scholarly journals Arte, Tecnología y Humanismo. El laboratorio de diseño social Studio Roosegaarde como ecosistema creativo tecnopoético

Artnodes ◽  
2018 ◽  
Author(s):  
Mª Isabel Soler Ruiz ◽  
Rosa Mármol Pérez
Keyword(s):  
Bruno Latour ◽  
Joseph Beuys

El ser humano comienza a dejar una huella irreversible en el planeta bajo una perspectiva ajena a una conciencia de totalidad, la conciencia de ser una parte más del ecosistema que destruimos. Este artículo analizará las estrategias visuales y conceptuales de Daan Roosegaarde como ejemplo de artista-científico-humanista en el Año Internacional de la Luz, 2015. Desde su laboratorio de diseño social se han generado proyectos «tecnopoéticos» que utilizan tecnologías de aprovechamiento de energía solar de forma sostenible y recodifican los objetos de nuestro espacio social desde una perspectiva holística del mundo. Este laboratorio consigue los objetivos del Global Net Society Institute y construye un ecosistema creativo propio acorde con los conceptos ecológicos defendidos por Hans Haacke y Joseph Beuys, en los años sesenta y setenta y por la idea de gathering de Bruno Latour como un lugar de encuentro entre las personas, la tecnología y el entorno que funciona como una cartografía de la controversia que crea la incertidumbre sobre el medio ambiente.

scholarly journals Buscando la tierra de nadie. Obras contemporáneas de arte y matemáticas

2021 ◽  
pp. 59-92
Author(s):  
Rosanna Guida
Keyword(s):  
Bruno Latour ◽  
Jackson Pollock ◽  
Joseph Beuys ◽  
Charles Peirce ◽  
Roni Horn

  En este artículo, a la luz de lo que se desprende del análisis de Bruno Latour en el libro Investigación sobre los modos de existencia, investigo algunas relaciones entre las categorías literarias calvinianas de la ligereza, de la velocidad, de la exactitud, la visibilidad, la multiplicidad y la consistencia, transfiriéndolas a diferentes contextos artísticos y científicos y poniendo de relieve los flujos de intercambio en las fronteras entre los diferentes territorios del conocimiento artístico y matemático, en particular. Comparadas, las obras de algunos artistas contemporáneos (Joseph Beuys, Michele Guido, Silvia Hell, Roni Horn, Armin Linke, Mark Lombardi, Sergio Lombardo, Sol Lewitt, Bruno Munari, Jackson Pollock, Tomas Saraceno, Luigi Veronesi) y las obras de los matemáticos contemporáneos Alexander Groetendieck y Fernando Zalamea, revelan la reciprocidad epistemológica en función de la ampliación de la percepción humana. Utilizando los métodos de la filosofía pragmática, a través del uso de la hoja-mundo y de los gráficos existenciales de Charles Peirce, la lógica de las analogías, de las similitudes y de los contrastes dialécticos y la lógica intuicionista, surgen, en las obras estudiadas, las relaciones fenomenológicas entre los elementos expresivos de las obras de los artistas investigados y los significados actuales, vinculados a los diferentes ámbitos disciplinarios. Por último, con las herramientas ofrecidas por la A/R/ Tografía, se traza un mapa de relaciones entre los elementos icónicos, las categorías calvinianas y los conceptos matemáticos de homotetia, isomorfismo, lista, red, superficie, proceso estocástico.

Site, Adapt, Perform: A Practice-as-Research Confrontation with Climate Change

2017 ◽  
Vol 35 (1) ◽  
pp. 111-129 ◽  
Author(s):  
Melanie Kloetzel
Keyword(s):  
Climate Change ◽  
Creative Process ◽  
Adaptive Performance ◽  
Bruno Latour ◽  
Research Methodologies ◽  
Arts Festivals ◽  
A Site

In recent years, arts festivals around the globe have become enamoured of touring, site-based performance. Such serialised site work is growing in popularity due to its accessibility, its spectacular characteristics, and its adaptive qualities. Employing practice-as-research methodologies to dissect the basis of such site-adaptive performances, the author highlights her discovery of the crumbling foundation of the adaptation discourse by way of her creative process for the performance work Room. Combining findings from the phenomenological explorations of her dancing body as well as from cultural analyses of the climate change debate by Dipesh Chakrabarty (2009), Claire Colebrook (2011, 2012), and Bruno Latour (2014), the author argues that only by fundamentally shifting the direction of the adaptation discourse – on scales from global to the personal – will we be able to build a site-adaptive performance strategy that resists the neoliberal drive towards ecological and economic precarity.

Politics of Nature: The board game

2021 ◽  
Vol 51 (1) ◽  
pp. 139-164
Author(s):  
Jakob Raffn ◽  
Frederik Lassen
Keyword(s):  
Decision Making ◽  
Status Quo ◽  
Board Game ◽  
Bruno Latour ◽  
Political Ontology ◽  
The Status ◽  
Group Ideation ◽  
Politics Of Nature

Here we introduce the board game Politics of Nature, or PoN as it is now known. Inspired by the work of Bruno Latour, PoN offers an alternative take on co-existence by implementing a flat political ontology in a gamified meeting protocol. PoN does not suggest that humans have no special abilities, only that humans at the outset, are bestowed with no more rights than other kinds of beings. Designed to enable people of all walks of life to playfully unpack and resolve controversies, PoN provides a space where beings can have their existence renegotiated. The aim of PoN is to play as a team to explore and decide on potential good common worlds in which more indispensable beings can exist than if the status quo is continued. By playing PoN iteratively through rounds, each having four stages, the players gradually construct PoN - a planet mirroring ‘real worlds’. The four stages provide a novel combination of identification, representation, meditation, prioritization, mapping, individual and group ideation, proposal formulation, and decision-making; only to ask the players to challenge and change PoN to fit their requirements after each round. What follows is taken directly from the manual.

Surface Media: McLuhan, the Bauhaus and the Tactile Values of TV

2021 ◽  
pp. 1357034X2110089
Author(s):  
Henning Schmidgen
Keyword(s):  
Media Use ◽  
Bruno Latour ◽  
Marshall Mcluhan ◽  
Political Factors ◽  
The Social ◽  
Human Actors ◽  
Sense Of Touch ◽  
Light Beams ◽  
Digital Computers

Marshall McLuhan understood television (TV) as a tactile medium. This understanding implied what Bruno Latour might call a ‘symmetrical’ conception of tactility. According to McLuhan, not only human actors are endowed with the sense of touch. In addition, TV, digital computers and other ‘electric media’ use light beams and similar scanning techniques for ceaselessly ‘caressing the contours’ of their surroundings. This notion of tactility was crucially shaped by the holistic aesthetics of the early Bauhaus. To get at the specific features of the TV image, McLuhan relied on the writings of László Moholy-Nagy and Sigfried Giedion, in particular their use of photography for capturing and highlighting the ‘texture’ of surfaces. However, he hardly reflected the social and political factors that, in the age of electric media, contribute to the ‘symmetricization’ of touch.

scholarly journals Declarations of Dependence: On the Constitution of the Anthropocene

2020 ◽  
pp. 026327642097828
Author(s):  
Henrik Enroth
Keyword(s):  
Climate Change ◽  
Hannah Arendt ◽  
Anthropogenic Climate Change ◽  
Bruno Latour ◽  
The Public

As the gravity of anthropogenic climate change is dawning on humanity, essential political aspects of the climatic situation remain unexplored. This article argues that our entering the Anthropocene amounts to a constitutive moment: a moment in which new principles of coexistence are being declared. Drawing on, as well as critically engaging with, the work of Bruno Latour and Hannah Arendt, I introduce and explicate the metaphor declarations of dependence to make sense of what scientists, activists, academics and journalists are doing, in political terms, when they announce the Anthropocene. Theoretically as well as practically, this metaphor opens for a more helpful understanding of the fraught relationship between science and the public on the issue of anthropogenic climate change. I end by considering the possibility that this metaphor, literally construed, can help us make today the first day in the rest of our lives in the Anthropocene.

scholarly journals Uttering geographies: Speech acts, felicity conditions and modes of existence

2019 ◽  
Vol 44 (6) ◽  
pp. 1124-1140
Author(s):  
Miles Ogborn
Keyword(s):  
Speech Acts ◽  
Speech Act ◽  
Speech Act Theory ◽  
Bruno Latour ◽  
Human Speech ◽  
Everyday Talk ◽  
Modes Of Existence

The geographies of speech has become stuck in a form of interpretation which considers the potentially infinite detail of spoken performances understood within their equally infinitely complex contexts. This paper offers a way forward by considering the uses, critiques and reworkings of J.L. Austin’s speech act theory by those who study everyday talk, by deconstructionists and critical theorists, and by Bruno Latour in his AIME (‘An Inquiry into Modes of Existence’) project. This offers a rethinking of speech acts in terms of power and space, and a series of ontological differentiations between forms of utterances and enunciations beyond human speech.

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