Did Mikhail Sholokhov Write The Quiet Don?

2020 ◽  
pp. 209-230

This chapter discusses the novel “The Quiet Don” and the controversy over its authorship. It briefly recounts some of the relevant events of World War I, the Russian Revolution of 1917, and the Russian Civil War. The chapter focuses on Soviet writer Mikhail Sholokhov who was awarded by the Nobel Committee in 1945 for the literature prize on his magnum opus, the four-volume The Quiet Don. It also looks into the initial claim that Sholokhov stole the book manuscript for The Quiet Don in a map case that belonged to a White Guard who had been killed in battle. It talks about an anonymous author known as Irina Medvedeva-Tomashevskaia, who wrote several historical studies and claimed that Sholokhov had plagiarized an unpublished manuscript of Fedor Dmitrievich Kriukov.

2017 ◽  
pp. 142-155
Author(s):  
I. Rozinskiy ◽  
N. Rozinskaya

The article examines the socio-economic causes of the outcome of the Spanish Civil War (1936-1936), which, as opposed to the Russian Civil War, resulted in the victory of the “Whites”. Choice of Spain as the object of comparison with Russia is justified not only by similarity of civil wars occurred in the two countries in the XX century, but also by a large number of common features in their history. Based on statistical data on the changes in economic well-being of different strata of Spanish population during several decades before the civil war, the authors formulate the hypothesis according to which the increase of real incomes of Spaniards engaged in agriculture is “responsible” for their conservative political sympathies. As a result, contrary to the situation in Russia, where the peasantry did not support the Whites, in Spain the peasants’ position predetermined the outcome of the confrontation resulting in the victory of the Spanish analogue of the Whites. According to the authors, the possibility of stable increase of Spanish peasants’ incomes was caused by the nation’s non-involvement in World War I and also by more limited, compared to Russia and some other countries, spending on creation of heavy (primarily military-related) industry in Spain.


2020 ◽  
pp. 461-471
Author(s):  
Andrey V. Ganin ◽  

The memoirs of general P. S. Makhrov are devoted to the events of 1939 and the campaign of the Red army in Western Ukraine and Western Belarus. Pyotr Semyonovich Makhrov was a General staff officer, participant of the Russian-Japanese war, World War I, and the Russian Civil war. In 1918, Makhrov lived in Ukraine, and in 1919-1920 he took part in the White movement in Southern Russia, after which he emigrated. In exile he lived in France, where he wrote his extensive memoirs. The events of September 1939 could not pass past his attention. At that time, the Red army committed approach in Western Ukraine and Western Belarus. Contrary to the widespread Anti-Sovietism among the white emigrants, Makhrov perceived the incident with enthusiasm as a return of Russia to its ancestral lands occupied by the Poles.


Author(s):  
Robert W. Cherny

World War I interrupted Arnautoff’s plans for art school. After cavalry officer school, he served with some distinction to the end of the war, when his unit was significantly affected by the Bolshevik seizure of power. After the army was dissolved, Arnautoff made his way to Simbirsk where he was recruited into a White army unit in the Russian Civil War, probably that of KOMUCH. He spent from July 1918 to November 1920 retreating from the Volga across Siberia to northeastern China.


2018 ◽  
Vol 69 (1) ◽  
pp. 83-129 ◽  
Author(s):  
Wiktor Hołubko ◽  
Adam Lityński

Revolution of 1917 in the Russian Empire took place in February (according to the Julian calendar) or in March (according to the Georgian calendar used in Western Europe). As a result, Tsar Nicholas II of Russia abdicated in the first phase of the revolution which caused the fall of the Romanov dynasty. Consequently, the Provisional Government was brought into power. At the time, the First World War was ongoing and Russia suffered severe defeats in the conflict. The country was ruled by chaos and various political groupswere fighting against each other. Furthermore, many nations started their fight for independence from the Russian Empire. The most significant events took place in Ukraine. The national activists set up their own governmental authority – Central Council of Ukraine. And, at the same time, various domestic conflicts took place in Ukraine as well. The situation was very complicated then as a 600 kilometer-long front line ran across Ukraine.Moreover, most of the country was occupied by German and Austria-Hungarian armies. It is common knowledge that the Bolsheviks led their forces against the Provisional Government in Petrograd, which was the contemporary capital of Russia (modern-day Saint Petersburg), in October / November 1917. The Bolsheviks seized power in Russia and, in consequence, the Russian Civil War started. The Bolsheviks were in no position to continue fighting in World War I and so they signed a separate peace treaty with Germany and Austria-Hungary in March 1918 in order to focus on the Russian Civil War. Ukraine, which was independent at the time, also signeda separate peace treaty with Germany and Austria-Hungary. A new phase in the war between Russia and Ukraine started which Ukraine eventually lost.


2020 ◽  
Vol 5 (2) ◽  
pp. 41-63
Author(s):  
Olga GRĂDINARU

The Russian Revolution(s) and the Russian Civil War represent topics revisited by the recent Russian media and film-making. Mikhail Sholokhov’s novel And Quiet Flows the Don as a masterful case of fictionalisation of historical events is the basis for four subsequent film adaptations. Whereas the destiny of the Russian Cossacks is a generous theme, we would like to focus on the filmic representation of Cossacks’ bordering process in the Civil War. Two Soviet film adaptations and two post-Soviet ones present in different manners the impact of the shifting borders on people’s lives during the Russian fratricide war. Tzar’s abdication had caused confusion in the midst of the Cossack population loyal to the state father figure, while contributing afterwards to a territorial identity construction and a fight to obtain and maintain the autonomy of the Cossack region. Soviet and post-Soviet directors’ approaches of the geographical, mental and cultural borders during the Civil War in the Cossack region offer insights into the debatable loyalties and multiple sides shifting. The analysis of the four film adaptations is focused on concepts such as questioned loyalty, divisive Cossack territorial identity, nuanced and shifting identity and active/ passive territoriality. We argue that the Cossacks’ territorial identity and their bordering process is differently reflected in subsequent film adaptations of the novel.


2019 ◽  
Vol 63 (1 (464)) ◽  
pp. 81-96
Author(s):  
Jean Boutan

This article purports to give an outline of the major evolutions in Hašek’s literary output around the year 1918, a year that saw not only the end of the world war, but also, for the writer himself, the start of the Russian civil war. The Russian Revolution meant for Hašek, as he wrote in 1918, the transition from a “war between States” – or “war between Empires” – to a “war of the proletariat against capitalism”. The lack of safe information about Hašek’s biography during this short, yet crucial, period of his life does not still prevent us from retracing the repercussions of the great events of 1918 on the east front – the fall of the Austrian-Hungarian Empire, the founding myth of the Czechoslovakian Legion and the beginnings of the Soviet Union – in the literary works of an author who has been taxed for being a renegade to each of the three aforementioned causes. The particular issue of Švejk’s maturation during the war may help us to put the year 1918 into a perspective with the end (though, only to some extent) of the conflicts and the beginning (however protracted) of the post-war period. Whereas the novel was about the Good Soldier’s bursting into the conflict, this article observes Hašek himself, walking out of the world war.


2002 ◽  
Vol 15 (2) ◽  
pp. 239-275 ◽  
Author(s):  
Alexei Kojevnikov

ArgumentThe revolutionary transformation in Russian science toward the Soviet model of research started even before the revolution of 1917. It was triggered by the crisis of World War I, in response to which Russian academics proposed radical changes in the goals and infrastructure of the country’s scientific effort. Their drafts envisioned the recognition of science as a profession separate from teaching, the creation of research institutes, and the turn toward practical, applied research linked to the military and industrial needs of the nation. The political revolution and especially the Bolshevik government that shared or appropriated many of the same views on science, helped these reforms materialize during the subsequent Civil War. By 1921, the foundation of a novel system of research and development became established, which in its most essential characteristics was similar to the U.S. later phenomenon known as “big science.”


Author(s):  
Rasmus Navntoft

The German author and Nobel Prize winner Thomas Mann (1875-1955) perceived World War I as a moral battle against the civilization project rooted in the European enlightenment. Like many other German intellectuals of that time, Mann stresses an opposition between the concept of culture and that of civilization – this conflict is seen as inherent in the European soul – and defends Germany’s right to remain a culture that does not evolve into a civilization. The concept of culture can contain irrational features such as mystical, bloody and terrifying teachings, whereas civilization is characterized by reason, enlightenment, skepticism and hostility towards passion and emotion. In his major work The Magic Mountain (1924) however, Mann tries to overcome this opposition and displays, through the metaphors of the text, that a new humanism is dependent upon a mystical and completely illogical balance between culture and civilization. The main character of the novel does not succeed in finding this balance. But, nonetheless, Mann continues to see the possibilities of a new humanism through this perspective in order to point out a humanistic hope in the shadesof two European world wars.


1974 ◽  
Vol 60 (4) ◽  
pp. 1152
Author(s):  
Lewis Perry ◽  
Gail Thin Parker
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document