scholarly journals Re-imagining the great masters: translations into print by John Drawbridge

2021 ◽  
Author(s):  
◽  
Belinda Cullinan Ricketts
Keyword(s):  
New Zealand ◽  
Source Material ◽  
Symbiotic Relationship ◽  
Unique Contribution ◽  
Technical Expertise ◽  
Artistic Practice ◽  
Western Tradition ◽  
Pictorial Space ◽  
The Past ◽  
European Tradition

<p>This thesis examines the prints of New Zealand printmaker, John Drawbridge, with a specific focus on a small but significant part of his print oeuvre, his mezzotints from the 1980s and 1990s, in which he directly quotes European great master artists. Drawbridge studied printmaking in London and Paris in the late 1950s and early 1960s and it is this experience that informed his artistic practice for the rest of his career. Through his quotations of great artists and his practice of working in the hand-made printmaking tradition, Drawbridge recreates that Western tradition through his own technical expertise and imagination. However, what is distinctive about Drawbridge’s contribution to this well-established tradition is how he treats his source material: how he takes it out of its original context, and modernises and defamiliarises it by relocating it within a pictorial space that references his own life and location.  In the first chapter, Drawbridge’s English and European experiences and education are examined to reveal the background to his work: the traditional printmaking processes and the cultural ethos of the period. The second chapter looks at the artistic scene in New Zealand after he returned in early 1964 and the varied reception to his work. These two chapters provide the necessary context for the concluding chapter in which a case is made for the symbiotic relationship between the European tradition Drawbridge so much admired and his concern to locate his work back in New Zealand. By means of intertextual references, he engages with and explores the nature of the art of the past and the present, the traditional and the modern, the international and the local. This thesis argues that Drawbridge imaginatively critiques and renews the paintings he quotes in these translations from painting to print, and that consequently these prints reward a far more complex reading than they have been previously accorded. Through close examination of these prints it is clear that Drawbridge has made a unique contribution to New Zealand art.</p>

scholarly journals Re-imagining the great masters: translations into print by John Drawbridge

2021 ◽  
Author(s):  
◽  
Belinda Cullinan Ricketts
Keyword(s):  
New Zealand ◽  
Source Material ◽  
Symbiotic Relationship ◽  
Unique Contribution ◽  
Technical Expertise ◽  
Artistic Practice ◽  
Western Tradition ◽  
Pictorial Space ◽  
The Past ◽  
European Tradition

<p>This thesis examines the prints of New Zealand printmaker, John Drawbridge, with a specific focus on a small but significant part of his print oeuvre, his mezzotints from the 1980s and 1990s, in which he directly quotes European great master artists. Drawbridge studied printmaking in London and Paris in the late 1950s and early 1960s and it is this experience that informed his artistic practice for the rest of his career. Through his quotations of great artists and his practice of working in the hand-made printmaking tradition, Drawbridge recreates that Western tradition through his own technical expertise and imagination. However, what is distinctive about Drawbridge’s contribution to this well-established tradition is how he treats his source material: how he takes it out of its original context, and modernises and defamiliarises it by relocating it within a pictorial space that references his own life and location.  In the first chapter, Drawbridge’s English and European experiences and education are examined to reveal the background to his work: the traditional printmaking processes and the cultural ethos of the period. The second chapter looks at the artistic scene in New Zealand after he returned in early 1964 and the varied reception to his work. These two chapters provide the necessary context for the concluding chapter in which a case is made for the symbiotic relationship between the European tradition Drawbridge so much admired and his concern to locate his work back in New Zealand. By means of intertextual references, he engages with and explores the nature of the art of the past and the present, the traditional and the modern, the international and the local. This thesis argues that Drawbridge imaginatively critiques and renews the paintings he quotes in these translations from painting to print, and that consequently these prints reward a far more complex reading than they have been previously accorded. Through close examination of these prints it is clear that Drawbridge has made a unique contribution to New Zealand art.</p>

scholarly journals Knowledge and perceptions of cardiopulmonary resuscitation amongst New Zealand podiatrists: a web-based survey

2021 ◽  
Vol 14 (1) ◽  
Author(s):  
Angela Brenton-Rule ◽  
Daniel Harvey ◽  
Kevin Moran ◽  
Daniel O’Brien ◽  
Jonathon Webber
Keyword(s):  
New Zealand ◽  
Cardiopulmonary Resuscitation ◽  
Life Support ◽  
Survival Rates ◽  
Sudden Cardiac Arrest ◽  
Cross Sectional Study ◽  
Trial Registration ◽  
Cross Sectional ◽  
Web Based ◽  
The Past

Abstract Background Podiatrists in New Zealand have a duty of care to assist patients in an emergency, and current cardiopulmonary resuscitation (CPR) certification is a requirement for registration. However, it is unknown how competent and confident podiatrists are in administering CPR and how they would respond in an emergency. Having a health professional who has a competent knowledge of CPR and skills in basic life support, can improve survival rates from sudden cardiac arrest. Therefore, the aim of this study was to survey New Zealand podiatrists to determine their CPR knowledge and qualifications; beliefs about the application of CPR; and perceptions of their competency in CPR. Methods This cross-sectional study used a web-based survey. Participants were New Zealand registered podiatrists with a current annual practising certificate. The 31-item survey included questions to elicit demographic information, CPR practice and attitudes, and CPR knowledge. Responses were collected between March and August 2020. Results 171 podiatrists responded to the survey. 16 % of the podiatrists (n = 28) had performed CPR in an emergency, with a 50 % success rate. Participants were predominantly female (n = 127, 74 %) and working in private practice (n = 140,82 %). Nearly half of respondents were younger than 40 years (n = 75,44 %) and had less than 10 years of clinical experience (n = 73, 43 %). Nearly all (n = 169,97 %) participants had received formal CPR training in the past two years, with 60 % (n = 105) receiving training in the past 12 months. Most respondents (n = 167,98 %) self-estimated their CPR ability as being effective, very effective, or extremely effective. Participants’ knowledge of CPR was variable, with the percentage of correct answers for CPR protocol statements ranging between 20 and 90 %. Conclusions This study provides the first insight into New Zealand podiatrists’ CPR knowledge and perceptions. Podiatrists were found to have high levels of CPR confidence but demonstrated gaps in CPR knowledge. Currently, New Zealand registered podiatrists require biennial CPR re-certification. However, resuscitation authorities in New Zealand and overseas recommend an annual update of CPR skills. Based on this study’s findings, and in line with Australia and the United Kingdom, the authors recommend a change from biennial to annual CPR re-certification for podiatrists in New Zealand. Trial registration The study was registered with the Australian New Zealand Clinical Trials Registry (ACTRN12620001144909).

scholarly journals Asexuals negotiate the ‘onslaught of the heteronormative’

Sexualities ◽  
2021 ◽  
pp. 136346072199338
Author(s):  
Tiina Vares
Keyword(s):  
New Zealand ◽  
Everyday Life ◽  
Cultural Context ◽  
Emotional Responses ◽  
Emotional Impact ◽  
Individual Interviews ◽  
The Past ◽  
Aotearoa New Zealand ◽  
The Everyday ◽  
Research Gap

Although theorizing and research about asexuality have increased in the past decade, there has been minimal attention given to the emotional impact that living in a hetero- and amato-normative cultural context has on those who identify as asexual. In this paper, I address this research gap through an exploration of the ‘work that emotions do’ (Sara Ahmed) in the everyday lives of asexuals. The study is based on 15 individual interviews with self-identified asexuals living in Aotearoa New Zealand. One participant in the study used the phrase, ‘the onslaught of the heteronormative’ to describe how he experienced living as an aromantic identified asexual in a hetero- and amato-normative society. In this paper I consider what it means and feels like to experience aspects of everyday life as an ‘onslaught’. In particular, I look at some participants’ talk about experiencing sadness, loss, anger and/or shame as responses to/effects of hetero- and amato-normativity. However, I suggest that these are not only ‘negative’ emotional responses but that they might also be productive in terms of rethinking and disrupting hetero- and amato-normativity.

CPT-based liquefaction case histories compiled from three earthquakes in Canterbury, New Zealand

2021 ◽  
pp. 875529302199636
Author(s):  
Mertcan Geyin ◽  
Brett W Maurer ◽  
Brendon A Bradley ◽  
Russell A Green ◽  
Sjoerd van Ballegooy
Keyword(s):  
New Zealand ◽  
Case History ◽  
Prediction Models ◽  
Free Field ◽  
Case Histories ◽  
Cone Penetration ◽  
History Data ◽  
The Past ◽  
Surface Manifestation ◽  
The Many

Earthquakes occurring over the past decade in the Canterbury region of New Zealand have resulted in liquefaction case-history data of unprecedented quantity. This provides the profession with a unique opportunity to advance the prediction of liquefaction occurrence and consequences. Toward that end, this article presents a curated dataset containing ∼15,000 cone-penetration-test-based liquefaction case histories compiled from three earthquakes in Canterbury. The compiled, post-processed data are presented in a dense array structure, allowing researchers to easily access and analyze a wealth of information pertinent to free-field liquefaction response (i.e. triggering and surface manifestation). Research opportunities using these data include, but are not limited to, the training or testing of new and existing liquefaction-prediction models. The many methods used to obtain and process the case-history data are detailed herein, as is the structure of the compiled digital file. Finally, recommendations for analyzing the data are outlined, including nuances and limitations that users should carefully consider.

Primary Exploration on Opportunities for the Formation of New Zealand’s Creative Film & TV Industry

2013 ◽  
Vol 311 ◽  
pp. 334-338
Author(s):  
Qi Li
Keyword(s):  
New Zealand ◽  
Radiation Effects ◽  
International Markets ◽  
Rapid Rise ◽  
Market Environment ◽  
Sharp Rise ◽  
The Past ◽  
Labor Division ◽  
Technology Market ◽  
Production Industry

Over the past two decades, New Zealand has seen rapid and sharp rise of film & TV industry, developed competitive edges of film production industry, participated in labor division in the international markets and shaped creative film &TV industry with radiation effects. This paper analyzes the historical opportunities for the rapid rise of film & TV industry in Zealand from the perspectives of changes to the market environment of technology, market, industry labor division, etc.

Die Zukunft der Vergangenheit Richard Oelze (1900 – 1980) and Post-war Reflection

2017 ◽  
Vol 80 (1) ◽  
pp. 127-155
Author(s):  
Eleanor F. Moseman
Keyword(s):  
Artistic Practice ◽  
Nazi Regime ◽  
Critical View ◽  
Repressed Memories ◽  
The Past ◽  
Working Through ◽  
Word And Image ◽  
Visual Expression ◽  
Post War ◽  
Regime Analysis

Abstract The Surrealist artist Richard Oelze’s postwar enterprise was one of inner reflection and personal questioning linked to the broader project of coming to terms with the past. The essay takes a critical view of his artworks and his automatist Wortskizzen to assess the manner and extent to which Oelze utilizes his artistic practice as a mode of working through his, and Germany’s, complicity with the Nazi regime. Analysis of the Wortskizzen exposes how verbal probing informs Oelze’s visual expression of inner turmoil, while implied gaps and voids in paintings and drawings puncture space as well as time, illuminating memory and blending the past with the present. Oelze’s serious play with word and image in turn invites his viewers to release repressed memories through reflective contemplation.

Newsmaking criminology in Australia and New Zealand: Results from a mixed methods study of criminologists’ media engagement

2019 ◽  
Vol 53 (1) ◽  
pp. 84-101 ◽  
Author(s):  
Mary Iliadis ◽  
Imogen Richards ◽  
Mark A Wood
Keyword(s):  
New Zealand ◽  
News Media ◽  
The United States ◽  
Mixed Methods Study ◽  
The Past ◽  
Professional Duty ◽  
The Subject ◽  
Survey Responses ◽  
Insight Into ◽  
Newsmaking Criminology

‘Newsmaking criminology’, as described by Barak, is the process by which criminologists contribute to the generation of ‘newsworthy’ media content about crime and justice, often through their engagement with broadcast and other news media. While newsmaking criminological practices have been the subject of detailed practitioner testimonials and theoretical treatise, there has been scarce empirical research on newsmaking criminology, particularly in relation to countries outside of the United States and United Kingdom. To illuminate the state of play of newsmaking criminology in Australia and New Zealand, in this paper we analyse findings from 116 survey responses and nine interviews with criminologists working in universities in these two countries, which provide insight into the extent and nature of their news media engagement, and their related perceptions. Our findings indicate that most criminologists working in Australia or New Zealand have made at least one news media appearance in the past two years, and the majority of respondents view news media engagement as a professional ‘duty’. Participants also identified key political, ethical, and logistical issues relevant to their news media engagement, with several expressing a view that radio and television interviewers can influence criminologists to say things that they deem ‘newsworthy’.

Adaptive Evolution in Rapid Assessments: A 25-Year Perspective

2019 ◽  
Vol 35 (2) ◽  
pp. 77-81
Author(s):  
Paula Corabian ◽  
Bing Guo ◽  
Carmen Moga ◽  
N. Ann Scott
Keyword(s):  
Best Practice ◽  
Health Technology ◽  
Developmental Changes ◽  
Symbiotic Relationship ◽  
Health Ministry ◽  
The Past ◽  
Healthcare Environment ◽  
Dynamic Relationship ◽  
Alberta Health ◽  
Over Time

AbstractObjectivesThis article retrospectively examines the evolution of rapid assessments (RAs) produced by the Health Technology Assessment (HTA) Program at the Institute of Health Economics over its 25-year relationship with a single requester, the Alberta Health Ministry (AHM).MethodsThe number, types, and methodological attributes of RAs produced over the past 25 years were reviewed. The reasons for developmental changes in RA processes and products over time were charted to document the push–pull tension between AHM needs and the HTA Program's drive to meet those needs while responding to changing methodological benchmarks.ResultsThe review demonstrated the dynamic relationship required for HTA researchers to meet requester needs while adhering to good HTA practice. The longstanding symbiotic relationship between the HTA Program and the AHM initially led to increased diversity in RA types, followed by controlled extinction of the less fit (useful) “transition species.” Adaptations in RA methodology were mainly driven by changes in best practice standards, requester needs, the healthcare environment, and staff expertise and technology.ConclusionsRAs are a useful component of HTA programs. To remain relevant and useful, RAs need to evolve according to need within the constraints of HTA best practice.

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