Enduring Competition
This chapter tracks the trajectory of Argentina's German theaters against a changing political landscape and new waves of European emigration. In the postwar period, director Paul Walter Jacob endeavored to attract all German speakers to the Free German Stage; however, his failed efforts at reconciliation underscored the polarized environment in the Argentine capital. Without ever renouncing fascism, Ludwig Ney adopted a strategy of interculturalism to succeed professionally in Peronist Argentina. German-speaking artists from across the political spectrum embarked on cross-cultural projects, and their transformative impact on theater in Argentina is still evident today. Meanwhile, in its crusade against communism, the West German embassy intervened at both stages. Carefully staged depictions of German heritage and reconciliation reflected a specious contrivance, contingent on edited memories of the recent past. The intractable animosity ultimately led to a move away from German dramatists in favor of canonical European playwrights, such as William Shakespeare.