scholarly journals “How Lucky You Are Never to Know What It Is to Grow Old”—Witch as Fourth-Wave Feminist Monster in Contemporary Fantasy Film

Nordlit ◽  
2019 ◽  
Author(s):  
Rikke Schubart
Keyword(s):  
Young Woman ◽  
Social History ◽  
Fairy Tale ◽  
Social Anthropology ◽  
Younger Women ◽  
Snow White ◽  
The Witch ◽  
And Gender ◽  
Fourth Wave

This article focuses on the figure of an aging and powerful witch pitted against younger women in three contemporary fairy-tale movie adaptations: Snow White and the Huntsman (dir. Rupert Sanders, 2012), Hansel & Gretel: Witch Hunters (dir. Tommy Wirkola, 2013), and Maleficent (dir. Robert Stromberg, 2014). Each film transforms the aging witch from stock villain to a more nuanced character. This revision is intriguing for its concern with power and gender and for a reflection of contemporary debates about age and power within so-called wave feminism. The article uses two frames. The first is feminism and ageism, focusing on wave feminism and aging, and the second is the trope of the witch, drawing from fairy-tale studies, social history, and social anthropology. The article reads conflict between an aging witch and a young woman as a clash of feminist waves, and the witch’s ‘monstrosity’ as her refusal to be sidelined in a world obsessed with youth.

scholarly journals Fairy Tale Femininities: A Discourse Analysis of Snow White Films 1916-2012

2021 ◽  
Author(s):  
◽  
Lisbet Rosa Dam
Keyword(s):  
Discourse Analysis ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Young Female ◽  
The Body ◽  
Snow White ◽  
Femininity And Masculinity ◽  
And Gender ◽  
Feminist Poststructuralist ◽  
Traditional Femininity

<p>Fairy tales are enduring cultural texts that have enjoyed wide appeal and the continuing popularity of the fairy tale can be seen in the recent proliferation of media employing fairy tale narratives. Fairy tales provide a site of meaning about femininity and masculinity and examining them over time identifies versions of gender that are prized or denigrated within specific social, historical moments. This project was interested in the continuities and divergences in these gendered discourses across time. Although there has been considerable academic interest in fairy tales and gender, few studies have approached the topic from a genealogical perspective. This research extends the current literature through a genealogical analysis of five Snow White films from 1916 to 2012 in addition to incorporating an analysis in relation to a contemporary postfeminist, neoliberal social climate. The research employed a feminist poststructuralist framework and utilised thematic and genealogical Foucauldian discourse analysis to analyse the data. Discursive analyses found enduring discourses of traditional femininity across the films which centrally organised around a binary construction of femininity as ‘good’ or ‘bad.’ A moral discourse worked to construct ‘good’ femininity as prized and bad femininity as punished. Alongside persistent discourses of femininity, however, a newer postfeminist femininity was evident in recent versions of the fairy tale. Consistent with a postfeminist, neoliberal discourse that highlights the importance of the body, analyses found an increased emphasis on beauty and the vast effort required to maintain it. Another postfeminist shift in the tale was the invoking of a girl power discourse to construct Snow as a competent fighter and leader. However, the complex entanglement of discourses of femininity in contemporary society is highlighted by the co-existence of these newer versions of femininity with traditional goals such as achieving a ‘happily ever after.’ From the perspective of possibilities for subjectivity, these shifts in representation appear to offer a young female audience more empowered possibilities of femininity but such power is simultaneously constrained by a complex amalgamation with traditional ‘niceness’ and beauty.</p>

scholarly journals Fairy Tale Femininities: A Discourse Analysis of Snow White Films 1916-2012

2021 ◽  
Author(s):  
◽  
Lisbet Rosa Dam
Keyword(s):  
Discourse Analysis ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Young Female ◽  
The Body ◽  
Snow White ◽  
Femininity And Masculinity ◽  
And Gender ◽  
Feminist Poststructuralist ◽  
Traditional Femininity

<p>Fairy tales are enduring cultural texts that have enjoyed wide appeal and the continuing popularity of the fairy tale can be seen in the recent proliferation of media employing fairy tale narratives. Fairy tales provide a site of meaning about femininity and masculinity and examining them over time identifies versions of gender that are prized or denigrated within specific social, historical moments. This project was interested in the continuities and divergences in these gendered discourses across time. Although there has been considerable academic interest in fairy tales and gender, few studies have approached the topic from a genealogical perspective. This research extends the current literature through a genealogical analysis of five Snow White films from 1916 to 2012 in addition to incorporating an analysis in relation to a contemporary postfeminist, neoliberal social climate. The research employed a feminist poststructuralist framework and utilised thematic and genealogical Foucauldian discourse analysis to analyse the data. Discursive analyses found enduring discourses of traditional femininity across the films which centrally organised around a binary construction of femininity as ‘good’ or ‘bad.’ A moral discourse worked to construct ‘good’ femininity as prized and bad femininity as punished. Alongside persistent discourses of femininity, however, a newer postfeminist femininity was evident in recent versions of the fairy tale. Consistent with a postfeminist, neoliberal discourse that highlights the importance of the body, analyses found an increased emphasis on beauty and the vast effort required to maintain it. Another postfeminist shift in the tale was the invoking of a girl power discourse to construct Snow as a competent fighter and leader. However, the complex entanglement of discourses of femininity in contemporary society is highlighted by the co-existence of these newer versions of femininity with traditional goals such as achieving a ‘happily ever after.’ From the perspective of possibilities for subjectivity, these shifts in representation appear to offer a young female audience more empowered possibilities of femininity but such power is simultaneously constrained by a complex amalgamation with traditional ‘niceness’ and beauty.</p>

Getting to a Utopian World Beyond Gender

2018 ◽  
Author(s):  
Barbara J. Risman
Keyword(s):  
Social Movements ◽  
Social Change ◽  
Utopian Vision ◽  
Structure Framework ◽  
And Gender ◽  
Inclusive Society ◽  
Fourth Wave ◽  
Different Levels

This final chapter suggests that the incompatibilities of expectations and realities at different levels of the gender structure create “crises tendencies” that may provide leverage that future activists can use to push for social change. While some contemporary social movements agitating for a more feminist and gender inclusive society appear to conflict with each other, Risman argues that using a gender structure framework allows seemingly contradictory feminist and gender inclusive movements to understood they are not alternatives but rather a tapestry, each one taking aim at a different level of our complex gender structure. The chapter concludes with a utopian vision: a call for a fourth wave of feminism to dismantle the gender structure. Since the gender structure constrains freedom, to move toward a more just future we must leave it behind.

scholarly journals Model baśni filmowej w złotym wieku wytwórni Walta Disneya (wraz z późniejszymi modyfikacjami)

Wielogłos ◽  
2021 ◽  
pp. 151-181
Author(s):  
Maciej Skowera
Keyword(s):  
Golden Age ◽  
Fairy Tale ◽  
Sleeping Beauty ◽  
Snow White ◽  
Animated Films ◽  
Cultural Texts ◽  
Model Film

[Model of a Film Fairy Tale in the Disney Golden Age (with Later Modifications)] The article attempts to determine the constitutive elements of a model film fairy tale in the so-called Disney Golden Age and to examine how it was used in later works, both these created by the studio and those by unrelated creators. After preliminary remarks, the author analyses three feature-length animated films: Snow White and the Seven Dwarfs (1937), Cinderella (1950), and Sleeping Beauty (1959). In these works, as he notes, one can notice a set of features that make up the classic Disney model of a film fairy tale. Next, the author discusses modifications applied to the pattern during the Disney Renaissance and Revival. Finally, he cites examples of cultural texts polemical to this paradigm which point to the cultural vitality and heterogeneity of the studio’s films.

scholarly journals A Group Interview about Publishing with Professor Jack Zipes

2016 ◽  
Vol 4 (1) ◽  
pp. 29-44
Author(s):  
Emma Louise Parfitt ◽  
Emine Erdoğan ◽  
Heidi Fritz ◽  
Peter M. Ward ◽  
Emma Parfitt ◽  
...  
Keyword(s):  
Social History ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Early Career ◽  
Group Interview ◽  
University Of Minnesota ◽  
Postgraduate Students ◽  
Brothers Grimm ◽  
History Of ◽  
Conversation Piece

The conversation piece is the product of a group interview with Professor Jack Zipes and provides useful insights about publishing for early career researchers across disciplines. Based on his wider experiences as academic and writer, Professor Zipes answered questions from PhD researchers about: writing books, monographs and edited collections; turning a PhD thesis into a monograph; choosing and approaching publishers; and the advantages of editing books and translations. It presents some general advice for writing and publishing aimed at postgraduate students. Professor Zipes is an Emeritus Professor at the University of Minnesota Twin Cities, United States, a world expert on fairy tales and storytelling highlighting the social and historical dimensions of them. Zipes has forty years of experience publishing academic and mass-market books, editing anthologies, and translating work from French, German and Italian. His best known books are Breaking the Magic Spell (1979), Fairy Tales and the Art of Subversion (1983), The Irresistible Fairy Tale: The Cultural and Social History of a Genre (2012), and The Original Folk and Fairy Tales of the Brothers Grimm (2014).

scholarly journals Contar la historia a través del cementerio: El comerciante Tomás Erades. El método biográfico-histórico en Antropología

2019 ◽  
pp. 55-76
Author(s):  
Klaus Schriewer ◽  
Pedro Martínez Cavero
Keyword(s):  
Point Of View ◽  
Cultural Patterns ◽  
Social Anthropology ◽  
Modus Operandi ◽  
Late Nineteenth ◽  
Siglo Xix ◽  
And Gender

El artículo analiza las diferentes perspectivas de estudio que, desde el punto de vista de la Antropología social, ofrece el cementerio a la hora de describir una sociedad y sus patrones culturales. Nuestro modus operandi se ejemplifica en el caso del cementerio municipal de Murcia, Nuestro Padre Jesús, y en la biografía de uno de sus moradores, el comerciante murciano Tomás Erades. Su estudio nos permite describir la sociedad murciana de finales del siglo XIX y principios del XX, sus patrones matrimoniales y de género, sanitarios y económicos. The article analyses the different perspectives of study that, from the point of view of Social Anthropology, the cemetery offers when describing a society and its cultural patterns. Our modus operandiis exemplified in the case of the municipal cemetery of Murcia, Nuestro Padre Jesús, and in the biography of one of its inhabitants, the Murcian businessman Tomás Erades. To study him allows us to describe the Murcian society of the late nineteenth and early twentieth centuries, their marital and gender, health and economic patterns.

Schnitzler, Arthur (1862–1931)

2018 ◽  
Author(s):  
Katja Garloff
Keyword(s):  
Social Class ◽  
Gender Roles ◽  
Young Woman ◽  
French Revolution ◽  
Sexual Partner ◽  
Social Classes ◽  
Arthur Schnitzler ◽  
Middle Classes ◽  
Power Asymmetries ◽  
And Gender

Arthur Schnitzler was a leading exponent of Viennese modernism. The son of a Jewish laryngologist, Schnitzler studied and practised medicine before devoting himself exclusively to writing. His literary works explore the themes of love and death, reality and illusion, and changing codes of honour and morality. In his dramatic plays, Schnitzler emphasizes dialogue over action and often shows how people speak past each other. In his prose, he experiments with subjective modes of narration that give readers access to the thoughts and feelings of the characters. In 1895 Schnitzler achieved a breakthrough with Liebelei [The Reckoning], a play about love, betrayal, social class, and gender roles. Liebelei features a prototypical ‘sweet girl,’ a young woman from the lower middle classes involved in a relationship with an aristocratic man. The 1896/97 Reigen [Hands Around] was to become Schnitzler’s most controversial work. The play consists of ten dialogues between lovers, one of whom will find a new sexual partner in the next scene in each case. Linking members from different social classes into a sexual chain, the play exposes the power asymmetries between them. While Schnitzler was primarily a chronicler of his time and society, he also wrote several historical plays, including the 1899 Der grüne Kakadu [The Green Cockatoo], which is set at the beginning of the French Revolution.

Social History in Greece: New Perspectives

2008 ◽  
Vol 34-35 (1-2) ◽  
pp. 101-130
Author(s):  
Yannis Yannitsiotis
Keyword(s):  
Social History ◽  
Political System ◽  
Human Experience ◽  
Recent Period ◽  
Class A ◽  
Economic Phenomenon ◽  
The Social ◽  
History Of ◽  
Greek Historiography ◽  
And Gender

This article focuses on the evolution of Greek historiography since the 1970s, with an emphasis on issues of class and gender. It is argued that, in the last decades, Greek historiography has been liberated from traditional nationalistic narratives in favor of new intellectual perspectives dealing with social history and the history of “society.” During the 1970s and 1980s, the concept of class—a fundamental concern of social history in European historiography—did not find much room in Greek historiography. Debates about the socioeconomic and political system in modern Greece focused on the importance of immobile political and economic structures as main barriers to modernization and Europeanization. The 1990s were marked by the renewal of the study of the “social,” articulated around two main methodological and theoretical axes, signaling the shift from structures to agency. The first was the conceptualization of class as both a cultural and economic phenomenon. The second was the introduction of gender. The recent period is characterized by the proliferation of studies that conceptualize the “social” through the notion of culture, evoking the historical construction of human experience and talking about the unstable, malleable, and ever changing content of human identities. Cultural historians examine class, gender, ethnicity, and race in their interrelation and treat these layers of identity as processes in the making and not as coherent and consolidated systems of reference.

scholarly journals Differential Methylation in APOE (Chr19; Exon Four; from 44,909,188 to 44,909,373/hg38) and Increased Apolipoprotein E Plasma Levels in Subjects with Mild Cognitive Impairment

2019 ◽  
Vol 20 (6) ◽  
pp. 1394 ◽  
Author(s):  
Oscar Mancera-Páez ◽  
Kelly Estrada-Orozco ◽  
María Mahecha ◽  
Francy Cruz ◽  
Kely Bonilla-Vargas ◽  
...  
Keyword(s):  
Cognitive Impairment ◽  
Mild Cognitive Impairment ◽  
Apolipoprotein E ◽  
Social History ◽  
Plasma Levels ◽  
Neuropsychological Testing ◽  
Logistic Regression Models ◽  
And Gender ◽  
Epigenetic Patterns ◽  
Risk Association

Background: Biomarkers are essential for identification of individuals at high risk of mild cognitive impairment (MCI) for potential prevention of dementia. We investigated DNA methylation in the APOE gene and apolipoprotein E (ApoE) plasma levels as MCI biomarkers in Colombian subjects with MCI and controls. Methods: In total, 100 participants were included (71% women; average age, 70 years; range, 43–91 years). MCI was diagnosed by neuropsychological testing, medical and social history, activities of daily living, cognitive symptoms and neuroimaging. Using multivariate logistic regression models adjusted by age and gender, we examined the risk association of MCI with plasma ApoE and APOE methylation. Results: MCI was diagnosed in 41 subjects (average age, 66.5 ± 9.6 years) and compared with 59 controls. Elevated plasma ApoE and APOE methylation of CpGs 165, 190, and 198 were risk factors for MCI (p < 0.05). Higher CpG-227 methylation correlated with lower risk for MCI (p = 0.002). Only CpG-227 was significantly correlated with plasma ApoE levels (correlation coefficient = −0.665; p = 0.008). Conclusion: Differential APOE methylation and increased plasma ApoE levels were correlated with MCI. These epigenetic patterns require confirmation in larger samples but could potentially be used as biomarkers to identify early stages of MCI.

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