Contemporary Impressions, Kitsch Aesthetics
How the impressionist optic persists apparently unchanged in the very different forms of contemporary painting by Peter Doig and Thomas Kinkade—one a cutting-edge post-conceptual artist, the other the “artist in the mall,” but both kitsch in ways that transform the meaning of that term.
2000 ◽
Vol 3
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pp. 525-545
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2018 ◽
Vol 04
(02)
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pp. 241-258
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1911 ◽
Vol 1
(1)
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pp. 17-24
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1995 ◽
Vol 117
(4)
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pp. 551-558
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2018 ◽
Vol 32
(4)
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pp. 25-27
2016 ◽
Vol 24
(5)
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pp. 40-42
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