scholarly journals HOW ARE PUBLIC SPACES SUSTAINING CULTURAL IDENTITIES IN THE CONTEXT OF CHINA’S INCREASINGLY GLOBALLY FOCUSED URBAN DEVELOPMENTS: USING A CASE STUDY OF PUTUO IN SHANGHAI

2016 ◽  
Vol 40 (3) ◽  
pp. 198-205
Author(s):  
Hee Sun (Sunny) Choi

This paper explores what it means for a public space to embody the city within rapid urban change in contemporary urban development and how a space can accomplish this by embracing the culture of the city, its people and its places, using the particular case of Putuo, Shanghai in China. The paper employs mapping and empirical surveys to learn how the local community use the act of communal dance in everyday public spaces of this neighborhood, and seeks not to find generalizable rules for how humans comprehend a city, but instead to better understand how local inhabitants and their chosen activities can influence their built environment. The findings from this emphasize the importance to identify how public spaces can help to define cities with China’s emerging global presence, whilst addressing the ways in which local needs and perspectives can be preserved.

2020 ◽  
pp. 177-192
Author(s):  
Iman Hegazy

Public spaces are defined as places that should be accessible to all inhabitants without restrictions. They are spaces not only for gathering, socializing and celebrating but also for initiating discussions, protesting and demonstrating. Thus, public spaces are intangible expressions of democracy—a topic that the paper tackles its viability within the context of Alexandria, case study Al-Qaed Ibrahim square. On the one hand, Al-Qaed Ibrahim square which is named after Al-Qaed Ibrahim mosque is a sacred element in the urban fabric; whereas on the other it represents a non-religious revolutionary symbol in the Alexandrian urban public sphere. This contradiction necessitates finding an approach to study the characteristic of this square/mosque within the Alexandrian context—that is to realize the impact of the socio-political events on the image of Al-Qaed Ibrahim square, and how it has transformed into a revolutionary urban symbol and yet into a no-public space. The research revolves around the hypothesis that the political events taking place in Egypt after January 25th, 2011, have directly affected the development of urban public spaces, especially in Alexandria. Therefore methodologically, the paper reviews the development of Al-Qaed Ibrahim square throughout the Egyptian socio-political changes, with a focus on the square’s urban and emotional contextual transformations. For this reason, the study adheres to two theories: the "city elements" by Kevin Lynch and "emotionalizing the urban" by Frank Eckardt. The aim is not only to study the mentioned public space but also to figure out the changes in people’s societal behaviour and emotion toward it. Through empowering public spaces, the paper calls the different Egyptian political and civic powers to recognize each other, regardless of their religious, ethnical or political affiliations. It is a step towards replacing the ongoing political conflicts, polarization, and suppression with societal reconciliation, coexistence, and democracy.


2020 ◽  
pp. 69-76
Author(s):  
I.V. Khovrak ◽  

The purpose of the article is to systematize the experience of European cities in creating public spaces capable of overcoming social exclusion and ensuring sustainable urban development. The scientific novelty is to substantiate the conceptual approach to the management of the process of creating public spaces in cities in the context of achieving sustainable urban development by overcoming social exclusion. The results of the research show that the creation of public spaces requires attention to the factors influencing the possibilities of overcoming social exclusion (economic, social, institutional). The analysis of the experience of five European cities (Varna, Bulgaria; Viterbo, Italy; Getxo, Spain; Copenhagen, Denmark; Malmo, Sweden) allowed highlighting the features and current trends in the creation of public space in cities. The main provisions of the approach to the management of public spaces in cities by identifying and systematizing: 1) the functions of public spaces: communication, recreational, political, territorial identification, integrating and aesthetic; 2) features of public spaces: openness and accessibility (convenience and ability to use the space for all regardless of age, race, health, affluence, etc.), safety and comfort (physical and psychological comfort, a sense of security in a comfortable and attractive space to use), interaction (the ability to establish contacts and cooperation in heterogeneous groups of users of the space); 3) forms (transformation of existing built-up areas, development of new territories) and tools (organizational and managerial, technical and technological, financial and economic) for creating public spaces. As a result, the study provided an opportunity to develop a mechanism for creating public spaces in the city. Successful implementation of the experience of European cities in Ukraine requires studying the needs of residents and guests of the city, researching existing analogues, identifying the potential of the city to create a public space of a certain type, taking into account risks, understanding the purpose of public space and determining the reasonable cost of projects.


2021 ◽  
Vol 47 (4) ◽  
pp. 461-479
Author(s):  
Lorne Platt

This paper considers skateboarding practices in urban public spaces. Often subversive, the interactions between skateboarders and built features are also regularly captured in visual imagery in print and online. The paper documents encounters between skateboarders and the built environment using visual geographic information and photo representation. Through content analysis of imagery from Instagram posts and Thrasher magazine, the aim is to organize visual/volunteered data to represent the varied types of interactions between skateboarders and particular features of the built environment. The images suggest that skateboarders seek out structures that are typically elements within a corporate plaza or city hardscape such as stairs, rails, planters. This imagery provides large amounts of data that researchers may cull in order to improve understanding of the ways such features are experienced, and of the potential conflicts that arise when a variety of users interact. The broader significance of the research contributes to the growing body of work that positions skateboarding as a legitimate practice in urban public spaces. Scholars, practitioners of architecture, and planners, among others may continue to engage with visualization methods to consider skateboarding as an evolving, responsive, embodied practice.


2019 ◽  
Vol 19 (1) ◽  
pp. 26-51
Author(s):  
Nevruz Cinar Ozdil ◽  
Henrik Vejre ◽  
Fatma Cana Bilsel

Public open space (POS) in Ankara reflects both the negative and positive aspects of urban change. Evolving public space development strategies in Ankara played a fundamental role in the protection, promotion, and enhancement of POS from 1923 to 2017. This study shows that while the POS development of the city was addressed as an integrative and comprehensive structure in the entire city by the Lörcher (1924–1925) and Jansen (1932) plans, the subsequent approaches to POS were more superficial, piecemeal, and simplistic.


2021 ◽  
Vol 4 (32) ◽  
pp. 129-151
Author(s):  
Magdalena Ślebocka ◽  
Artur Kilanowski

The aim of the article: The main aim of the article is to present the essence and significance the institution of civic budget as a tool not only allowing citizens to actively participate in the process of deciding about the directions of spending public funds, but also a tool to determine the directions of social expectations, the essence and importance of social participation. Hypothesis: The hypothesis accepted in the study stipulates that the growing popularity of the civic budget makes it an effective tool for social participation. Methodology: The study was based on a literature review, legal acts, information on the functioning of the civic budget in Lodz as well as a questionnaire conducted among the city residents. Results of the research: The civic budget in Lodz has been functioning for eight years, and during this time it has been constantly contributing to the idea of citizen involvement in the decision-making process. Although the budget procedure itself is undergoing numerous corrections and transformations, as the ongoing political, social and macroeconomic changes must be taken into account, it is still a basic tool enabling active participation and involvement of citizens. The matters it concerns are important to the community, and the civic budget offers an opportunity to express their opinions on key issues. The conducted survey indicates that Lodz is a positive example of using the participatory budget mechanism in the city management process. The sustained high (on a Polish scale) turnout confirms the inhabitants’ interest and willingness to change the public space, thus positively influencing the building of a sense of local community.


2018 ◽  
pp. 25-48 ◽  
Author(s):  
J. Antonio Lara-Hernandez ◽  
Alessandro Melis ◽  
Claire Coulter

Historically there has been a rich discussion concerning the function of streets in cities, and their role in urban life. This paper outlines the relevance of temporary appropriation for understanding social dynamics within a given urban environment, looking in particular at activities occurring in the street. It takes as a case study Mexico City Centre and examines the laws and regulations set out by the government of Mexico City which regulate the use of the street. It contrasts this with the ways in which the inhabitants of the city appropriate public space on a daily basis. There is a contrast between the lack of clarity in the legislation surrounding potential activities occurring on the street, and a seemingly tacit consensus between citizens regarding how they appropriate such public spaces. We explore this contrast and outline ways in which public space is used in traditional and unexpected ways, how creative ways are found to use the street area within the spirit of the law, and where further research on this topic this could lead in future.


2021 ◽  
Vol 10 (3) ◽  
Author(s):  
Charlotte Blanche Myrvold

Can the figure of the city of knowledge be an inspiration to commissioning of artistic research in contexts of urban change? This article argues that it represents a way beyond the seemingly dead ends that have been forged by the temporary and creative city. This article presents some initial reflections on this subject and reflects upon how artistic research expands the roles ascribed to public art. The conceptual approach to understand the relations between knowledge and the development of cities applied in this article, draws on the idea that cities are learned developed by urban geographer Colin MacFarlane (MacFarlane, 2011). The article applies MacFarlane’s concept to artistic research in public space and argues that artistic research as public art can move divisions between what is extra-public and public, known and unknown. Drawing on public art projects that have relations to the urban development of Bjørvika, the article argues that artistic research of the city produces new ways to “learn the city” and conceive change.


2021 ◽  
Vol 34 (2) ◽  
pp. 221
Author(s):  
Siti Aminah

The pedestrian transformation in Surabaya smart city system encountered critical problem for pedestrians because transformation as a public space has reduced citizens’ rights to the city. Dominant forces tend to subordinate street vendors or Pedagang Kaki Lima (PKL), who require public space. The city or urban government produces pedestrians as public spaces to support the ‘Smart City’ concept. This study explores the government’s ability to guarantee citizens’ rights to the city. In addition, this study seeks to observe the process of public space transformation in cities that implement smart city systems and analyze spatial street vendors’ practices in the pedestrian space. This research applies the right to cities and public space from a Marxian spatial perspective. This research is a case study that uses a qualitative method and interpretive analysis. Research findings indicate pedestrians’ paradox due to the government’s dispossession process to protect pedestrians through ‘furniturization’ policies that reduce smart city implementation. In conclusion, there are dynamics of spatial practice and social expression as pedestrian problems. The smart city system’s implementation causes the loss of fulfillment of the poor and street vendors’ needs and rights to participate inclusively in the social and political process in managing the city’s public spaces.


This article analyzes the main problems of urban public spaces, because today public spaces can determine the future of cities. It is noted that parks are multifunctional public spaces in the urban environment, as they are an important element of the citywide system of landscaping and recreation, perform health, cultural, educational, aesthetic and environmental functions. The article notes that the need for easily accessible and well-maintained urban parks remains, however, the state of parks in many cities of Russia remains unsatisfactory, requiring reconstruction. A brief historical background of the Park of Culture and Rest of the Soviet period in Omsk is expounded, the analysis of the existing territory of the Park is presented. It is revealed that the Park, being the largest public space in Omsk, does not meet the requirements of modern urbanism, although it represents a great potential for designing the space for the purpose of recreation of citizens. Performed functional zoning scheme of the territory of the Park in question, where its division into functional areas destined for active recreational users of the Park is presented, considered the interests of senior citizens, people with limited mobility, etc. Reconstruction of Parks of the Soviet period can provide the city with additional recreational opportunities, as well as increase its tourist attractiveness.


DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.


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