scholarly journals On the Nature of Public Interiority

Interiority ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 61-82 ◽  
Author(s):  
Liz Teston
Keyword(s):  
New York ◽  
Built Environment ◽  
Real World ◽  
Object Oriented ◽  
Human Perception ◽  
Public Spaces ◽  
Art And Design ◽  
Object Oriented Ontology ◽  
The City ◽  
Urban Places

This essay explores the intersection between interiority, urbanism, and the human perception. I view interiority as a condition of the senses rather than an indoor place.  Revelations of interiority can be discovered within urban realm, in public spaces, and in intimate interior conditions. I am especially interested in “public interiority” or these cases of interiority that can be found in exterior urban places. Understanding interiority as a perceived condition grounds the built environment in phenomenology, varied human experiences,  and everyday conditions. Herein, I begin with an ontology of interiority, which focuses on various ways of perceiving the nature of things – phenomenology, structuralism and object-oriented-ontology (OOO). From there, I will analyze a taxonomy of public interiorities including various strains of form-based, programmatic, atmospheric, and psychological public interiorities. Using real-world examples from my previous research in Bucharest, Romania, New York and [location hidden] as well as well-established examples in art and design, I will then analyze various urban experiences of interiority and the way built conditions shape experience. In this way, I will bring the interior to the city.

scholarly journals Activating Data through Eco-Didactic Design in the Public Realm: Enabling Sustainable Development in Cities

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Knowledge Exchange ◽  
Public Spaces ◽  
Public Realm ◽  
Design Data ◽  
Art And Design ◽  
The Public ◽  
Community Based Design ◽  
The City

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.

Analysis on Building Readable Image of Urban Public Spaces

2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng
Keyword(s):  
New York ◽  
Public Space ◽  
Urban Space ◽  
Public Spaces ◽  
Urban Life ◽  
Space Images ◽  
Urban Public Space ◽  
Good Image ◽  
The Public ◽  
The City

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.

Creating the Latino City

Latino City ◽  
2017 ◽  
Author(s):  
Llana Barber
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
York City ◽  
Public Culture ◽  
Public Spaces ◽  
The United States ◽  
Latino Population ◽  
Transnational Activities ◽  
The City

Chapter Seven traces Lawrence's transition to a Latino-majority city with the 2000 census, including the tremendous increase in immigration during the 1980s that led Lawrence to become home to the largest concentration of Dominicans in the United States outside of New York City. The city's Latino population came to define Lawrence's public culture in this period, and the long push for Latino political power in the city was ultimately successful in many ways. This chapter discusses the transnational activities that brought new vitality to Lawrence's economy and its public spaces, yet larger structural forces continued to create obstacles to Latinos finding in Lawrence the better life they pursued.

Extreme Informatics

2011 ◽  
pp. 437-449 ◽  
Author(s):  
Mark Shepard
Keyword(s):  
New York ◽  
Information Systems ◽  
Environmental Impact ◽  
Urban Space ◽  
Public Spaces ◽  
Social Implications ◽  
Urban Informatics ◽  
Ambient Displays ◽  
The City ◽  
Display Systems

What happens to urban space given a hypothetical future where all information loses its body, that is, when it is offloaded from the material substrate of the physical city1 to the personal, portable, or ambient displays of tomorrow’s urban information systems? This chapter explores the spatial, technological and social implications of an extreme urban informatics regime. It investigates the total virtualization of the marks, signage, signaling and display systems by which we locate, orient ourselves, and navigate through the city. Taking as a vehicle a series of digitally manipulated photographs of specific locations in New York, this study analyzes the environmental impact of a pervasive evacuation of information–at various sites and scales–from the sidewalks, buildings, streets, intersections, infrastructures and public spaces of a fictional future De-saturated City.

scholarly journals HOW ARE PUBLIC SPACES SUSTAINING CULTURAL IDENTITIES IN THE CONTEXT OF CHINA’S INCREASINGLY GLOBALLY FOCUSED URBAN DEVELOPMENTS: USING A CASE STUDY OF PUTUO IN SHANGHAI

2016 ◽  
Vol 40 (3) ◽  
pp. 198-205
Author(s):  
Hee Sun (Sunny) Choi
Keyword(s):  
Built Environment ◽  
Urban Development ◽  
Public Space ◽  
Local Community ◽  
Public Spaces ◽  
Cultural Identities ◽  
Urban Change ◽  
Global Presence ◽  
The City

This paper explores what it means for a public space to embody the city within rapid urban change in contemporary urban development and how a space can accomplish this by embracing the culture of the city, its people and its places, using the particular case of Putuo, Shanghai in China. The paper employs mapping and empirical surveys to learn how the local community use the act of communal dance in everyday public spaces of this neighborhood, and seeks not to find generalizable rules for how humans comprehend a city, but instead to better understand how local inhabitants and their chosen activities can influence their built environment. The findings from this emphasize the importance to identify how public spaces can help to define cities with China’s emerging global presence, whilst addressing the ways in which local needs and perspectives can be preserved.

Art and social displays in the branding of the city: Token screens or opportunities for difference?

First Monday ◽  
2006 ◽  
Author(s):  
Julia Nevárez
Keyword(s):  
New York ◽  
Public Space ◽  
Social Issues ◽  
Public Spaces ◽  
Video Art ◽  
Times Square ◽  
Competitive Edge ◽  
Professional Class ◽  
The Times ◽  
The City

Even though urban screens can be seen as digital substitutes to public space image display, it is my contention that they are additional public spaces that as windows offer the potential of broadening use and participation. Most urban screens such as billboards have the purpose of displaying products for consumption within a cultural logic designed to address consumer audiences. The different strategies used to entice the consumer individual are varied, relying on culturally informed responses that advertisement agencies research. These strategies are also included in the way in which cities – through urban development initiatives – seek to generate a brand that will provide a competitive edge in attracting both a professional class of residents and tourists, to the city. This paper seeks to illustrate the uses of screens designed for the display of art in Times Square, NYC, their content as well as their role in the branding of the city with the aid of the Times Square Alliance that exemplifies trends in the privatisation of public space. By looking at the Panasonic Screen used by Creative time to display video art in that part of New York City, this paper will: 1) determine the content, purpose and possible meanings that emerge from the use of screens to display art and social issues as well as possibilities for other kinds of community and cultural contents different from the sole purpose of advertisement. A critical assessment of the content these images might offer, the inclusion of context and other pertinent information that could provide a broader perspective in the understanding of the images can be – it is my contention – acquired through the conceptualisation of screens to include the public spaces where they are located as an extension, a physical site for dialogue and public engagement.

scholarly journals Public Spaces as Knowledgescapes: Understanding the Relationship between the Built Environment and Creative Encounters at Dutch University Campuses and Science Parks

2020 ◽  
Vol 17 (20) ◽  
pp. 7421
Author(s):  
Isabelle Soares ◽  
Gerd Weitkamp ◽  
Claudia Yamu
Keyword(s):  
Built Environment ◽  
Well Being ◽  
Public Spaces ◽  
Science Parks ◽  
Mixed Methods Approach ◽  
University Campuses ◽  
Data Collection And Analysis ◽  
Physical Features ◽  
The Relationship ◽  
The City

The success of university campuses depends on the interrelations between creative encounters and the built environment, conceptualised here as spatial affordances for creativity. Such an interface plays a fundamental role in interactions for knowledge sharing and the exchange of ideas on campus. Due to campus public spaces generally being considered as the leftovers between buildings and classrooms, undermanaged, and overlooked, little is known about the extent to which this built environment enables or inhibits creative encounters in such spaces. The inner-city campuses and science parks (SPs) of Amsterdam and Utrecht, the case-studies of this research, differ in terms of their location relative to the city, their masterplan typologies and the arrangement of buildings. However, they are similar in terms of the aforementioned issues of public spaces. The novelty of this research is the attempt to overcome such issues using an innovative mixed-methods approach that tests the ‘spatial affordances for creativity’ with empirical data collection and analysis. This raises the importance of mapping, quantifying and analysing the spatial distribution of momentary perceptions, experiences, and feelings of people with methods such as volunteered geographic information (VGI). The results show that proximity between multiple urban functions and physical features, such as parks, cafés and urban seating are important when it comes to explaining the high frequency of creative encounters between people. Urban designers of campuses can use the applied method as a tool to plan and design attractive public spaces that provide creativity through the transfer of tacit knowledge, social well-being, positive momentary perceptions, sense of community, and a sense of place.

scholarly journals CITI-SENSE: methods and tools for empowering citizens to observe acoustic comfort in outdoor public spaces

Noise Mapping ◽  
2016 ◽  
Vol 3 (1) ◽  
Author(s):  
Itziar Aspuru ◽  
Igone García ◽  
Karmele Herranz ◽  
Alvaro Santander
Keyword(s):  
Public Spaces ◽  
Environmental Sensors ◽  
Noise Levels ◽  
Public Places ◽  
Acoustic Comfort ◽  
The City ◽  
Urban Places

AbstractThe purpose of this research was to design and deploy tools that apply the concept of citizen observatories and empowering citizens in the assessment of acoustic comfort in public places. The research applies an iterative cycle of design and this article presents the results of a demonstrative experiment carried out in situ using the first products developed. This work was undertaken as part of the CITI-SENSE project. A viable technical and procedural solution was designed and tested in a field demonstration, where 53 people were engaged to provide 137 observations in the city of Vitoria-Gasteiz, using environmental sensors connected to a smartphone. The results have been analyzed and discussed in terms of the product’s attractiveness for engaging citizens in the evaluation of acoustic comfort in urban places, the accuracy of the noise levels measured by the acoustic app service integrated into the smartphone, and its ability to obtain simultaneous acoustic and perception data. The results presented in this article are considered a step forward in the research into developing solutions for assessing acoustic comfort. Limitations of the proposed solution are discussed, as are suggestions for further research.

scholarly journals Unhuman Entities that Shaped a Century: Non- Anthropocentric Analysis of the Case of Great Stink and Pandemic, Victorian London

2021 ◽  
Author(s):  
Hidayet Softaoğlu ◽  
Keyword(s):  
Built Environment ◽  
Urban Design ◽  
19Th Century ◽  
Object Oriented ◽  
Constructive Method ◽  
Human Being ◽  
History Of ◽  
Object Oriented Ontology

The history of architectural and urban design has expanded its scope and started adopting new philosophical approaches from other disciplines to explore the built environment. Theorist discusses whether we still live in a humanist world where a human being has more priority over the unhuman things or not to answer that; should we design architecture and urban within an anthropocentric approach. As a recent pandemic show, things that are not human, like animals or viruses, could control and navigate a new style of living. This research will introduce Bruno Latour's ANT and Graham Harman's Object-Oriented Ontology (OOO) as a new constructive method to analyse how human and unhuman bodies are equally the affective actors of daily practices in the urban realm. 19th-century Great Stink and epidemic in Victorian London will be a case study to picture urban dwellers of London that shaped determined the destiny of health and hygiene of London in 1858.

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