scholarly journals Legacies of Tortured Sensibility; or, what Shakira learned from Sade

Author(s):  
Courtney Wennerstrom

Apropos of the title, this essay traces the surprising connections between the eighteenth-century pornographer and the contemporary Latina superstar’s portrayals of eroticized torture, as well as elucidates the cultural significance of what I am calling a legacy of tortured sensibility. By illuminating how the gendered spectatorial politics of sensibility—particularly in its fetishization of the (female/feminized) body in pain—continues to inform the numerous interlocking discourses of race, gender, and sexuality we have inherited from Sade’s Europe, and especially from the early sentimental novel, this paper demonstrates how the transnational artist taps into a Sadean resistance to figurations of distressed hearts and flayed skin as sites of geopolitical and individual transcendence. Finally, examining 120 Days of Sodom and “La Tortura” side by side revitalizes attention to the ethical crisis surrounding aesthetic voyeurism: where does the anguish of reading Sade—with his relentless scenes of corporeal torment—go?

2019 ◽  
pp. 14-61
Author(s):  
Noelle Gallagher

This chapter asks what imaginative representations of venereal disease say about Restoration and eighteenth-century attitudes toward gender and sexuality. It does so by considering the portrayal of venereal infections in men. It is no coincidence that many of the positive representations of the disease focus on male rather than female subjects. It has been suggested that the sexual double standard (whereby men were applauded for sexual promiscuity and women punished for it) played some role in shaping imaginative representations of the infection. However, so too did a culture that linked infection to manliness and male power. While historians working with medical texts from the early modern period have tended to conclude that the disease was seen as originating with, and spread by, women, many eighteenth-century literary and artistic works imagine venereal disease as male—as a condition predominantly experienced by men, caused by male sexual indiscretion, and passed on by philandering husbands to their faithful wives and innocent children.


Author(s):  
Nicole von Germeten

This chapter begins with a quote from the celebrated seventeenth-century Mexico City Poet, Sor Juana Ines de la Cruz, highlighting the hypocritical intersection between gender and sexuality in this era. The focus here is on the legal history of eighteenth-century middle class women who retained a degree of public honor as they took part in sex work inside their homes.The confused eighteenth-century reactions by church, state, and neighbors to sexually active women often derived from increased opportunities for permitted or at least tolerated socializing between the sexes. These new social spaces challenged official ideas of public order and permissible gender interaction.


Author(s):  
Juliane Hammer

American Muslims are often seen as either unassimilable immigrants or as African Americans who only “adopted” Islam as rebellion against Christian-sanctioned racist exclusion. This chapter brings into meaningful conversation these two often divided arenas of definition, agency, and political space by focusing on the categories of “Islam” and “race” and how they have been negotiated, applied, rejected, and forced by and onto various people since the eighteenth century. It shows how Muslims in the United States are both American and transnational, since the relationship between race and religion is globally negotiated. It also considers the intersections of religion and race with gender and sexuality, surveying research on Muslim slaves, naturalization cases in the early twentieth century, Noble Drew Ali and the Moorish Science Temple, the Nation of Islam, the racialization of Muslims after 9/11, and the Muslim Anti-Racism Collaborative.


Author(s):  
Helene A. Shugart

If food studies is an inherently interdisciplinary field of enquiry, communication is central to its uptake in any scholarly context, for food is inherently relational, symbolic, and deeply cultural, a powerful discourse in its own right and imbricated in a host of other discourses. Accordingly, while food studies is a relatively new area of study within the communication discipline, scholarship in that vein has had rather seamless entrée into the broader scholarly arena and has proliferated along the same general lines of investigation that characterize the field in general. Originally rooted in cultural anthropology, early studies of the cultural significance of food assessed how food both reflects and accomplishes social identity and status, a focus that has been sustained and expanded in more contemporary studies as relevant to how food signals and mobilizes particular identities, such as race/ethnicity, nation, class, gender, and sexuality. Matters of identity are sometimes apparent in studies of the role(s) of food in global flows, including globalization, colonization, immigration, diaspora, and tourism. Much of this scholarship also or instead takes up food in terms of production and consumption, assessing the politics, economics, and geographies of food. Endeavors in this vein, in global, national, and local contexts, examine food policies and patterns of industry and how they privilege certain interests while disenfranchising others: food safety, security, and justice feature prominently in these investigations. These motifs are reflected, as well, in scholarship that examines social movements around food that seek to disrupt or resist problematic industry and farming policies and/or practices as relevant to, for example, environmental exigencies, animal welfare, eradication of the local, and availability of and/or access to safe, healthy foods. The mediation of food is perhaps a natural subject of study for communication scholars, ranging from representations of food in film to food packaging and advertising. The recent rise of “foodie” culture has generated a proliferation of media fare, signaled by indices ranging from the now recognized genre of “food films,” to multiple television networks devoted to food, to the rise of “celebrity chefs”; food is, moreover, an increasing presence on the Internet, proliferating especially across social media. The imaginaries of authenticity and egalitarianism and the materialities of class that frequently drive foodie culture have been the focus of much of this scholarship, and they have been further identified as figuring prominently in urban practices ranging from the establishment of farmers’ markets to gentrification. Even within the communication discipline, food studies is a wide-ranging topic, but it is not simply a diverse subject of study for communication scholars. The inherently liminal and malleable nature of food renders it difficult if not impossible to engage or theorize in terms of conventional binaries or rifts that characterize many if not most fields, such as subject/object and self/other; perhaps most salient for the communication discipline, food denies the particularly nettlesome materiality/discursivity binary. Accordingly, food studies holds considerable promise for the field relevant to theoretical innovation and expansion.


Slavic Review ◽  
1986 ◽  
Vol 45 (3) ◽  
pp. 525-533
Author(s):  
Gary Rosenshield

Ever since its publication the success of Fedor Dostoevskii's first novel Poor Folk has been ascribed primarily to the characterization of its “naturalistic” hero, Makar Devushkin, not to its sentimental heroine, Varen'ka Dobroselova. Although critics have continued to discover new merits in Poor Folk, in the end it is Devushkin who dominates the novel and on whom, in one way or another, most of its virtues depend. Not only is Devushkin the protagonist, he is also at the center of the novel's important innovations in style, theme, and characterization. Dostoevskii took the poor copying clerk, a type that for a decade had been used as a stock device—and most often the butt—of Russian comic fiction, and transformed him into the hero of a tragi-comic sentimental novel. This transformation was much abetted by Dostoevskii's use of the epistolary form— a form common to the sentimental novel of the eighteenth century, but long outdated in Russia by the 1840s—for it permitted the hero to tell his own story and, by so doing, to reveal the sensitive human being behind the comic mask.


Ethnohistory ◽  
2019 ◽  
Vol 66 (3) ◽  
pp. 515-535
Author(s):  
Anderson Hagler

Abstract This article analyzes three eighteenth-century sodomy cases in New Mexico to highlight the ways in which colonial authorities passed judgment on their subjects and the landscapes that they inhabited. Examining how ethnocentric outlooks shaped the ways in which Spanish colonizers interlinked sin and physical space illuminates the process by which colonial authorities made biased value judgments, deeming native peoples and indigenous spaces as sinful. The first case (1728) examines the denunciation and subsequent exoneration of a Spanish resident accused of sodomy. The second case (1731) highlights the tensions between spaces regarded as civilized and other areas removed from the purview of the Spanish state that colonizers viewed as morally suspect. The third case (1775) reveals how colonial authorities attempted to normalize local denizens’ sexual comportment in locations deemed asexual. By analyzing gender and sexuality alongside the environment, this essay problematizes descriptions of seemingly natural landscapes and elucidates the cultural construction behind pejorative tropes used to justify conquest.


2016 ◽  
Vol 13 (1) ◽  
pp. 69-78
Author(s):  
Elena Butoescu

AbstractThis article sketches the cultural significance that garden manuals had in England, from exemplifying a pleasurable and an aesthetic activity to encouraging the setting up of a profitable business. By investigating gardening manuals and treatises from the period, this study argues that eighteenth-century gardening manuals played an important role in shaping the cultural meanings of English gardens, in conveying “a practical knowledge of gardening, to gentlemen and young professors, who delight in that useful and agreeable study” (Abercrombie, The Preface, 1767) and in producing an original type of discourse which was employed to describe and represent the newly created professions.


The Oxford Handbook of the Apocrypha is meant to be a premier reference work for the study of the so-called Old Testament Apocrypha, important early Jewish texts that have become deutero-canonical for some Christian churches and non-canonical for other churches and that are of lasting cultural significance. In addition to the place given to the classical literary, historical, and tradition-historical introductory questions, this Handbook will focus on the major social and theological themes of each individual book. Special attention will be given to the Apocrypha’s portrayal of gender and sexuality, their ethics, and their reception history. Several chapters will deal with overarching topics, such as genre and historicity, Jewish practices and beliefs, and the relation of the Apocrypha to the Septuagint, Qumran, Pseudepigrapha, and New Testament, thus also offering important insights on the place of the Apocrypha in Second Temple (or early) Judaism. With contributions from leading scholars from around the world, the Handbook provides the authoritative reference work on the current state of Apocrypha research, and at the same time, carves out future directions of study.


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