Shakespeare’s Styles

Author(s):  
Gordon Teskey

The concept of literary style is joined, on the one hand, with grammatical and prosodic constraints and, on the other hand, with the large-scale dramatic construction of character and action: mimesis. The latter, however, depends on the former. Whereas, dramatic mimesis is an ‘imitation’ or modelling from without, literary style radiates from within the mimetic and lets it appear. We may therefore think of a succession of mimetic styles in Shakespeare’s career which are different modes of bringing character and action to appearance: elevated, articulated, reticulated, saturated, and evacuated.

2019 ◽  
Vol 28 ◽  
pp. 77-88
Author(s):  
María Ángeles Llorca-Tonda

The aim of this paper is to analyse the literary criticism that Mme d'Épinay consecrates to the Correspondance littéraire of Grimm and Meister. The epistolary framework in which the critical articles studied are presented deserves particular attention, since it allows us, on the one hand, to establish the different functions developed by Louise d'Épinay in the circle of Grimm's collaborators, and, on the other hand, to highlight the dialogic structure that will dominate the literary style of Mme d'Épinay. El presente trabajo tiene como objetivo analizar la obra de crítica literaria que Mme d’Épinay consagra a la Correspondance littéraire de Grimm y de Meister. El marco epistolar en el que se presentan los artículos críticos estudiados merece una atención particular, ya que nos permite, por un lado, establecer las diferentes funciones desarrolladas por Louise d’Épinay en el círculo de los colaboradores de Grimm, y por otro lado, poner de manifiesto la estructura dialógica que dominará el estilo literario de Mme d’Épinay.


2020 ◽  
Vol 23 (1) ◽  
pp. 35-57
Author(s):  
Pedro Lebrón Ortiz ◽  

The colonial process constituted a twofold catastrophe. On the one hand, the genocide and enslavement of racialized bodies, along with the large-scale destruction of their lands was a material, or physical, catastrophe. On the other hand, colonialism led to a reconfiguring of intersubjectivities which constituted a “metaphysical catastrophe” according Puerto Rican philosopher Nelson Maldonado-Torres. This metaphysical catastrophe relegates the racialized subject beneath the zones of being and non-being leading to dehumanization and permanent war. This text intends to illuminate ways in which analectical marronage, as an existential state of Being, resists this twofold catastrophe brought about by the imperial enterprise.


2001 ◽  
Vol 37 (1) ◽  
pp. 103-112
Author(s):  
Niall O'Loughlin

The large-scale romantic concerto has been reevaluated by many composers of the 20th century. These have included Stravinsky, Honegger and Frank Martin, who have all tended to compose on a much smaller scale. One such work is Ivo Petrić's Trois images, a violin concerto dating from 1972-73. It displays an ambiguous approach to form, the relationships between the soloist and orchestra, the use of musical motives and the idea of the concerto. On the one hand, it has links with tradition in that it uses the title and three-movement structure of the concerto, the traditional relationships of dialogue, solo and accompaniment, development of motives and virtuoso techniques. On the other hand, it breaks with tradition by disguising the contrasts and separation of the individual movements, and transforming traditional concerto techniques for use in the freely coordinated idiom that the composer was using at the time. It proves to be an excellent example of how concerto techniques can be combined with the techniques of the avant-garde.


Pedagogiek ◽  
2021 ◽  
Vol 41 (3) ◽  
Author(s):  
Anders Schinkel

Abstract Toleration is a person’s response, on the one hand, to something she disapproves of, and on the other hand, to her inclination to put a stop to that which she disapproves of. When people think about toleration from a pedagogical perspective, as a virtue to be cultivated, attention naturally focuses on the latter: how do we teach someone to control herself, to take the other’s perspective, et cetera; and how do we make sure someone develops ‘tolerant’ views? Discussions about this virtually always concern the same topics, however; critical reflection on the objects of (in)tolerance are lacking. When we turn our gaze outwards, we see that intolerable practices take place on a large scale (e.g. ecologically destructive practices) that we all ‘tolerate’ – because we don’t care enough. We ought to teach children to care about the right things to the right degree; and that means we need to teach them not to tolerate certain practices.


2019 ◽  
Vol 24 (40) ◽  
Author(s):  
Alessandra Lucia Bochio ◽  
Marina Bortoluz Polidoro

O artigo apresenta uma reflexão acerca da produção de imagens em um contexto pós-digital, abordando a influência das tecnologias digitais em práticas artísticas artesanais. Por um lado, as produções em arte desde a modernidade têm evidenciado sobreposição de procedimentos e técnicas, apropriações, ampliação das linguagens e hibridismos. Por outro lado, a popularização das tecnologias digitais e a incorporação dessas em larga escala faz com que a presença das mesmas em etapas nos processos artísticos aconteça de forma naturalizada, mesmo naqueles que não têm as tecnologias como questão central de investigação. Conclui-se que as mudanças ocorridas por meio da naturalização das tecnologias digitais em nosso cotidiano e a forma como estas estão nos afetando atualmente, oferecem um novo olhar às estratégias utilizadas pelos artistas e colocam ainda novos problemas a eles.Abstract The article presents a reflection about the production of images in a post-digital context, addressing the influence of digital technologies on artisanal artistic practices. On the one hand, the productions in art since the modernity have evidenced overlapping of procedures and techniques, appropriations, amplification of languages and hybridity. On the other hand, the popularization of digital technologies and the incorporation of these on a large scale makes their presence in stages in the artistic processes happen in a naturalized way, even in those which do not hold the technologies as a central research question. We conclude that the changes that have taken place through the naturalization of digital technologies in our daily lives, and the way they are currently affecting us, offer a new look at the strategies used by artists and pose new problems for them.


2019 ◽  
Vol 168 ◽  
pp. 275-287
Author(s):  
Anna Gawarecka

Between necrophilia and epiphany: Thanatological fascinations of Ladislav KlímaThanatological themes often appear in Ladislav Klíma’s prose as a characteristic keystone of his anthropological project. In some of the writer’s novel and short stories e.g. Utrpení knížete Sternenhocha, Jak bude po smrti, Slavná Nemesis the topic of death introduces large-scale philosophical or metaphysical speculations. It also functions as a way depicting death which is confirmed in the cultural tradition. In both cases Klíma plays a perverse and complicated game with the typical components of the European eschatological imagination. On the one hand, he shows those components in a grotesque manner, which means treating the human mortality without appriopriate respect and dignity, on the other hand he incorporates thanatological topics into his controversial project of a new cosmogony and deification of man.  Mezi nekrohilií a odhaleným tajemstvím. Mortuální hledání Ladislava KlímyMortuální tematika v tvorbě Ladislava Klímy tvoří specifický klíč k jeho antropologickému projektu. V některých Klímových románech a povídkách například Utrpení knížete Sternenhocha, Jak bude po smrti, Slavná Nemesis téma smrti otevírá cestu k široce pojatým filozofickým nebo metafyzickým úvahám a aktivizuje kódy mortuálních obrazů utkvělých v představách tradiční kultury. V obou případech Klíma vede složitou a určitým způsobem přelomovou hru s komponenty tanatického imaginaria umístěného ve všeobecných, skupinových evropských představách. Těmto komponentům propůjčuje groteskní rozměr, čímž zpochybňuje povinnost zobrazování eschatologických motivů s úctou či respektem a začleňuje je do svého — komplikovaného a kontroverzního — projektu nové kosmogonie a koncepce lidské deifikace.


Author(s):  
Stefan Krause ◽  
Markus Appel

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.


2005 ◽  
Vol 44 (03) ◽  
pp. 107-117
Author(s):  
R. G. Meyer ◽  
W. Herr ◽  
A. Helisch ◽  
P. Bartenstein ◽  
I. Buchmann

SummaryThe prognosis of patients with acute myeloid leukaemia (AML) has improved considerably by introduction of aggressive consolidation chemotherapy and haematopoietic stem cell transplantation (SCT). Nevertheless, only 20-30% of patients with AML achieve long-term diseasefree survival after SCT. The most common cause of treatment failure is relapse. Additionally, mortality rates are significantly increased by therapy-related causes such as toxicity of chemotherapy and complications of SCT. Including radioimmunotherapies in the treatment of AML and myelodyplastic syndrome (MDS) allows for the achievement of a pronounced antileukaemic effect for the reduction of relapse rates on the one hand. On the other hand, no increase of acute toxicity and later complications should be induced. These effects are important for the primary reduction of tumour cells as well as for the myeloablative conditioning before SCT.This paper provides a systematic and critical review of the currently used radionuclides and immunoconjugates for the treatment of AML and MDS and summarizes the literature on primary tumour cell reductive radioimmunotherapies on the one hand and conditioning radioimmunotherapies before SCT on the other hand.


2003 ◽  
pp. 15-26
Author(s):  
P. Wynarczyk
Keyword(s):  
The Core ◽  

Two aspects of Schumpeter' legacy are analyzed in the article. On the one hand, he can be viewed as the custodian of the neoclassical harvest supplementing to its stock of inherited knowledge. On the other hand, the innovative character of his works is emphasized that allows to consider him a proponent of hetherodoxy. It is stressed that Schumpeter's revolutionary challenge can lead to radical changes in modern economics.


2018 ◽  
Vol 4 (1) ◽  
pp. 67-84
Author(s):  
Wahyudin Noor

Abstract Pesantren are often associated with backwardness and traditionalism in everything: facilities, technology, learning methods, and even the curriculum. For now, it seems like the traditional term for pesantren is no longer relevant enough. The pace of movement in the era of renewal marked by the rapid development of technology has demanded pesantren to make adjustments. However, on the one hand, when viewed from the direction of change, the reform efforts pursued by pesantren are not to erase the old tradition, but merely to add something new so that the old tradition and conditions can be maintained while accepting the presence of a new one. On the other hand, the reform efforts undertaken by pesantren have implications for the fact that the typical values of the pesantren are fading away. Abstrak  Pesantren seringkali diasosiasikan dengan keterbelakangan dan tradisional dalam segala hal: fasilitas, teknologi, metode pembelajaran, dan bahkan kurikulumnya. Untuk saat ini, sepertinya istilah tradisional untuk pesantren, sudah tidak lagi cukup relevan. Laju gerak pembaharuan zaman yang ditandai dengan pesatnya perkembangan teknologi telah menuntut pesantren untuk melakukan penyesuaian diri. Kendatipun demikian, di satu sisi, jika dilihat dari arah perubahan, upaya pembaharuan yang ditempuh pesantren tidaklah untuk menghapus tradisi yang lama, tetapi sekadar menambah dengan sesuatu yang baru sehingga tradisi maupun kondisi yang lama bisa dipertahankan sambil menerima kehadiran yang baru. Di sisi yang lain, upaya pembaharuan yang dilakukan pesantren ternyata berimplikasi pada kenyataan akan semakin pudarnya nilai-nilai khas yang dimiliki oleh pesantren.


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