much to interest them, while the volume’s concluding reflections by Emily Wilson on her new translation of the Odyssey are an apt reminder to all of just how open a text can be, and of how great a difference can be made by a woman’s voice.


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