scholarly journals Lydene er musikkens græsrødder. Nogle betragtninger over lyd og rum

Author(s):  
Bror Westman

Sound is characterised by distinctive phenomenological qualities. It creates a ‘sound scape’ that - as space sensed through the ears - wraps itself around the listener as an intimate atmosphere, without distance and clear dimensionality. Sounds are deeply interwoven with religious symbolism, e.g. as shamans incantate or pick up the auditory signals of gods or spirits. Cultural sound control spaces. Nostalgically, the church bells filled the parish, as today the ‘holy noise’ of traffic filis the urban spaces. But noise can also be used as artistic material, as in the works of the composer Russolo or in the planned landscape opera created by Winther, Hagen and the author.

10.34690/125 ◽  
2021 ◽  
pp. 6-36
Author(s):  
Роман Александрович Насонов

Статья представляет собой исследование религиозной символики и интерпретацию духовного смысла «Военного реквиема» Бриттена. Воспользовавшись Реквиемом Верди как моделью жанра, композитор отдал ключевую роль в драматургии сочинения эпизодам, созданным на основе военных стихов Оуэна; в результате произведение воспринимается подобно циклу песен в обрамлении частей заупокойной мессы. Военная реальность предстает у Бриттена амбивалентно. Совершая надругательство над древней верой и разбивая чаяния современных людей, война дает шанс возрождению религиозных чувств и символов. Опыт веры, порожденный войной, переживается остро, но при всей своей подлинности зыбок и эфемерен. Церковная традиция хранит веру прочно, однако эта вера в значительной мере утрачивает чистоту и непосредственность, которыми она обладает в момент своего возникновения. Бриттен целенаправленно выстраивает диалог между двумя пластами человеческого опыта (церковным и военным), находит те точки, в которых между ними можно установить контакт. Но это не отменяет их глубокого противоречия. Вера, рождаемая войной, представляет собой в произведении Бриттена «отредактированный» вариант традиционной христианской религии: в ее центре находится не триумфальная победа Христа над злом, а пассивная, добровольно отказавшаяся защищать себя перед лицом зла жертва - не Бог Сын, а «Исаак». Смысл этой жертвы - не в преображении мира, а в защите гуманности человека от присущего ему же стремления к агрессивному самоутверждению. The study of religious symbolism and the interpretation of the spiritual meaning of “War Requiem” by Britten have presentation in this article. Using Verdi's Requiem as a model of the genre, the composer gave a key role in the drama to the episodes based on the war poems by Wilfred Owen; as a result, the work is perceived as a song cycle framed by parts of the funeral mass. The military reality appears ambivalent. While committing a blasphemy against the ancient belief and shattering the aspirations of modern people, the war offers a chance to revive religious feelings and symbols. This experience of war-born faith is felt keenly, but for all its authenticity, it is shaky and ephemeral. The church tradition keeps faith firmly, but this faith largely loses the original purity and immediacy. Britten purposefully builds a dialogue between the two layers of human experience (church and military), finds those points where contact can be established between them. But this does not change their profound antagonism. In Britten's work, faith born of war is an “edited” version of the traditional Christian religion: in its center is not the triumphant victory of Christ over evil, but a passive sacrifice that voluntarily refused to defend itself in the face of evil-not God the Son, but “Isaac.” The meaning of this sacrifice is not in transforming the world, but in protecting the humanity of a person from his inherent desire for aggressive self-assertion.


2020 ◽  
Vol 9 ◽  
pp. 1-31
Author(s):  
Mette Højmark Søvsø ◽  
Christian Vrængmose Jensen

Small brooches with Christian motifs from the period of c. AD 1050–1150 occur frequently amongst metal-detector finds in Denmark. Those known as Urnes brooches, bird-shaped brooches and circular animal brooches are especially common finds over most of the country. In order to understand what lies behind the distribution and significance of these brooches, the issues of where they were made and who was responsible for production are key questions. The large number of finds must reflect a serial form of production, but up to a few years ago secure evidence of any workshop has been almost effectively absent. Presented in this paper are two recent finds of workshops in which the manufacture of these types of brooches took place, in Ribe and Aalborg respectively. On the basis of the archaeological contexts of the workshops and the finds, it is proposed that this production is to be seen as primarily an urban phenomenon, with the Church as initiator and key agent, directed at a broad circle of customers. This may have been part of an evangelizing thrust with wider popular appeal in which these small but highly meaningful artefacts played an important symbolic role.


1970 ◽  
pp. 2-4
Author(s):  
Hosn Abboud

The subject of women and scriptures is very important, especially for Arab and Muslim women who are witnessing a phase of religious revivalism, which is keen on redefining Islam in many different ways. Moreover, to raise issues by women on women’s rights in the context of the Arab world opens the discussion for reform and for a new interpretation of religious symbolism, rituals, and traditions. Historically, the interpretation of sacred texts by male exegetes and theologians exclusively has contributed to the oppression of women and to their exclusion from sacred space. However, rising literacy and awareness of their rights have led Arab women to increasingly access scriptural knowledge. Since the 1970s, Jewish, Christian, and Muslim women including scholars, historians, literary critics, psychologists, feminist theologians, activists, and devout women attending to their rituals in the synagogue, the church, or the mosque, have studied the Old Testament, the New Testament, and the Qur’an throughout the Arab world.


2020 ◽  
Vol 38 (2) ◽  
pp. 290-310
Author(s):  
Marcus Colla

Abstract In 1968, the ruling Socialist Unity Party demolished Potsdam’s Garnisonkirche (Garrison Church). This article analyses the way in which the demolition of the Garnisonkirche opened up a spectrum of reflections on the meaning of the Prussian and Nazi pasts in the GDR and the ways it ought to be mediated through the urban landscape. Using petitions sent by everyday citizens to the local political authorities as well as debates within the SED itself, this article demonstrates how the public discussion about the demolition of the church navigated the many problems posed by Potsdam’s ‘burdened’ past in its urban spaces. While a number of individuals believed that this history could be transcended through the construction of a ‘new’ Potsdam, others believed that effectively handling the recent past required a direct confrontation with its architectural symbols.


Author(s):  
Godfrey Lienhardt

Like Julian Pitt-Rivers, Godfrey Lienhardt (1921–93) was a student of E. E. Evans-Pritchard at Oxford. His great ethnography Divinity and Experience: The Religion of the Dinka, published in 1961, is regarded as one of the great social anthropological studies of religion. In his research (1947–50) on this southern Sudanese nomad population (neighbors of the Nuer, the people researched by Evans-Pritchard), Lienhardt approaches religious symbolism, imagery, and leadership as informed intimately by the Dinka’s own everyday experience of the world. He altered dominant social anthropological perspectives on religion of the time by drawing attention to the discrepancy and contradictions that existed between people’s everyday experience of “religion” and their conscious, reflexive articulations about those practices. The attention to skepticism and ambiguity is evident in this essay (first published in 1982, and reproduced here almost in its entirety) that reflects on the interaction between the Dinka and Italian Catholic missionaries, who had been in the Sudan since the mid-nineteenth century. Lienhardt begins by asking, “What kind of translation, as it were, of experience is required for a Dinka to become a nominal or believing Christian?” He responds to this question with circumspection, stressing the challenges in any missionary encounter, which he aptly characterizes as not one of simple straightforward instruction and conversion (or rupture), but one fraught with gaps in understanding and divergent intentions on both sides. Many of these gaps inhere in language, both idiomatic and semantic terms, with many ideas being “caught in translation,” leading Catholicism to “stick” unevenly and in unpredictable ways across the Dinka world. Thus the Dinka accepted the Church mostly, Lienhardt suggests, through ideas of progress and mostly material development that were quite foreign to Dinka experience and, somewhat ironically, also to the ideas and principles taught by the missionaries. Catholic doctrine and eschatology were thus absorbed into the Dinka life-world through a kind of “linguistic parallax” (a displacement or change in the perception of objects in space from different points of observation). Lienhardt erroneously characterizes the church as “the bearer of a theoretically unified body of theological and social doctrine”—a portrayal similar to widespread views even today. But the acuity of his attention to the intricacies and uncertainties of the exchange of meanings that is part of missionization—and to the political economic realities shaping the encounter—distinguishes this work as a pioneering study in the anthropology of missions, especially in colonial Africa. In this respect Lienhardt’s essay might be seen as a precursor to a great tradition of poststructuralist works on African religious missionaries, postcolonialism, and social transformation.1 His focus on Catholicism, however, provides us a glimpse of the dynamics of “syncretism” in situ as a process that cannot be understood outside its social, historical, and political context.


2020 ◽  
Vol 34 (1) ◽  
pp. 26-48
Author(s):  
Nicolas Tredell

AbstractThis essay explores the representation of interior and exterior urban space in Laura Del-Rivo’s novel The Furnished Room (1961) through the lenses of singularity and networking, which are proposed as preferable alternatives to notions such as individuality and community, especially in the analysis of city life and literature. The essay examines portrayals of four kinds of urban space in the novel – the furnished room, the office, the café and the street – which seem to offer escapes from the perceived constrictions of the family home, the suburb and the Church. It analyses the novel’s sensory evocations of such urban spaces, especially through smell and sight. The essay also considers how the narrative conveys the enticements of the abstract and impersonal network of money. It relates these elements to its young male protagonist, an existentialist (anti-)hero who suffers from a recurrent sense of unreality and who seeks a more sustained version of the greater intensity glimpsed in epiphanies, privileged moments in which the world seems temporarily transfigured into a visionary space. The essay suggests that the novel respects but questions his quest by dramatizing his wrong choices and by ending with a view of urban space given over to women and children.


2014 ◽  
Vol 6 (12) ◽  
pp. 99-124
Author(s):  
Antonio José Echeverry Pérez ◽  
Carolina Abadia Quintero

El presente artículo hace un recorrido histórico (consultando fundamentalmente los archivos diocesanos, en su mayoría inéditos), por la instauración de las principales diócesis creadas en el Departamento del Valle del Cauca (Colombia) durante el siglo XX: Cali, Palmira, Buenaventura, Cartago y Buga. Se muestra como la Iglesia constituye un proyecto fundamental de modernización religiosa, que se denota ante todo en la extensión de su presencia en el territorio vallecaucano. Proceso que inicia con la desfragmentación del gran territorio de la arquidiócesis de Popayán, con lo cual cada diócesis creada logra impulsar sus propios procesos de generación de parroquias, centros educativos y de beneficencia, logrando con esto, construir la iglesia vallecaucana y fortalecer la religión católica tanto en los sectores rurales como en los espacios urbanos del departamento del Valle del Cauca. Cada nueva diócesis se inscribe además, en su propia coyuntura local de desarrollo y modernización económica y social. The Diocese of Valle del Cauca (Colombia) during 20 th Century: Towards the Strengthening of Modernity AbstractThe present article, based on a research carried out on diocesan archives -mainly unpublished- describes the historical path followed during the creation of the most important dioceses in the Valle del Cauca region (Colombia) during the 20th century: Cali, Palmira, Buenaventura, Cartago and Buga. It shows how the Church constituted a fundamental project of religious modernization as a result of its growing presence in the Valle del Cauca territory. The process begun with the fragmentation of the wide area occupied by the Archdiocese of Popayan, when each new diocese developed its own process in the establishment of new parishes, schools and charity institutions. These constitute the foundations of the Catholic Church and the construction and empowerment of religion, both in rural sectors and urban spaces along the Department. Nevertheless, each new parish in the Valle del Cauca was created according to local circumstances of economic development and social modernization.Keywords: church, modernization, regional history, Valle del Cauca


2003 ◽  
Vol 29 (2-3) ◽  
pp. 269-299
Author(s):  
Janna C. Merrick

Main Street in Sarasota, Florida. A high-tech medical arts building rises from the east end, the county's historic three-story courthouse is two blocks to the west and sandwiched in between is the First Church of Christ, Scientist. A verse inscribed on the wall behind the pulpit of the church reads: “Divine Love Always Has Met and Always Will Meet Every Human Need.” This is the church where William and Christine Hermanson worshipped. It is just a few steps away from the courthouse where they were convicted of child abuse and third-degree murder for failing to provide conventional medical care for their seven-year-old daughter.This Article is about the intersection of “divine love” and “the best interests of the child.” It is about a pluralistic society where the dominant culture reveres medical science, but where a religious minority shuns and perhaps fears that same medical science. It is also about the struggle among different religious interests to define the legal rights of the citizenry.


2014 ◽  
Vol 38 (01) ◽  
pp. 76-101
Author(s):  
PETER M. SANCHEZ

AbstractThis paper examines the actions of one Salvadorean priest – Padre David Rodríguez – in one parish – Tecoluca – to underscore the importance of religious leadership in the rise of El Salvador's contentious political movement that began in the early 1970s, when the guerrilla organisations were only just beginning to develop. Catholic leaders became engaged in promoting contentious politics, however, only after the Church had experienced an ideological conversion, commonly referred to as liberation theology. A focus on one priest, in one parish, allows for generalisation, since scores of priests, nuns and lay workers in El Salvador followed the same injustice frame and tactics that generated extensive political mobilisation throughout the country. While structural conditions, collective action and resource mobilisation are undoubtedly necessary, the case of religious leaders in El Salvador suggests that ideas and leadership are of vital importance for the rise of contentious politics at a particular historical moment.


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