Introduction

2018 ◽  
pp. 1-20
Author(s):  
Mariko Hori Tanaka ◽  
Yoshiki Tajiri ◽  
Michiko Tsushima ◽  
Robert Eaglestone
Keyword(s):  
Twentieth Century ◽  
Modern Concept ◽  
The West ◽  
The Holocaust ◽  
Mass Atrocity ◽  
Point Of Intersection

Roger Luckhurst argues that the modern concept of trauma developed in the West through the interlocking areas of ‘law, psychiatry and industrialized warfare’ (2008: 19). However, over the twentieth century, trauma as a concept became increasingly medicalised and simultaneously significantly linked with wider political frameworks: with survivor and testimony narratives, with responses to persecution and prejudice, to the Holocaust, and other acts of mass atrocity and genocide. In such discourses, the concept of trauma is not fully material or bodily, nor simply psychic, nor fully cultural, nor simply historical or structural, but a meeting of all of these. As Luckhurst usefully suggests, it is precisely because it is a knot, or a point of intersection, of turbulence, that ‘trauma’ is such a powerful force and is impossible to define easily....

Dancing with Death and Salvaging Jewish Culture inAusteriaandThe Dybbuk

Slavic Review ◽  
2000 ◽  
Vol 59 (4) ◽  
pp. 761-781 ◽  
Author(s):  
Gabriella Safran
Keyword(s):  
Twentieth Century ◽  
Jewish Life ◽  
Jewish People ◽  
Film Festivals ◽  
The West ◽  
Martial Law ◽  
Jewish Culture ◽  
The Holocaust ◽  
Humanitarian Values ◽  
Polish Government

Jerzy Kawalerowicz told reporters that he made his 1982 film,Austeria(The inn) to commemorate the Polish-Jewish people and culture destroyed in the Holocaust. This non-Jewish Polish director, known best in the west for hisMother Joanna of the Angels(a depiction of death and possession at a medieval French convent), grew up among Jews in the eastern part of Poland. He had been struck by the Polish-Jewish author Julian Stryjkowski's 1966 novella,Austeria,a haunting depiction of Jewish life in Galicia at the beginning of the twentieth century. Kawalerowicz—with Stryjkowski—immediately decided to turn the book into a movie. After the Six-Day War in 1967 sparked an “anti-Zionist campaign” in Poland, however, the Polish government found the Jewish topic of their screenplay “politically unacceptable.” In 1981, the film was granted permission and funding. It was completed in 1982, following the crackdown on Solidarity and the imposition of martial law. The authorities allowed its distribution, having determined that it displayed “humanitarian values” and that it did not represent a political threat. In the capacity of a quasiofficial expression of Polish regret at the passing of the Jews, and perhaps as a demonstration of liberalism aimed at the western critics of the new regime,Austeriawas widely promoted and exported to film festivals abroad.

scholarly journals Review Article: The Vanished Ghosts in Two Hungarian Family Memoirs. Farkas, Charles. 2013. Vanished by the Danube: Peace, War, Revolution, and Flight to the West (Introduction by Margaret McMullan). Albany: Excelsior Editions, State University of New York Press. 472 pp. Illus; and Barlay, Nick. 2013. Scattered Ghosts: One Family's Survival through War, Holocaust and Revolution. London and New York: I. B. Tauris. 240 pp. Illus.

2015 ◽  
Vol 7 ◽  
pp. 11-20
Author(s):  
Ruth G. Biro
Keyword(s):  
New York ◽  
Twentieth Century ◽  
World War Ii ◽  
Review Article ◽  
State University ◽  
World War ◽  
The West ◽  
Hungarian Revolution ◽  
The Holocaust ◽  
Visual Artifacts

Recent personal documentary works about major historical events of the twentieth century, e.g., World War II, the Holocaust and the 1956 Hungarian Revolution, offer their readers a rich and multifaceted narrative, or a history that is also "his story," "her story" and that of entire families, cohorts and communities. Often, these works are accompanied by visual artifacts such as photographs, family tress, maps etc., or supported by concise historical surveys. Thus these memoirs complete the work of historians with the lived experiences of the few that represent many. Such is the case with two 2013 books by Charles Farkas and Nick Barlay depicting their mid-twentieth century Hungarian families, one Christian and one Jewish, through two World Wars and the anti-communist uprising, culminating in their escape to the West and in the two authors looking back upon the Hungarian past of their families.

Studying Modern Arabic Literature

2015 ◽  
Keyword(s):  
Twentieth Century ◽  
Arab World ◽  
Public Intellectual ◽  
Arabic Literature ◽  
Global Culture ◽  
The West ◽  
Teaching And Research ◽  
The Face ◽  
The 1960S ◽  
Modern Arabic

This book is devoted to the life and academic legacy of Mustafa Badawi who transformed the study of modern Arabic literature in the second half of the twentieth century. Prior to the 1960s the study of Arabic literature, both classical and modern, had barely been emancipated from the academic approaches of orientalism. The appointment of Badawi as Oxford University's first lecturer in modern Arabic literature changed the face of this subject as Badawi showed, through his teaching and research, that Arabic literature was making vibrant contributions to global culture and thought. Part biography, part collection of critical essays, this book celebrates Badawi's immense contribution to the field and explores his role as a public intellectual in the Arab world and the west.

Marie Ulčová and her Contribution to the West Bohemian Museums

2018 ◽  
Vol 56 (1) ◽  
pp. 13-23
Author(s):  
Nela Štorková
Keyword(s):  
Twentieth Century ◽  
Second World War ◽  
World War ◽  
The West ◽  
West Bohemia ◽  
Long Time ◽  
Second World

While today the Ethnographic Museum of the Pilsen Region represents just one of the departments of the Museum of West Bohemia in Pilsen, at the beginning of the twentieth century, in 1915, it emerged as an independent institution devoted to a study of life in the Pilsen region. Ladislav Lábek, the founder and long-time director, bears the greatest credit for this museum. This study presents PhDr. Marie Ulčová, who joined the museum shortly after the Second World War and in 1963 replaced Mr. Lábek on his imaginary throne. The main objective of this article is to introduce the personality of Marie Ulčová and to evaluate the activity of this Pilsen ethnographer and the museum employee with an emphasis on her work in the Ethnographic Museum of the Pilsen Region. The basic aspects of the ethnographic activities, not only of Marie Ulčová but also of the Ethnographic Museum of the Pilsen Region in the years 1963–1988, are described through her professional and popularising articles, archival sources and contemporary periodicals.

Century of Ukraine's diplomatic service

2017 ◽  
pp. 77-94
Author(s):  
Yuriy Makar
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
State Committee ◽  
The West ◽  
Sovereign State ◽  
The Soviet Union ◽  
National University ◽  
Central Council ◽  
History Of ◽  
Late Twentieth

On December 22, 2017 the Ukrainian Diplomatic Service marked the 100thanniversary of its establishment and development. In dedication to such a momentous event, the Department of International Relations of Yuriy Fedkovych Chernivtsi National University has published a book of IR Dept’s ardent activity since its establishment. It includes information both in Ukrainian and English on the backbone of the collective and their versatile activities, achievements and prospects for the future. The author delves into retracing the course of the history of Ukrainian Diplomacy formation and development. The author highlights the roots of its formation, reconsidering a long way of its development that coincided with the formation of basic elements of Ukrainian statehood that came into existence as a result of the war of national liberation – the Ukrainian Central Rada (the Central Council of Ukraine). Later, the Ukrainian or so-called State the Hetmanate was under study. The Directorat (Directory) of Ukraine, being a provisional collegiate revolutionary state committee of the Ukrainian People’s Republic, was given a thorough study. Of particular interest for the research are diplomatic activities of the West Ukrainian People`s Republic. Noteworthy, the author emphasizes on the Ukrainian Socialist Soviet Republic’s foreign policy, forced by the Bolshevist Russia. A further important implication is both the challenges of the Ukrainian statehood establishing and Ukraine’s functioning as a state, first and foremost, stemmed from the immaturity and conscience-unawareness of the Ukrainian society, that, ultimately, has led to the fact, that throughout the twentieth century Ukraine as a statehood, being incorporated into the Soviet Union, could hardly be recognized as a sovereign state. Our research suggests that since the beginning of the Ukrainian Diplomacy establishment and its further evolution, it used to be unprecedentedly fabricated and forged. On a wider level, the research is devoted to centennial fight of Ukraine against Russian violence and aggression since the WWI, when in 1917 the Russian Bolsheviks, headed by Lenin, started real Russian war against Ukraine. Apropos, in the about-a-year-negotiation run, Ukraine, eventually, failed to become sovereign. Remarkably, Ukraine finally gained its independence just in late twentieth century. Nowadays, Russia still regards Ukraine as a part of its own strategic orbit,waging out a carrot-and-stick battle. Keywords: The Ukrainian People’s Republic, the State of Ukraine, the Hetmanate, the Direcorat (Directory) of Ukraine, the West Ukrainian People`s Republic, the Ukrainian Socialist Soviet Republic, Ukraine, the Bolshevist Russia, the Russian Federation, Ukrainian diplomacy

Levantine Art in the “Orientalizing” Period

2019 ◽  
pp. 369-383
Author(s):  
Marian H. Feldman
Keyword(s):  
Twentieth Century ◽  
Cultural Relations ◽  
Ancient Greek ◽  
The West ◽  
False Dichotomy ◽  
First Millennium

The “Orientalizing period” represents a scholarly designation used to describe the eighth and seventh centuries bce when regions in Greece, Italy, and farther west witnessed a flourishing of arts and cultures attributed to contact with cultural areas to the east—in particular that of the Phoenicians. This chapter surveys Orientalizing as an intellectual and historiographic concept and reconsiders the role of purportedly Phoenician arts within the existing scholarly narratives. The Orientalizing period should be understood as a construct of nineteenth- and twentieth-century scholarship that was structured around a false dichotomy between the Orient (the East) and the West. The designation “Phoenician” has a similarly complex historiographic past rooted in ancient Greek stereotyping that has profoundly shaped modern scholarly interpretations. This chapter argues that the luxury arts most often credited as agents of Orientalization—most prominent among them being carved ivories, decorated metal bowls, and engraved tridacna shells—cannot be exclusively associated with a Phoenician cultural origin, thus calling into question the primacy of the Phoenicians in Orientalizing processes. Each of these types of objects appears to have a much broader production sphere than is indicated by the attribute as Phoenician. In addition, the notion of unidirectional influences flowing from east to west is challenged, and instead concepts of connectivity and networking are proposed as more useful frameworks for approaching the problem of cultural relations during the early part of the first millennium bce.

scholarly journals The Decline of Religious Life in the Twentieth Century

Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 388
Author(s):  
Anton Lingier ◽  
Wim Vandewiele
Keyword(s):  
Twentieth Century ◽  
Significant Influence ◽  
Religious Life ◽  
The West ◽  
Potential Reason ◽  
First Category ◽  
Cyclical Pattern

The decline in numbers of religious in the West is discussed in numerous studies. While there is a consensus about the statistical reality of decreasing numbers, scholars disagree about the alleged reasons for this decline. This article maps the field and presents a survey of four categories of answers to the question of why religious life declined during the twentieth century. A distinction is made between theories that ascribe the decline to (1) historical, (2) societal, (3) ecclesial, and (4) theological reasons. The first category views the decline as part of a historical-cyclical pattern of growth and decline. The second encompasses explanations that focus on secularization, professionalization, or new societal opportunities for women. Thirdly, post-conciliar church-organizational reasons will be discussed. Finally, pre-conciliar theology is investigated as a potential reason for the decline. While none of the reasons discussed here can be excluded from at least contributing to the decline, we demonstrate that some authors are mistaken in their conclusions due to misinterpreting data in a way that obscures the possibility of an emerging decline before the statistics peak in 1965 (which marks the end of the Council). We also demonstrate how theology has been an underestimated but significant influence on the statistics of religious life.

Is There A Middle East?

1973 ◽  
Vol 4 (3) ◽  
pp. 255-271 ◽  
Author(s):  
Nikki R. Keddie
Keyword(s):  
Twentieth Century ◽  
Middle East ◽  
Cultural Influences ◽  
Late Nineteenth Century ◽  
Religious Leaders ◽  
Traditional Religion ◽  
The West ◽  
Petty Bourgeoisie ◽  
Cultural Sphere ◽  
Traditional Islam

The Middle East, as a geographical term, is generally used today to cover the area stretching from Morocco through Afghanistan, and is roughly equivalent to the area of the first wave of Muslim conquests plus Anatolia. It is a predominantly Muslim area with widespread semi-arid and desert conditions where agriculture is heavily dependent on irrigation and pastoral nomadism has been prevalent. With the twentieth-century rise of exclusive linguistic nationalisms, which have taken over many of the emotional overtones formerly concentrated on religious loyalties, it becomes increasingly doubtful that the Middle East is now much more than a geographical expression – covering an area whose inhabitants respond to very different loyalties and values. In Turkey since the days of Atatürk, the ruling and educated élites have gone out of their way to express their identification with Europe and the West and to turn their backs on their traditional Islamic heritage. A glorification of the ‘modern’ and populist elements in the ancient Turkish and Ottoman past has gone along with a downgrading of Arab and Persian cultural influences–indeed the latter are often seen as having corrupted the pure Turkish essence, which only re-emerged with Atatürk’s swepping cultural reforms. Similarly the Iranians are increasingly emulating the technocratic and rationalizing values of the capitalist West, and in the cultural sphere identify with the glorious civilization of pre-Islamic Iran. This identification goes along with a downgrading of Islam and particularly of the Arabs, which has characterized both radical nationalists like the late nineteenth-century Mîrzâ Âqâ Khân Kirmânî and the twentieth-century Ahmad Kasravâ1 and more conservative official nationalists such as the Pahlavi Shahs and their followers. The recent celebrations of the 2500th anniversary of the Persian monarchy, for example, were notable for their virtual exclusion of the Muslim ulama, though religious leaders of other religious were invited, and their lack of specifically Islamic references. In both Iran and Turkey, traditional Islam has become largely a class phenomenon, with the traditional religion followed by a majority of the peasantry and the petty bourgeoisie, but rejected or radically modified by the more educated classes. With the continued spread of Western-style secular education it may be expected that the numbers of people identifying with nationalism and with the West (or with the Communist rather than the Islamic East) will grow.

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