scholarly journals Danse devant le miroir de François de Curel, ou d’une “pièce bien faite” à une “pièce bien défaite”

2021 ◽  
pp. 681-697
Author(s):  
Tomasz Kaczmarek
Keyword(s):  
Canonical Form ◽  
Mechanism Of Action ◽  
El Paso ◽  
Emotional States ◽  
New Approach ◽  
Existential Anxiety ◽  
The Absolute

François de Curel ha pasado a la posteridad como autor de la “obra bien hecha”. Sin embargo, al estudiar su obra, en este caso La Danse devant le miroir (La danza frente al espejo), nos damos cuenta de que el escritor no respeta todas las reglas del arte dramático. De hecho, el escritor parece, en primer lugar, cuestionar la fábula de la forma canónica, que se construye sobre un mecanismo lógico de acción que conduce, a través de una tensión cada vez mayor, al desenlace final. La composición clásica se desvanece en la obra detrás de la evocación de los estados anímicos de los protagonistas, presos de la angustia existencial y, por tanto, notamos el paso de un drama agonista a un drama ontológico. El trabajo de socavar el "drama absoluto" también se manifiesta en un nuevo enfoque del personaje. Desprovisto de sus atributos activos, prefiere cuestionar su vida, repetir sus contratiempos antes que actuar, el personaje en acción deja paso al personaje en reflexión François de Curel has gone down to posterity as an author of the “well-made play”. However, while studying his work, in this case, La Danse devant le miroir (The Dance in Front of the Mirror), we realize that the writer does not respect all the rules of dramatic art. In fact, the writer seems, in the first place, to call into question the fable of the canonical form which is built on a logical mechanism of action leading through ever-increasing tension to the final denouement. The classical composition fades into the play behind the evocation of the protagonists’ emotional states in the grip of existential anxiety and, therefore, we note the passage from an agonistic drama to an ontological drama. The work of undermining the “absolute drama” is also manifested by a new approach to the character. Deprived of his active attributes, he prefers to call into question his life, rehash his setbacks rather than act. The character in action is giving way to the character in reflection.

scholarly journals New Approach to the Planetary Theory

1979 ◽  
Vol 81 ◽  
pp. 69-72 ◽  
Author(s):  
Manabu Yuasa ◽  
Gen'ichiro Hori
Keyword(s):  
Perturbation Method ◽  
Canonical Form ◽  
Equations Of Motion ◽  
Disturbing Function ◽  
Averaging Principle ◽  
The Sun ◽  
Planetary Theory ◽  
New Approach ◽  
Canonical Perturbation ◽  
Relative Coordinates

A new approach to the planetary theory is examined under the following procedure: 1) we use a canonical perturbation method based on the averaging principle; 2) we adopt Charlier's canonical relative coordinates fixed to the Sun, and the equations of motion of planets can be written in the canonical form; 3) we adopt some devices concerning the development of the disturbing function. Our development can be applied formally in the case of nearly intersecting orbits as the Neptune-Pluto system. Procedure 1) has been adopted by Message (1976).

Fault Identification in Non-Stationary Systems Based on Sliding Mode Observers

2021 ◽  
Vol 22 (12) ◽  
pp. 625-633
Author(s):  
A. V. Zuev ◽  
A. N. Zhirabok ◽  
V. F. Filaretov ◽  
A. A. Protsenko
Keyword(s):  
Canonical Form ◽  
Sliding Mode ◽  
Original System ◽  
Matching Condition ◽  
Observer Design ◽  
Fault Identification ◽  
New Approach ◽  
Minimal Dimension ◽  
Sliding Mode Observers ◽  
Traditional Approaches

The paper is devoted to the problem of fault identification in technical systems described by non-stationary nonlinear dynamic equations under unmatched disturbances. To solve the problem, sliding mode observers are used. The suggested ap- proach is based on the model of the original system of minimal dimension having different sensitivity to the faults and distur- bances in contrast to the traditional approaches to sliding observer design which are based on the original system. Additionally it is assumed that matrices describing such a model have the canonical form and are constant. The main purpose of using such a model is possibility to take into account the non-stationary feature of the systems. As a result, the model has stationary dynamic and non-stationary additional term that allows to promote sliding mode design. Besides, the new approach to design sliding mode observers is suggested. The peculiarity of this approach is that it does not require that original systems should be minimum phase and detectable. According to the traditional approaches stability of the observer is provided by minimum phase and detectability properties. In our approach, stability of the observer is achieved due to the canonical form of the matrices describing the model. In addition, the matching condition is not necessary. This allows to extend a class of systems for which sliding mode observers can be designed. Theoretical results are illustrated by practical example of electric servoactuator.

New approach to mechanism of action of paclitaxel by means of BioArena studies

2008 ◽  
Vol 21 (5) ◽  
pp. 331-336 ◽  
Author(s):  
Ernő Tyihák ◽  
Ágnes Móricz ◽  
Péter Ott ◽  
Michal Hajnos ◽  
Kazimierz Głowniak
Keyword(s):  
Mechanism Of Action ◽  
New Approach

scholarly journals METAMORPHOSES OF THE SPACE OF DEATH IN I. FRANKO’S PROSE

2021 ◽  
pp. 5-12
Author(s):  
T. MATVIEIEVA
Keyword(s):  
Short Stories ◽  
Emotional States ◽  
The Real ◽  
Artistic Representation ◽  
Living Dead ◽  
The Absolute ◽  
New Perspective ◽  
Dead Water

The paper proposes a new perspective on the study of I. Franko’s prose works of a wide genre range: the metamorphosis of the space of death as a reflection of the transformations of the psycho-emotional sphere of characters/ The real and imaginary, closed and “endless” spaces of death were identified, their structure, defined as a two-projection, namely, spatial and personal, was analysed. In the collection of “prison short stories”, the method of the paradox is also structured and implemented in the work according to the principle of mirroring: a prison emerges at the same time as a world in itself and a reduced copy of the out-of-prison world. The paper proves the pattern of use for the artistic representation of the death space of the method of gradation – downward potion (from large to smaller locations – prison – annex – carriage – grave) and the ascending when it comes to the possibility of returning from the space of death, recreated with the help of Christian symbols (fish, thorns, water).The conclusion about the parabolic character of I. Franko’s presentation of reality and the person in it is made. The methods of creation of loci are named, they are symbolization, applying of archetypal primers, oppositional character. So, it refers to the symbols of living and dead water, walls, cities, rivers, souls, children; biblical prophecies, parables (the notion of the sin is singled out).A separate aspects of the study is the psycho-emotional states (in particular, agonal) in a border transition situation: stress/apathy, horror/calm. The features of the description of the locations of death are also commented: interior, exterior, various characteristics, symbols, etc.In general, this refers to the transformation into the infernal space of death for most of the characters of the analysed works, either because of the marginality, or because of the subordination to social morality.The only few exceptions are universal parables – examples of the absolute understanding of the meaning of eternal transformation of matter (living/dead and vice versa), spiritual metamorphosis (soul/body –soul/spirit).

A New Approach to Thermodynamics of Simple Mixtures

1973 ◽  
Vol 28 (11) ◽  
pp. 1801-1813 ◽  
Author(s):  
Ingo Müller
Keyword(s):  
Thermal Diffusion ◽  
Constitutive Relations ◽  
Absolute Temperature ◽  
New Approach ◽  
Chemical Potentials ◽  
General Entropy ◽  
Entropy Principle ◽  
The Absolute

A general entropy principle is utilized to derive restrictions on the constitutive relations for simple mixtures. The absolute temperature and chemical potentials are introduced in a novel manner and the equality of the coefficients of thermal diffusion and of the diffusion-thermo coefficients is proved for a subclass of simple mixtures by use of macroscopic arguments.

A new approach for the determination of the absolute configuration of secondary alcohols by 1H NMR with O-substituted mandelate derivatives

1998 ◽  
Vol 39 (13) ◽  
pp. 1759-1762 ◽  
Author(s):  
Isabelle Chataigner ◽  
Jacques Lebreton ◽  
Didier Durand ◽  
André Guingant ◽  
Jean Villiéras
Keyword(s):  
1H Nmr ◽  
Absolute Configuration ◽  
Secondary Alcohols ◽  
New Approach ◽  
The Absolute
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