From the foundation of Macondo to the successive arrivals of Melquíades, from countryside to modern cities, from exilic destinations to the global circuits of world literary stardom, and from Aracataca, Barranquilla, Sucre, Bogotá, and Cartagena to Rome, Paris, London, Caracas, New York, Barcelona, Mexico City, and beyond, travel, displacement, and dislocated conditions of literary production have always been at the center of García Márquez’s fiction and nonfiction, as both topics and constructive principles. This chapter analyzes García Márquez’s writing of travel during the second half of the 1950s, a period marked by the writer’s own experimental displacements. The essay focuses on the chronicles García Márquez wrote about his journeys to Czechoslovakia and Poland in 1955, and through the German Democratic Republic, the Soviet Union, and Hungary in 1957, including his visits to Auschwitz and Lenin’s and Stalin’s tombs. His travelogues were published in the Venezuelan magazine Momentos (1958) and the Colombian magazine Cromos (1959, under the title “90 días tras la cortina de hierro”), and they can be read as a laboratory before and against magical realism, before and against the emergence of the Latin Americanist cultural politics at the center of García Márquez’s literary and intellectual project.