Performing Togetherness: Tourist-Like Photography from Abu Ghraib

The article explores the infamous photographs from the Abu Ghraib prison that circulated and were made public in 2004. It specifically looks at how the sense of togetherness was enacted by the U.S. military personnel stationed in the site, and the way cameras were instrumental in this process. It argues that the resultant photographs can be seen as tou- rist-like in several respects. A notable aspect of the photographic images is that the soldiers who took them repeatedly appear in the frame themselves. Appearing in and photographing the abusive acts was not only a form of structuring and reinforcing power relations at the prison, but also an attempt to portray a fun-having personnel group. The visual signifiers – thumbs up, smiles, pointed fingers – authenticate the images, lending them some of the qualities of tourist photography. At Abu Ghraib, the soldiers’ photographic practice also partly served as a sense-making mechanism, allowing a symbolic distance between the camera-wielder and unforeseen emergent events. It promised a wishful alternative to the grim realities of the prison: an overcrowded and undersupplied facility with a lack of on-site leadership. The scars of resultant violence – and the notorious photographs that document it – remain relevant, and continue to resurface in recent so- cial and political contexts.

Eroticism and the Politics of Representing the Abused Body

This chapter discusses the photographic and dramatic representation of sexual violence in conflict and the potential for such visual spectacle to be received as erotic or titillating. The chapter begins with a brief consideration of the human fascination with horror, then draws upon the work of Judith Butler on vulnerability, and Susan Sontag and Georges Bataille on suffering to analyze the relationship between pornographic imagery and the images of Abu Ghraib prison. Taking an example of a dramatic representation of wartime rape, Colleen Wagner’s The Monument, the author’s decision not to display the body is explored as one strategy to avoid the exposure of the body to the gaze of the spectator.

Conceptualizing Sexual Violence in Post–Cold War Global Conflicts

Recent scholarship conceptualizes sexual violence as an inherent part of war violence, but emphasizes its varying pattern across conflicts, armed groups, and small units. However, some cases of sexual violence in war have remained invisible within both feminist and mainstream academia and politics, while others have been overexposed. This imbalance has received more attention in feminist scholarship only since the millennium. The chapter analyses the debates on sexual violence in the post–Cold War global conflicts. It argues that the wartime rapes of women in the wars in the former Yugoslavia and, to some extent, Rwanda and the sexual violence against men at the Abu Ghraib prison during the second Iraq War have stimulated major shifts in feminist theorizing of sexual violence against women and men in war. It also discusses the repercussions of the most common conceptualization of sexual violence in war and reflects the theoretical challenges of the conceptualization of sexual violence against men.

Strategic Decision Making and Knowledge

Organizations undertake action even in the absence of decisions, and make decisions without necessarily following them through with actions. An outcome that may appear to an observer to be the product of a sequence of decisions, may not be so if approached from the perspective of the actor. How is that possible? A Heideggerian perspective enables us to accommodate most currently available theories of decision making into a new ontology. A lot of what ordinarily passes for “decision making” is nothing else but either practical coping or deliberate coping, both occurring in the midst of action, and a great deal of action routinely undertaken in organizations consists of either spontaneous responses to the circumstances at hand, or deliberate choices often made in an analogical manner. These points are illustrated with the Abu Ghraib prison scandal that was revealed by the award-winning journalist Seymour Hersh in 2004.

Explaining Behavior

This chapter explores the relationship between the crimes committed by American troops at Abu Ghraib prison in Iraq and Philip Zimbardo’s 1971 Stanford Prison Experiment. Zimbardo’s experiment is one of the most famous of a large body of social psychology experiments that support the “situationist” perspective on human behavior. A central situationist claim is that features of the situations in which people act have a greater influence on behavior than we ordinarily suppose, and enduring features of personality and character have a correspondingly smaller role in explaining behavior. We explain how this research has been interpreted by psychologists such as Lee Ross and Richard Nisbett and by philosophers such as Gilbert Harman and John Doris.

Paradoxes of Visibility

The paper investigates two possible critical arguments following the pictorial turn. The first is formulated within ocularcentrism, the dominance of sight, and starts with the right to visibility as a general principle that governs today’s digital culture but gets twisted in special cases like the Auschwitz photos of the Shoa, the Abu Ghraib prison videos, or recently the website called Yolocaust. The second is conceived outside the visual culture and is meant to vindicate the other senses vis-à-vis the eyes. However, the argument is truncated here only to highlight the boomerang effect of the other senses: haptic vision. It is the case of visual perception when (a) there is a lack of things to see and (b) indeterminate synaesthesia: when vision intensifies the other senses in the embodied viewer. The two arguments converge upon a dialectic of the visible and the imaginable, which is formulated here as two paradoxes that the discussed examples transcend. By enforcing visibility at all costs where there is hardly anything recognizable to see, they lead to two diverging results. On the one hand, the meaning of “image” is extended toward the unimaginable, the traumatic experience, on the other hand, it is extended toward the invisible, the encounter with the radical Other.

On the Outside Looking In: Distress and Sympathy for Ethnic Victims of Violence by Out-Group Members

It is well documented that individuals respond with negative emotions to racial and ethnic out-groups. Yet, it is unknown whether the responses are a measure of simple emotional reactivity or if they are also influenced by emotion regulation. Given the importance of emotions in out-group evaluation (see Intergroup Emotion Theory; Smith and Mackie, 2008), we investigated emotional reactivity and regulation in response to out-group victimization. Forty-one undergraduates completed the Emotion Regulation Questionnaire and viewed three sets of images: lynching of African-Americans, torture of Abu Ghraib prison detainees, and iaps images depicting graphic violence. Participants rated 13 emotions before and after viewing the images. A factor analysis identified four emotional response categories: Distress, Sympathy, Arousal and Avoidance. Analyses at both the individual emotion level and factor level indicated that negative emotions (e.g., anger, disgust, and guilt) were greater in response to violence against ethnic groups relative to violence depicted in the iaps images. Emotional suppression predicted blunted distress and arousal to ethnic victimization. These findings highlight that emotional responses to out-group victimization are complex and tempered by emotional suppression. Individuals’ emotion regulation may provide further insight into responses to ethnic and racial out-groups.

Introduction

Why Military Ethics? In 2003, during the first year of the American-led military intervention in Iraq, a contingent of reserve army personnel in charge of the Abu Ghraib prison was discovered to have engaged in numerous acts of torture and abuse of prisoners. Torture...