Hypermedia and Recursive Mediatization of the Corporate News

The article analyzes some trends in the dynamics of deep mediatization processes. The phenomenon of saturation of standard formats for presenting news with unexpected references, which transform the communication system, is revealed. For the correct interpretation of the discovered phenomena, the concept of hypermedia is used as an aspect of deep mediatization of the relationship between the company and its stakeholders. The model of recursive communication is concretized. The central point is the thesis about the self-applicability of the recursive method of studying the communication field. The influence of digital platforms algorithms on the daily practices of users has been investigated. The conclusions are formulated from an ecological point of view, highlighting the importance of creating an effective environment for corporate relations. The author believes that the transition to trans-disciplinary methods of researching the problems of deep mediatization in the digital era is inevitable. The role of philosophical reflection in determining the key areas of research is especially emphasized.

Eseistyczna chopinologia Piotra Wierzbickiego

Piotr Wierzbicki’s deep interest in Chopin’s music has been revealed in his volumes of essays published since 1993. What appears to make his music writings exceptional in comparison with other Polish essays dealing with Chopin’s life and work is the prevailing concentration on particular pieces or even single performances chosen by famous pianists. Wierzbicki develops his project of extradisciplinary essayistic Chopinology that blends together the musicological knowledge, critical involvement, philosophical reflection and highly individual psychosomatic experience. Having stated a fundamental difficulty of ‘translating’ sounds into words, he tries to elaborate a ‘musical’ style and form for his writing, e.g. he includes ekphrases full of metaphors and synesthetic figures. This wide array of music-centred properties encourages readers to treat these essays as a starting point for coming up with the question of whether it is possible to differentiate a type of ‘musical’ essay.

Il teatro e l’indagine sull’umano. L’attore moderno in scena... all’ombra di Diderot

Can we say that the 18th century philosophe Denis Diderot and his theses of theatrical aesthetics are still relevant and viable on the modern theatre stage? The article elaborates on our contemporaneity to try to give an answer to this question, creating questionnaires-interviews with four professional actors with questions related to the key themes of Diderot's theatrical and artistic aesthetics, encountering the incredible actuality of the Diderotian vision. The idea of the actor's profession is, in its true essence, an aesthetic idea, thus stimulating a philosophical reflection based on all the great concepts of this discipline, highlighted by the theoretical and practical thought of Diderot and now investigated by the theatrical practice of contemporary actors: body, gestures, genius, interpretation, communication, expression. The sentiment of the Diderotian comédien on stage overcomes the distinction between a "warm", involved and passionate acting and a "cold", rational and controlled one, and declines its sensibility in a supra-individual meaning, in a concrete presentation of a model with a universal value but possible for the body of the actor on stage, therefore shared by spectators who observe the events happening on stage. In the same way, the modern actor trains on stage, organically and honestly, towards "becoming" in every moment and towards being legible, credible, creative, bringing to the stage actions full of questions that explore the possibilities of being human. In other words, becoming - as one of the actors interviewed in the questionnaire states in a very Diderotian way - «body of all bodies. A body that knows and can tell something universal and that makes vibrate inside the viewer the internal velvet that moves the soul. Even looking at something unrecognizable directly or consciously, I will feel narrated as a human being».

The Interface Between the Written and the Oral in lfa Corpus

While the modernists in the field of African philosophy embrace writing as a precondition for philosophy and forcefully maintain the need to cast philoso­phy in the image of science, the traditionalists insist that African philosophy is essentially a philosophical reflection on African oral traditions, morals, and re­ligious practices. This essay argues that the intransigent relationship between the modernists and the traditionalists persists because the two dominant schools have failed to recognize the need to furnish a paradigm of interaction between their projects. From the standpoint of lfa, therefore, this paper rejects the written-oral dichotomy that is central to both the modernist and the tradi­tionalist orientations, occasioned by their parochial and provincial conceptions of philosophy respectively. The paper shows how lfa as a complete philosophy puts a premium on the need to bring individual views in oral and written cul­tures together to enhance a wider human vision in matters bordering on the intellectual configuration of our human society.

PHYSICS NEEDS PHILOSOPHY. PHILOSOPHY NEEDS PHYSICS

Contrary to claims about the irrelevance of philosophy for science, I argue that philosophy has had, and still has, far more influence on physics than is commonly assumed. I maintain that the current anti-philosophical ideology has had damaging effects on the fertility of science. I also suggest that recent important empirical results, such as the detection of the Higgs particle and gravitational waves, and the failure to detect supersymmetry where many expected to find it, question the validity of certain philosophical assumptions common among theoretical physicists, inviting us to engage in a clearer philosophical reflection on scientific method.

Axiological Dimension of the Concept of the Soul in Pamfil Yurkevych’s Philosophical Works

In the article, the author analyses Pamfil Yurkevych’s vision of the interaction between the heart and the reason as well as analyzes his axiosphere, which is absolutely necessary for the development of our country. The author argues that Pamfil Yurkevych is the founder of the axiosphere, which was in compliance with the European Continental Philosophy’s understanding of the being-with-other (Mit-Sein) and it remains also relevant nowadays. Therefore, the main emphasis in the article is placed on the value component of Pamfil Yurkevych’s philosophical reflection and significance of the concept of the soul as a bearer of axiological foundations for the development of spirituality in society. The author interprets the concept of the soul as the interaction between the heart and the reason. At the same time, the heart is a kind of value filter, and the reason plays the role of an instrument of intentional activity in the field of values, involvement in which enables the real development of society. The author relies on the representation, interpretation and analysis as operations of cognition with the help of which it is possible to reproduce a holistic picture of Pamfil Yurkevych’s axiosphere and prove its significance for the formation of value priorities in the contemporaneity.

“A Thing of Dreams and Desires, a Siren, a Whisper, and a Seduction”: Mermaids and the seashore in H. G. Wells’s The Sea Lady: A Tissue of Moonshine

The Sea Lady (1901) is one of the more neglected early novels of H. G. Wells, particularly compared to his more famous scientific romances. Both a social satire and a mediation on the limits of human imagination, Wells’s only mermaid story has drawn surprisingly little attention as a mermaid story. The novel is highly intertextual with legends, written tales, and artwork about mermaids in the 19th Century, which, I argue, Wells deploys in pursuit of the narrative’s interests in gender politics, the critique of social conventions, and philosophical reflection on the possibility of reaching for greater knowledge. Traditional associations of mermaid figures with sexual and ontological transgression and with liminal zones of the sea and the seashore are used to invite reflection on late Victorian social practices around sea-bathing and clothing, as the mythological mermaid’s incursion into the real everyday world exposes its profound vulnerability to radical alternative ways of thinking and being.

The Bhagavad Gita

The chapter defends an interpretation of the Bhagavad Gita as a self-cultivation philosophy. First, it depicts our existential starting point as a state of anxiety, fear, confusion, and worry. Second, it describes the ideal state of being as a life of wisdom, union with the divine, self-control, peace, renunciation of desire, freedom from attachments and disruptive emotions, and performance of our duties—and ultimately liberation from the cycle of rebirth. Third, its transformation program includes spiritual exercises that emphasize philosophical reflection, meditative understanding, the purification of our affective states, and the reformation of our habits, all under the guidance of Krishna (namely, action, knowledge, and devotion yoga). Finally, this analysis is based on a complex conception of human nature according to which, though our true self appears to be prakṛti (matter), it is in fact puruṣa (spirit), and it is connected to other persons and the divine, especially Krishna.