scholarly journals NON EUROPEAN CULTURAL HERITAGES IN POETRY FOR YOUNG PEOPLE (IN AND OUT OF SCHOOL)

2019 ◽  
pp. 110
Author(s):  
Maria Luisa Alonso

The provision of education in schools can play an important role in managing social change brought about by the varied cultural legacies of migration. Poetry can be especially well-suited to encouraging awareness, reflection and debate about cultural difference. This article reflects on ideas that could be impeding such acknowledgement in school poetry selections and teaching strategies and highlights poetry’s overlooked suitability to engage young people in the expression of cultural difference in a progressively globalized world where cultivating cross-cultural understanding and tolerance needs to be at the top of our agendas

Loving Stones ◽  
2020 ◽  
pp. 45-74
Author(s):  
David L. Haberman

This chapter considers ways of thinking about the challenges of radical cultural difference posed by something like intimate interaction with a stone, and explores the nature of and possibilities within anthropological cross-cultural understanding and interpretation designed to address them. The author claims that, as one who works to interpret, translate, and explain aspects of Hindu religious culture primarily for an American readership, he stands between a rock—Mount Govardhan—and a hard place—American society. For most Americans the worship of stones is hard to understand. This practice is alien, weird, absurd, unreasonable, or silly and childish, perhaps even sinful. Comprehending it in any acceptable manner seems extremely difficult, maybe impossible.


2015 ◽  
Vol 23 (3) ◽  
pp. 369-378 ◽  
Author(s):  
Zhang Longxi

In our quest of a new paradigm for cultural or cross-cultural understanding, we must first take a look at the very concept of a paradigm, as Thomas Kuhn expounded in his celebrated book,The Structure of Scientific Revolutions, and the related concepts of incommensurability and untranslatability. Kuhn’s concepts have a significant influence on social sciences and the humanities, and they put an overemphasis on the difference and the impossibility of communication among different groups and cultures. Such a tendency has led to the fragmentization of the social fabric and the resurgence of a most tenacious tribalism. This essay launches a critique of such concepts and argues for the possibility and validity of cross-cultural understanding, and proposes world literature as an opportunity to embrace cross-cultural translatability as the first step towards a new paradigm in the study of different cultures in our globalized world today.


2016 ◽  
Vol 11 (2) ◽  
pp. 217-233 ◽  
Author(s):  
Merin Oleschuk

Omnivorous cultural theory highlights the persistence of inequalities within gourmet food culture despite its increasing democratization, arguing that foods remain symbols of distinction through their framing as ‘authentic’ and ‘exotic’. Where these two frames have been shown to encompass problematic racial connotations, questions arise over how racial inequalities manifest in foodie discourse. Drawing from interviews with foodies of color living in Toronto, Canada, this article examines how these inequalities are reproduced, adjusted and resisted by people of color. It asks: how do foodies of color interpret and deploy dominant foodie frames of authenticity and exoticism? Analysis reveals each frame’s potential both to encourage cross-cultural understanding and essentialize or exacerbate ethno-cultural difference. Participants’ ambivalent relationship with foodie discourse (i.e. deploying it alongside critiquing it) highlights how cultural capital works alongside ethno-racial inequalities, and reveals the racial tensions remaining within foodies’ attempts to reconcile democracy and distinction.


2021 ◽  
pp. 1329878X2110081
Author(s):  
TJ Thomson

This study uses news photographs and interviews with journalists to explore how Australia’s unprecedented 2019–2020 bushfire season was depicted for Australian and non-Australian audiences in order to extend transnational understanding of iconicity’s tenets and how news values vary across contexts. It does so first by examining the Sydney Morning Herald’s coverage over 3 months and then by contrasting this with international coverage that began in early 2020 once the issue spilled onto the world stage. Australia’s coverage focused intensely on human actors involved in the disaster while the vast numbers of affected animals were virtually absent. In contrast, international media visually depicted the disaster as an environmental and ecological issue with global consequences. The results suggest a need for a definition of iconicity that is inclusive to non-human actors and to inanimate forces that are personified. It also extends our cross-cultural understanding of the visual expression of news values.


Author(s):  
Ann Dadich ◽  
Katherine M. Boydell ◽  
Stephanie Habak ◽  
Chloe Watfern

This methodological article argues for the potential of positive organisational arts-based youth scholarship as a methodology to understand and promote positive experiences among young people. With reference to COVID-19, exemplars sourced from social media platforms and relevant organisations demonstrate the remarkable creative brilliance of young people. During these difficult times, young people used song, dance, storytelling, and art to express themselves, (re)connect with others, champion social change, and promote health and wellbeing. This article demonstrates the power of positive organisational arts-based youth scholarship to understand how young people use art to redress negativity via a positive lens of agency, peace, collectedness, and calm.


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