Turturica ‒ the Bird of Existential Predestination in the Short-Story Epic

This article analyzes the ballad Amărâta turturică (The Embittered Dove) in accordance with the symbolism of this bird in folk environments, being presented in different situations and existential hypostases, in accordance with the allegory of human destiny. The image-symbol "embtittered dove" is put at the service of remedying different contradictory states and feelings, depicting the drama of an existential destiny, marked by falls and inner collapses. The ballad about the widowed dove is related to a series of motifs and renders a "synthesis of symbols", tangent to the archetypal significance of some bird topos in our ritual folklore, to foreshadow the culmination of serious existential feelings. As metaphors of predestination, both the hunter and the dove express some tragic entities of human life, outline the meaning of a polarized destiny, marked by inner contradictions, deepen the idea of nostalgic loneliness in the face of irreversible passage.

Narrate It Until You Become It

Research in phenomenology and philosophy of psychiatry has suggested that psychopathological disturbances of experience often involve an alteration of one's ‘sense of possibility’, dependent upon the presence of specific ‘existential feelings’ (Ratcliffe 2012). In this paper I provide an extended account of how the engagement with certain narratives can lead to a transformation of one's sense of possibility by eliciting affective experiences that are not consonant with the person's existential feelings. More precisely, I claim that, even when the experience of some types of emotion is generally precluded by a restricted sense of possibility, such emotions may be aroused by particular self-narratives, and I explore how this dynamic can give rise to enduring and wide-ranging affective changes.

Deontological Feeling: The Tranquil, the Familiar and the Body

This paper contributes to filling a lacuna in recent research on common normative backgrounds. On the one hand, discussions of common normative backgrounds tend to underexpose the role the feeling body plays in relation to the agent’s recognition of deontic powers (obligations, compelling reasons or rights). On the other hand, discussions of bodily background orientations and their role in the agent’s sensitivity to practical significance tend to underexpose the recognition of deontic power. In this paper, I argue that bodily background orientations can contribute to an agent’s sensitivity to deontic power. Developing further on Ratcliffe’s conceptualization of existential feelings, I propose that a person’s bodily background orientation implies responsiveness to an ethically significant kind of affordance. In order to flesh out this theoretical claim, I draw on empirical material concerning a specific existential orientation labelled as “quietism.” Reconstructing its central patterns, I explicate the bodily dimension involved in the quietist orientation as well as the way in which it shapes the responsiveness to felt demands in terms of preserving tranquillity and protecting the familiar. Finally, I discuss the broader theoretical implications of my claim and suggest to categorize ethically relevant bodily background orientations such as the one implicated in the quietist orientation as deontological feelings.

Health and Illness as Enacted Phenomena

In this paper I explore health and illness through the lens of enactivism, which is understood and developed as a bodily-based worldly-engaged phenomenology. Various health theories – biomedical, ability-based, biopsychosocial – are introduced and scrutinized from the point of view of enactivism and phenomenology. Health is ultimately argued to consist in a central world-disclosing aspect of what is called existential feelings, experienced by way of transparency and ease in carrying out important life projects. Health, in such a phenomenologically enacted understanding, is an important and in many cases necessary part of leading a good life. Illness, on the other hand, by such a phenomenological view, consist in finding oneself at mercy of unhomelike existential feelings, such as bodily pains, nausea, extreme unmotivated tiredness, depression, chronic anxiety and delusion, which make it harder and, in some cases, impossible to flourish. In illness suffering the lived body hurts, resists, or, in other ways, alienates the activities of the ill person.

Textures of Imagination

Rejecting any binary thinking that would have reading novels as an act of imagination while films are received through perception, this chapter examines how adaptations are experienced through the embodied imagination. This chapter builds upon approaches to imagination in cognitive aesthetics to argue that imagination is grounded in perception. This chapter draws on two case studies, Wonder (Stephen Chbosky, 2017) and Mood Indigo (Michel Gondry, 2013), both criticized for making tangible their literary sources in a manner than nullifies imaginative engagement. Rather, I argue that spectators feel their way into the worlds and existential feelings of their characters through the embodied imagination. This chapter suggests that perception can lead to a greater imaginative understanding of a work, the world, and others, and how such an imaginative connection might shift our point of view. That is, screen adaptations are equipped to enact a leap from sight to insight.

The Subjective Experience of Using Medications: What We Know and the Paths Forward

Medications can cause bodily changes, where the associated benefits and risks are carefully assessed based on the changes experienced in the phenomenal body. For this reason, the phenomenology of Merleau-Ponty is an important theoretical framework for the study of experience related to the daily use of medications. The aim of this study was to discuss the contribution of a recently developed framework of the general ways people can experience the daily use of medications—resolution, adversity, ambiguity, and irrelevance—and present reflections about the little-understood aspects of this experience. However, some issues raised throughout this article remain open and invite us to further exploration, such as (1) the coexistence of multiple ways of experiencing the use of medications, by the same individual, in a given historical time; (2) the cyclical structure of this experience; (3) the impact of habit and routine on the ways of experiencing the daily use of medications; and (4) the contribution of the concept of existential feelings to this experience and its impact on patients’ decision-making. Therefore, the experience with the daily use of medications is a complex and multifaceted phenomenon that directs the decision-making process of patients, impacting health outcomes.

Lyrics and Existence in Scientific and Poetic Knowledge

In the article, science and poetry, scientific and poetic creativity are considered as part of human culture. It is shown that both scientific and poetic activities are loaded with cognitive content. At the same time, if the thesis about the cognitive orientation of science is not in doubt, then the connection of art with knowledge is not so obvious and needs explication. Poetry is considered as cultural phenomena that are directly related to knowledge, to the cognitive component of human activity. Poetry and science can be compared on the basis of their direct relationship to the emotional environment of human existence and the existential feelings experienced by the subject of knowledge. In the article, we evaluate the concept of intellectual emotion, which was introduced by members of the Kharkiv linguistic school for the analysis of human cognitive activity in culture. For analysis of existential feelings, we review the conditions of self-awareness of both scientific and poetic activity. Special attention is paid to the analysis of apperception of the complex poetic contents of the consciousness of both poet and reader-interpreter as his co-author. Considering the views of E. Husserl and A. Bergson as well as the views of members of the Kharkiv linguistic school, we discuss the theoretical and cognitive aspect of poetic creativity. In the article, we conclude about a person’s holistic perception of knowledge, which is not only appercepted by the human mind but also affects his emotional sphere. We have shown that there are intellectual emotions involved in the consciousness of a person who solves a complex scientific or philosophical problem as well as perceiving poetry that has an cognitive aspect. We also concluded that existential emotions and feelings play a significant role in cognition. Therefore, knowledge can be not only scientific or philosophical but also poetic, and in the latter form of knowledge the existential aspects are more clearly manifested.