scholarly journals Introduction. “Speaking in Voices”: On Maria Stepanova’s Literary Creation

2021 ◽  
pp. xix-lii
Author(s):  
Irina Shevelenko
Keyword(s):  
Literary Creation

A Confrontation between Two Doctrines: The Birth of Struggle for Hegemony in Hebrew Children's Literature during the 1930s and 1940s

2008 ◽  
Vol 1 (2) ◽  
pp. 139-155 ◽  
Author(s):  
YAEL DARR
Keyword(s):  
Children's Literature ◽  
Educational System ◽  
Single Channel ◽  
Children’S Literature ◽  
The Political ◽  
Literary Creation ◽  
History Of ◽  
High Level ◽  
First Time ◽  
Literary Quality

This article describes a crucial and fundamental stage in the transformation of Hebrew children's literature, during the late 1930s and 1940s, from a single channel of expression to a multi-layered polyphony of models and voices. It claims that for the first time in the history of Hebrew children's literature there took place a doctrinal confrontation between two groups of taste-makers. The article outlines the pedagogical and ideological designs of traditionalist Zionist educators, and suggests how these were challenged by a group of prominent writers of adult poetry, members of the Modernist movement. These writers, it is argued, advocated autonomous literary creation, and insisted on a high level of literary quality. Their intervention not only dramatically changed the repertoire of Hebrew children's literature, but also the rules of literary discourse. The article suggests that, through the Modernists’ polemical efforts, Hebrew children's literature was able to free itself from its position as an apparatus controlled by the political-educational system and to become a dynamic and multi-layered field.

Paludes

2018 ◽  
Author(s):  
Sam Ferguson
Keyword(s):  
Literary Creation ◽  
Mise En Abyme ◽  
The Status ◽  
Diary Writing ◽  
New Form

Gide’s experimentation with diary-writing continues in Paludes. Like Les Cahiers d’André Walter, it is the diary (journal intime) of a character writing a novel (in this case also entitled ‘Paludes’, creating a structure of mise en abyme). The work’s exploration of diary-writing depends on a dizzying, comical instability in the text’s structure: first, the status of the main narrative (as a diary or some other sort of narrative) is never resolved; secondly, the relation between the main narrative and the narrator’s own literary creation (‘Paludes’) remains unclear. Paludes continues some of the theoretical themes from Les Cahiers d’André Walter, but the narrator of Paludes is more focused on embracing the contingency of diary-writing, as a way to escape the deterministic necessity of existence and achieve some sort of action and freedom in writing. The work calls for a new form of literary œuvre that can accommodate this diaristic contingency.

The Power of Words: The State as a Literary Creation

1985 ◽  
Vol 3 ◽  
pp. 12-31
Author(s):  
Daniel Latouche
Keyword(s):  
The State ◽  
Literary Creation ◽  
Power Of Words

scholarly journals Exile and Petrarch’s Reinvention of Authorship

2016 ◽  
Vol 69 (4) ◽  
pp. 1217-1256 ◽  
Author(s):  
Laurence E. Hooper
Keyword(s):  
Literary Creation ◽  
Christian Discourse

AbstractThis article demonstrates a systematic connection between the novelty of Petrarch’s authorship and his self-definition as an exile. Petrarch employs the unusual termexilium/esilioto substantiate his unprecedented claim that literature is a legally validofficium(civic role). Following Dante, Petrarch grounds his exilic authorship in the Christian discourse ofperegrinatio:life as pilgrimage through exile. But Petrarch’s newofficiumallows him a measure of control over literary creation that no prior Italian writer had enjoyed. This is especially true of the “Canzoniere,” Petrarch’s compilation of his vernacular lyrics, whose singularity functions as a proxy for its author’s selfhood.

scholarly journals Vedic Philosophy and Swami Nigamananda

2019 ◽  
Vol 7 (12) ◽  
pp. 17
Author(s):  
Sangram Keshari Mallik ◽  
Dr. Braja Kishore Sahoo
Keyword(s):  
Cultural Heritage ◽  
Code Of Conduct ◽  
Literary Creation ◽  
Ancient India ◽  
Vedic Literature ◽  
The World ◽  
Independent Entity ◽  
The Creation ◽  
Rig Veda ◽  
The Individual

Wonder that is India. India is wonderful because of its abundant and affluent cultural heritage. The cultural heritage of India is prudential of its spiritual richness and classical creativity. Vedic literature is the most wonderful and unparallel literary creation of Ancient India. Vedic literature has made this country worthy of worship. Vedas are without beginning and without end. Veda is author-less. It is Apauruseya. They are considered to be the direct word of the Divine.  Vedic knowledge appeared in the dawn of the cosmos within the heart of Brahma. Brahma imparted this knowledge in the form of sound (Sabda) to his sons who are great sages. They transmitted the Vedic sound heard from Brahma to their disciples all over universe. There are four Vedas. They are the Rig Veda, Yajur Veda, Sama Veda and Atharva Veda.  Four Vedas contain four types of texts such as The Samhitas, The Arankayas, The Brahmanas and The Upanishads. Veda is accepted as a code of conduct to Sanatan Dharma. The teaching of Veda is the concept that the individual is not an independent entity, but, rather, a part of the Universal Consciousness.  Upanishads is the manifestation of Vedantic thought. Sada Darshan (Six Systems of Vedanta) is a very important part of Vedic philosophy.  Swami Nigamananda a great Master of Vedic Literature achieved Nirbikalpa Sidhi of Vedanta in the year 1904.  The philosophy of Vedanta is reflected in the creation of Swami Nigamananda. In his writings (Yogi Guru, Jnani Guru, Tantrik Guru, Premik Guru, Brahmacharya Sadhana and Vedanta Viveka) he has explained the main scriptures of Vedas such as The Upanishads, The Bramha Sutras and The Bhagavad Gita. His philosophy teaches us to love and live in a state of eternal freedom. The Philosophy of Swami Nigamananda is a synthesis of Sankar and Gouranga i.e. knowledge and love. Knowledge envisages the path of analysis and Love, the path of synthesis. In this way Nigamananda convincingly reconciled the two apparently contradictory creeds of Adi Shankaracharya and Gauranga Mohapravu. “He advised his disciples to combine Shankara’s view and Gournaga’s way and walk on this path of synthesis. In fact attainment of Jnana through Bhakti is the nucleus of his philosophy. Through his teachings and works, he proclaimed to the world the fundamental harmony of all religions that there are many paths which lead to the same goal”.

scholarly journals LA POESIA HISPÀNICA DE POSTGUERRA COM A POLISISTEMA

2006 ◽  
Vol 20 (1) ◽  
pp. 101-116
Author(s):  
Joaquim Espinós Felipe
Keyword(s):  
Civil War ◽  
Institutional Context ◽  
Entire Period ◽  
Literary Creation ◽  
War Poetry ◽  
Political Factors ◽  
Hispanic Literature ◽  
The Will ◽  
The 1960S ◽  
Precise Time

The diverse literary expressions comprised in the concept “Hispanic literature” —Catalan, Castilian, and Basque as well as the literature from Galicia— form a polysystem of great hermeneutical possibilities, according to the model proposed by Itamar Even-Zohar. A common historic and institutional context gives cohesion to this polysystem, but the existence of particular national traditions introduces differences within it. The study that we present in this article centers on a precise time and genre —post Civil War poetry— and should be considered as another aspect of this vast analytic territory, which could be extended to other periods and other genres. The Castilian system has been at the center of the polysystem, due in large part to political factors. In the 1960s Castilian hegemony gives rise to a form of polycentrism that would have its most innovative and dynamic foci in Castilian and Catalan literatures respectively. The symbolism-realism dialectic —inherited from the pre-War time— extends across the entire period. Francoist refression produced a politicization of literary creation that subordinated forma aspects to the will to denounce. The realist repertoire, which except for the Basque system manifested mainly in exile, is the principal cohesive factor of the Hispanic systems. When this closed code automates itself in the 1960s, codes that had been marginalized will emerge.

scholarly journals A PICTORIAL POWER OF LANGUAGE IN THE TEXTS OF TROBAIRITZ AND LES PRÉCIEUSES

2020 ◽  
Vol 18 (2) ◽  
pp. 112-130
Author(s):  
Milena Mileva Blažić ◽  
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Julia Kristeva ◽  
Literary Creation ◽  
Power Of Language

The article presents the authors of literary creation, based on the theory of Julia Kristeva Tales of Love,1987andMarie Nikolajave Reading for Learning, 2015. Trial is the author of medieval trobairitz, enlightenment préciosité, romanticwomen fairy tale writersto contemporary trobairitz. The texts of the authors of the intertextual, dominated by emotional motifs (love, trust, loyalty), supported by actions (Love test) reflect the symbols (garden fountain, wall). Central emotionalekphrasis -love the emotion that has similar symptoms as anxiety (expectation,call andmeeting). The authors express themselves with metaphors, often asliterary parallelism -externalization of the inner landscape -literal and emotional winter. The authors are suggestible translate visuals into verbal world -songs(Azalais de Porcairagues, Comtessade Dia, Maria de Ventadorn), memories (Helena Kottanner), fairy tales (Jeanne Marie Leprince de Beaumont).

scholarly journals Honoré de Balzac: diálogos entre a escrita cotidiana e a literatura

2015 ◽  
Vol 30 ◽  
pp. 74
Author(s):  
M. Inês C. Arigoni
Keyword(s):  
Nineteenth Century ◽  
Honore De Balzac ◽  
Literary Texts ◽  
Literary Creation ◽  
Journalistic Practice

O objetivo deste artigo é apresentar alguns elementos de relação entre as esferas jornalística e literária presentes na produção de Honoré de Balzac. Reconhecidamente, havia, no século XIX, uma via de mão dupla entre esses domínios e seus contornos eram difusos; o que sugere indícios de intertextualidade nas escritas literária e não literária balzaquianas.The purpose of this article is to examine closely related elements between journalistic and literary texts by Honoré de Balzac and their relevance with regards to literary creation as well as journalistic practice. It is known, that in the nineteenth century, there were many shared influences between the journalistic and literary spheres and their boundaries were diffuse; which suggests evidence of intertextuality in Balzac’s writing, both literary and non-literary. 

Structure and Integration in Notes from the Underground

PMLA ◽  
1958 ◽  
Vol 73 (1) ◽  
pp. 101-109 ◽  
Author(s):  
Ralph E. Matlaw
Keyword(s):  
Turning Point ◽  
Literary Creation ◽  
Literary Convention ◽  
As If

In the literature on Notes from the Underground the protagonist is always called “the underground man” (podpol'nyj chelovek), as if he were an archetypal entity, rather than “the narrator,” an accepted literary convention of the Icherzählung. The nomenclature is significant, for critics have treated the work as the turning point in Dostoevsky's development, ransacked it for philosophical, political, and sociological formulas, noted the profound psychology, but have never analyzed the Notes in detail as an artifact. By so doing critics distort the Notes structurally and substantively, because they concentrate on and overemphasize the first part of the work almost to the exclusion of the second, and because they accept and discuss the narrator's formulations in this part without analyzing them as the expression of a literary creation. The purpose of this study is to examine the unity of the Notes: to ascertain the relationships of its two parts; to indicate the thematic function of ordering episodes in a particular sequence; to note the recurrence of certain objects, the symbolism involved therein, and its effect on the unity of the Notes; finally, to assess the effect of artful integration on the apparent “meaning” of the work.

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