scholarly journals Open source GIS for geological field mapping: research and teaching experience

2016 ◽  
Author(s):  
Mauro De Donatis ◽  
Mauro Alberti ◽  
Carlo Cesarini ◽  
Marco Menichetti ◽  
Sara Susini
Keyword(s):  
Open Source ◽  
Teaching Experience ◽  
Digital Tools ◽  
Academic World ◽  
Field Mapping ◽  
Research And Teaching ◽  
The Future ◽  
Open Source Gis ◽  
Work Done ◽  
Digital Survey

The journey to digital field mapping in the geosciences academic world is far from ending. When it started some years ago, many geoscientists were skeptical about the use of digital tools in the field. Nowadays, the work done in this decade shows clearly that this will be the way of working in the future. The traditional way of mapping can be incorporated and improved in the digital survey. Many of the previously existing limitations have been surmounted. Part of this process is possible thanks to the choice of open source tools.

scholarly journals Open source GIS for geological field mapping: research and teaching experience

2016 ◽  
Author(s):  
Mauro De Donatis ◽  
Mauro Alberti ◽  
Carlo Cesarini ◽  
Marco Menichetti ◽  
Sara Susini
Keyword(s):  
Open Source ◽  
Teaching Experience ◽  
Digital Tools ◽  
Academic World ◽  
Field Mapping ◽  
Research And Teaching ◽  
The Future ◽  
Open Source Gis ◽  
Work Done ◽  
Digital Survey

The journey to digital field mapping in the geosciences academic world is far from ending. When it started some years ago, many geoscientists were skeptical about the use of digital tools in the field. Nowadays, the work done in this decade shows clearly that this will be the way of working in the future. The traditional way of mapping can be incorporated and improved in the digital survey. Many of the previously existing limitations have been overcome. Part of this process is possible thanks to the choice of open source tools.

scholarly journals Open source GIS for geological field mapping: research and teaching experience

2016 ◽  
Author(s):  
Mauro De Donatis ◽  
Mauro Alberti ◽  
Carlo Cesarini ◽  
Marco Menichetti ◽  
Sara Susini
Keyword(s):  
Open Source ◽  
Teaching Experience ◽  
Digital Tools ◽  
Academic World ◽  
Field Mapping ◽  
Research And Teaching ◽  
The Future ◽  
Open Source Gis ◽  
Work Done ◽  
Digital Survey

The journey to digital field mapping in the geosciences academic world is far from ending. When it started some years ago, many geoscientists were skeptical about the use of digital tools in the field. Nowadays, the work done in this decade shows clearly that this will be the way of working in the future. The traditional way of mapping can be incorporated and improved in the digital survey. Many of the previously existing limitations have been overcome. Part of this process is possible thanks to the choice of open source tools.

scholarly journals Open source GIS for geological field mapping: research and teaching experience

2016 ◽  
Author(s):  
Mauro De Donatis ◽  
Mauro Alberti ◽  
Carlo Cesarini ◽  
Marco Menichetti ◽  
Sara Susini
Keyword(s):  
Open Source ◽  
Teaching Experience ◽  
Digital Tools ◽  
Academic World ◽  
Field Mapping ◽  
Research And Teaching ◽  
The Future ◽  
Open Source Gis ◽  
Work Done ◽  
Digital Survey

The journey to digital field mapping in the geosciences academic world is far from ending. When it started some years ago, many geoscientists were skeptical about the use of digital tools in the field. Nowadays, the work done in this decade shows clearly that this will be the way of working in the future. The traditional way of mapping can be incorporated and improved in the digital survey. Many of the previously existing limitations have been overcome. Part of this process is possible thanks to the choice of open source tools.

ASO GUMBALO SEBAGAI INSPIRAS DALAM PENCIPTAAN SENI LUKIS

2018 ◽  
Vol 7 (2) ◽  
pp. 178
Author(s):  
Satri Yadi ◽  
Yuniarti Munaf ◽  
Dhasono Dhasono
Keyword(s):  
Design Phase ◽  
Symbolic Expression ◽  
Ethical Research ◽  
Process Stage ◽  
Form Processing ◽  
The Future ◽  
The Creation ◽  
Visual Strategies ◽  
Work Done ◽  
Exploration Phase

AbstrakAso Gumbalo dalam penciptaan karya seni lukis diilhami dari kehidupan pengembala yang menjadi inspirasi pencipta yang diungkap melalui media seni lukis dengan mengambil ide “Harapan Pengembala” (Aso Gumbalo). Harapan Gembala dapat diartikan sebagai keinginan, kecendrungan dan dorongan hati yang kuat terhadap sesuatu hal yang ingin direalisasikan untuk menjadikan seorang lebih baik dimasa depan. Pengekspresian ide cipta berangkat dari fenomena Aso Gumbalo yang pencipta ungkap dengan ekspresi simbolik kedalam penciptaan karya seni lukis. Metode penciptaan karya ini melalui tahapan yaitu; 1) Tahap eksplorasi adalah tahap pencarian ide-ide dengan melakukan riset emik dan etik untuk pembuatan karya, 2) Tahap perancangan yaitu tahap pembuatan purwarupa yang akan diwujudkan kedalam bentuk karya seni lukis, 3) Tahap proses garapan karya. Konsep dari penciptaan karya merupakan ekspresi simbolik dengan memanfaatkan idiom tradisi, ekspresi tersebut digambarkan pada perwujudan karya menggunakan strategi media dan strategi visual dengan menggunakan konsep pengolahan bentuk, yaitu disformasi dan transformasi dengan melakukan penggabungan beberapa teknik antara lain, teknik plakat, transparan, tekstur semu dan tekstur nyata. Aso Gumbalo sebagai inspirasi yang diungkapkan dalam bentuk karya seni lukis ekspresi simbolik. Karya-karya yang diciptakan pengkarya disajikan dalam bentukpameran.           Kata Kunci:aso gumbalo, ekspresi simbolik, seni lukis.   AbstractAsoGumbalo in the creation of painting works was inspired from the life of the shepherd who became the inspiration of the creator which revealed through the medium of painting by taking the idea of "Hope of the Shepherd" (AsoGumbalo). Shepherd Hope can be interpreted as a strong desire, inclination and encouragement towards something that wants to be realized to make someone better in the future. The expression of copyrighted ideas departs from the phenomenon of AsoGumbalo, which the creator expressed with a symbolic expression into the creation of painting. This method of creating works through several stages, namely; 1) The exploration phase is the stage of searching for ideas by conducting emic and ethical research for the production of works, 2) the design phase that is the prototype-making stage which will be realized in the form of painting, 3) the process stage of the work done. The concept of creation of works is a symbolic expression by utilizing traditional idioms, these expressions are depicted in the realization of the work using media strategies and visual strategies by using the concept of form processing, namely deformation and transformation by combining several techniques, such as plaque, transparent, pseudo-texture and real texture. AsoGumbalo as an inspiration expressed in the form of paintings of symbolic expression. works created by artists are presented in the form of exhibitions.  Keywords:asogumbalo, symbolic expression, painting.  

PolyMorph-2D: An open-source GIS plug-in for morphometric analysis of vector-based 2D polygon features

Geomorphology ◽  
2021 ◽  
Vol 386 ◽  
pp. 107755
Author(s):  
Cüneyt Güler ◽  
Burak Beyhan ◽  
Hidayet Tağa
Keyword(s):  
Open Source ◽  
Morphometric Analysis ◽  
Open Source Gis

Assessment of open source GIS software for water resources management in developing countries

2010 ◽  
Vol 4 (3) ◽  
pp. 253-264 ◽  
Author(s):  
Daoyi Chen ◽  
Shahriar Shams ◽  
César Carmona-Moreno ◽  
Andrea Leone
Keyword(s):  
Developing Countries ◽  
Water Resources ◽  
Open Source ◽  
Water Resources Management ◽  
Resources Management ◽  
Open Source Gis ◽  
Gis Software

THATCampQueensU: Bringing Digital Humanities to Queen's

2016 ◽  
Author(s):  
Maya Bielinski
Keyword(s):  
Digital Humanities ◽  
First Century ◽  
Strong Sense ◽  
Digital Tools ◽  
Skill Levels ◽  
Research And Teaching ◽  
Research Questions ◽  
Twenty First Century ◽  
Queen's University ◽  
New Generation

There is a new generation of scholarship in the humanities, and it is rooted in twenty-first century technology. In response to what some have called the "crisis in humanities," scholars have begun to tackle their research questions armed with digital tools and a strong sense of collaboration in order to think across disciplines, allow for greater accessibility, and ultimately to create bigger impact. Digital Humanities, or DH, is this exciting and growing field--or maybe methodology--used by humanities scholars to share and create scholarly content.Despite the growing fervour for DH across Canada, many scholars at Queen's have yet to take advantage of the opportunities for research and teaching afforded by DH. I believe that by bringing together Digital Humanities practitioners at Queen's University, more scholars, faculty, and students would learn about and engage in dialogue about fostering and furthering DH scholarship across all disciplines. The best way to begin, I believe, is by hosting THATCamp at Queen's. The Humanities and Technology Camp is an open, inexpensive meeting where humanists and technologists of all skill levels learn and build together in sessions proposed on the spot.

The power of open-source hardware in crisis

2021 ◽  
Vol 28 (2) ◽  
pp. 51-55
Author(s):  
Alex Long
Keyword(s):  
Supply Chains ◽  
Open Source ◽  
The Future ◽  
Open Source Hardware

Could open-source solutions provide a crucial layer of defense for the future of pandemic-ready and disaster-resilient supply chains?

Militaire geschiedschrijving in de 21e eeuw

2021 ◽  
Vol 133 (4) ◽  
pp. 687-705
Author(s):  
Jan Hoffenaar
Keyword(s):  
Military History ◽  
Comprehensive Approach ◽  
Main Body ◽  
Academic World ◽  
Military Action ◽  
The Future ◽  
Over Time

Abstract Military History in the 21st CenturyThe field of military history has undergone profound changes in recent decades, the main feature of which has been to broaden the narrow traditional operational military historiography in terms of theme, perspective and methodology. This article very briefly discusses the position of the field in the academic and non-academic world. Then ‐ the main body of the article ‐ it explores the new historiographic paths military historians have taken over time, and analyzes the benefits and opportunities of these new practices, as well as the associated risks. Finally, a hopeful look is taken at the future of the field. It is argued that military historians with a comprehensive approach are best able to explain how the course of military action has influenced the general course of history and can thus make a full contribution to general historiography.

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