scholarly journals På sporet af en mytes oprindelse

Author(s):  
Anita Maria Leopold

This article is a rereading of Friedrich Max Müller’s theory of the origin and growth of religion and mythology in the light of modern cognitive theories. The intention of this research is to draw attention to Max Müller’s linguistic and cognitive hypothesis of mythology and religion and compare it to modern cognitive theories presented by Mark Turner, Gilles Fauconnier, George Lakoff and Mark Johnson. In the theory of Max Müller, notions such as ‘myth being a disease of language’ and ‘man’s propensity to religion’ originate from a certain ‘mental faculty’,  which reveals an ontologically distinct definition of religion. According to Max Müller, myth is the result of the defective attempt of early language to classify the surrounding world of man. These theories, which have been considered idiosyncratic and useless, appear more plausible in the light of current cognitive linguistics, and Max Müller’s intuitions are viewed in the light of these recent theories.

Author(s):  
Gillian Knoll

This section argues that Lyly’s and Shakespeare’s characters process and experience eros through the primary metaphor of motion. These introductory pages explore the philosophical and conceptual underpinnings of this metaphor through the example of Shakespeare’s Angelo in Measure for Measure. Drawing from the work of cognitive linguistics George Lakoff, Mark Johnson, and Zoltan Kövecses, this section explores the broad metaphorical structures that shape Angelo’s erotic experience as both a passion and an action. Things happen within Angelo well before he ‘acts out’ his sexual pursuit of the novitiate Isabella. The remainder of this section investigates the relationship between erotic potentiality and actuality, or entelechy, in Aristotle’s Physics and Metaphysics. In Aristotle’s writings, as in Shakespeare’s play, the boundary between potency and actuality is fluid rather than fixed. As a result, Angelo’s metaphors dramatize the capacity of erotic potentiality to create drama. For him, as for so many of Lyly’s and Shakespeare’s characters, desire is itself a frenzied action.


2012 ◽  
Vol 8 (1) ◽  
pp. 9-24
Author(s):  
Phil King

Feeling down or in a tight spot? How do we know what someone means when they tell us how they feel? How could we go further and explain how emotions are understood across cultures? This article looks at three approaches—the use of physiology, of key words, and of metaphors. This is followed by a demonstration of the insights from the metaphorical approach as applied to Anglo emotions. Applying this metaphorical approach to biblical Hebrew (where there is no access to native speakers) is much more difficult than to a living language. However, application of the Cognitive Linguistics of George Lakoff, Mark Johnson, Raymond Gibbs, John Taylor and others allows the construction of a methodology to give evidence for what emotions the Hebrew authors felt. This methodology is applied to Hebrew descriptions of distress to show how such emotions are conceptualised. The article also explains how this methodology can be applied more widely, to evaluate others’ claims about how the ancient Israelites thought and felt. Finally, some implications are given in the areas of Hebrew exegesis, cultural anthropology, and for the translation of “emotional” texts.


2008 ◽  
Vol 14 (1) ◽  
Author(s):  
Golan Gur

Studies by George Lakoff and Mark Johnson in the field of cognitive linguistics give rise to a theory of meaning that bestows a central role on metaphorical thinking and the body. This essay explores the ramifications of physical embodiment on Jean-Philippe Rameau’s conceptualization of tonal harmony. My examination will show that Johnson’s theory of the bodily basis of metaphor is not sufficiently adequate to account for all the aspects of Rameau’s harmonic theory, and additional sources for metaphorical projection should be taken into account for its full rendering.


2001 ◽  
Vol 23 (4) ◽  
pp. 567-568
Author(s):  
Bruce Anderson

Pragmatic meaning and cognition provides an analysis of pragmatic meaning that is grounded in general cognitive linguistics. It makes use of the specific framework of “experiential realism” as put forth in the works of George Lakoff and Mark Johnson, which views language as a representation of reality as it is perceived and experienced by human beings. As such, experiential realism stands in contradistinction to an objectivist framework in which language is a symbolic representation of objectively existing reality. Marmaridou's overarching goal is to demonstrate how sociocultural aspects of pragmatic meaning are integrated into cognitive structure rather than being external to it.


2020 ◽  
Vol 6 (1) ◽  
pp. 713-722
Author(s):  
Vincent Boswijk ◽  
Matt Coler

AbstractA commonly used concept in linguistics is salience. Oftentimes it is used without definition, and the meaning of the concept is repeatedly assumed to be self-explanatory. The definitions that are provided may vary greatly from one operationalization of salience to the next. In order to find out whether it is possible to postulate an overarching working definition of linguistic salience that subsumes usage across linguistic subdomains, we review these different operationalizations of linguistic salience. This article focuses on salience in sociolinguistics, cognitive linguistics, second-language acquisition (SLA), and semantics. In this article, we give an overview of how these fields operationalize salience. Finally, we discuss correlations and contradictions between the different operationalizations.


2010 ◽  
Vol 14 (1) ◽  
pp. 93-111 ◽  
Author(s):  
June McDaniel

This article describes the role of Hinduism in modern Indonesia and the ways in which it has been adapted to fit the government's definition of religion as a prophetic monotheism with revealed texts and a universal ethic. It gives a brief background on Indonesian history and analyzes the structure and theology of Agama Hindu Dharma Indonesia. It discusses whether a governmental reorganization of an ancient religion can be considered a new religious movement, and some approaches that might be useful from the field of religious studies. It suggests that the definition of new religious movement be changed to fit the case in which a modern religion considered to be a revealed religion also acts as a civil religion.


2020 ◽  
Vol 72 (2) ◽  
pp. 236-242
Author(s):  
K. Galiyeva ◽  
◽  
S. Isakova ◽  

The article is devoted to the definition of concept in modern linguistics. Various points of view and definitions of the basic concepts are considered: "concept", "conceptual sphere", "content". The aim of the article is to describe and explain such a complex unit as a concept from the point of view of linguistics. The object of research is studied in its various manifestations, the combination of verbal and nonverbal means of information expression in the conceptual sphere is revealed. the relevance of this topic is due to the need for a detailed consideration of the concept of concept based on the works of prominent scientists and linguists. Researchers treat the concept as a cognitive, psycholinguistic, linguocultural, cultural and linguistic phenomenon. The concept is an umbrella term because it "covers" the subject areas of several scientific fields: primarily cognitive psychology and cognitive linguistics.


Author(s):  
Moreno Bonda

The investigation of medieval literature poses a number of challenges, even to native speaker researchers. Such difficulties are related to (a) linguistic – syntactical and lexical – obstacles, (b) to the ability to recognise dense networks of interdisciplinary references and, (c) mainly to the cognitive challenges posed by “unfamiliar modes of expression”. The aim of this research is to discuss a methodological approach to deal with these unusual manners of composition, technically known as modal difficulty, in medieval literature. The theoretic setting is represented by Davide Castiglione’s monographic study Difficulty in Poetry (2018) and the specific definition of modal difficulty elaborated by James E. Vincent in the premise of his treatise on American poetry (2003). A study case illustrative of challenges in medieval literature analysis has been chosen to illustrate the speculative reasoning: the references to the celebrated mathematician Leonardo Fibonacci (1170–1242) – known for having introduced the Arabic numbers to the Europeans – in Dante Alighieri’s Divine Comedy. Preliminarily, the author discusses unfamiliar mathematical notations implemented from the 13th to the 18th centuries. Subsequently, adopting cognitive linguistics principles and hermeneutic as methodological tools, several veiled citations of the mathematician’s cogitations – such as the chess comparison in Paradise XXVIII, 91–93 and the quadratic expression in Paradise XXVII, 115–117 – are deciphered and illustrated. The analysis of Dante’s cognitive frame indicates that the recourse to Fibonacci’s formulas is functional to depict the incommensurable multitude of the divine in words. In the conclusions, the case studied is adopted as a model to illustrate how the reflection on unusual forms of expression could be employed to investigate ancient literary texts. A preliminary analysis of the frame-notation relation could help, as an example, to recognise mathematical formulas that were expressed in a verbal and non-symbolic notation.


Sign in / Sign up

Export Citation Format

Share Document