scholarly journals Book Reviews: Mad Men, Mad World: Sex, Politics, Style and the 1960s, Mad Men and Working Women: Feminist Perspectives on Historical Power, Resistance, and Otherness, Scenes from the Suburbs: The Suburb in Contemporary US Film and Television, Style in British Television Drama, Entertaining Television: The BBC and Popular Television Culture in the 1950s, Broadcasting and the NHS in the Thatcherite 1980s: The Challenge to Public Service, No Known Cure: The Comedy of Chris Morris, the Digital Television Revolution: Origins to Outcomes, Small Screen Aesthetics: From TV to the Internet, the Language of Fictional Television, Historia de la Radio y la Television en Espana: Una asignatura pendiente de la democracia

Author(s):  
Lucy Fife Donaldson ◽  
James Walters ◽  
Derek Johnston ◽  
Billy Smart ◽  
Richard McCulloch ◽  
...  
2015 ◽  
Vol 33 (3) ◽  
pp. 88-107
Author(s):  
Louise K. Davidson-Schmich ◽  
Jennifer A. Yoder ◽  
Friederike Eigler ◽  
Joyce M. Mushaben ◽  
Alexandra Schwell ◽  
...  

Konrad H. Jarausch, United Germany: Debating Processes and Prospects Reviewed by Louise K. Davidson-Schmich Nick Hodgin and Caroline Pearce, ed. The GDR Remembered:Representations of the East German State since 1989 Reviewed by Jennifer A. Yoder Andrew Demshuk, The Lost German East: Forced Migration and the Politics of Memory, 1945-1970 Reviewed by Friederike Eigler Peter H. Merkl, Small Town & Village in Bavaria: The Passing of a Way of Life Reviewed by Joyce M. Mushaben Barbara Thériault, The Cop and the Sociologist. Investigating Diversity in German Police Forces Reviewed by Alexandra Schwell Clare Bielby, Violent Women in Print: Representations in the West German Print Media of the 1960s and 1970s Reviewed by Katharina Karcher Michael David-Fox, Peter Holquist, and Alexander M. Martin, ed., Fascination and Enmity: Russia and Germany as Entangled Histories, 1914-1945 Reviewed by Jennifer A. Yoder


Public Voices ◽  
2017 ◽  
Vol 14 (2) ◽  
pp. 55
Author(s):  
Tony Carrizales

Public Service, in popular culture, can be viewed through many artistic lenses. Although there has been a consistent negative portrayal of government through art forms such as film and television, this research looks to review how government institutions in the United States have used art to provide a positive portrayal of public service. Eight forms of public service art are outlined through a content analysis of the holdings at the Virtual Museum of Public Service. The findings show that government and public entities have historically and continually engaged in promoting public service through art. Many of these public art examples are accessible year round, without limitations, such as buildings, statues, and public structures.


2014 ◽  
Vol 17 ◽  
Author(s):  
Lucy Bennett ◽  
Bertha Chin

Orlando Jones, an American film and television writer, producer, and actor who currently plays Captain Frank Irving in Fox’s Sleepy Hollow, provides an intriguing example of how producers and fans can engage in a receptive and dynamic relationship through social media, most specifically through Twitter and Tumblr. We interviewed Jones to ascertain how a regular in a popular television show perceives and maintains this form of communication with fans; how his enthusiasm for fan studies has unfolded; and how he has negotiated and managed fan controversy.


Author(s):  
Joseph Oldham

This chapter examines Spooks (BBC 1, 2002-11), procedural spy series focused on MI5. Widely understood as British television’s primary dramatic response to the ‘war on terror’, this chapter conversely traces the series’ substantial development prior to 9/11. Spooks is characterised as epitomising trends in the deregulated era of British television, commissioned as part of an investment in cutting-edge new drama to assert BBC 1’s competitiveness in the multi-channel landscape, and developed by the independent production company Kudos Film and Television. Responding to ‘openness’ drives by the real MI5, this reworked the spy series according to the tradition of the precinct drama, situating national security activities within the familiarised culture of the workplace family. This chapter argues that, through self-consciously challenging attitudes to headline issues the series demonstrated continuity with earlier radical BBC traditions, but this was tamed by its procedural format and stylised aesthetics.


Approximation ◽  
2020 ◽  
pp. 82-119
Author(s):  
Stella Bruzzi
Keyword(s):  
Mad Men ◽  

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