Corpo Ranfla: Inter Rim

Corpo Ranfla explored formal aspects of “body-ness” in relation to cruising: lowrider car cruising and gay cruising. Mario Ayala, Tanya Melendez, and I worked my body into a lowrider car by giving it a paint job using an airbrush machine. At the helm of this production was my interest in the history of anthropomorphism, particularly of Mexican-Azteca iconography that illustrates the relationship between humans and nature. Inter Rim is a collage composition that takes on some questions that remain boisterous even after Corpo Ranfla materialized on my body: How can a lowriding body move? What attributes of a car, a machine, might a body take on as its own? What is there to gather about my and other bodies, the street, a neighborhood, one’s city, and the spaces between destinations when becoming a lowrider car?

Contemporary dance as a component of students’ physical education

Today in the modern world the basic human need for the development of one's own body and keeping it healthy and fit is a topical issue. Health is one of the most important prerequisites for harmonious, full-fledged life and personal self-realization. And it is precisely physical education that is aimed at the formation of a healthy, physically complete personality and the functional improvement of the organism. Dance is an integral part of a human plastic culture. The danceplastic culture education begins with the knowledge and development of the musculoskeletal system of a dancer. First and foremost, students need to learn how to perform basic dance exercises and movements efficiently, anatomically competently and consciously. In our understanding, the contemporary dance technique (post-postmodern) is the technique based on the natural laws of the body functioning with regard to the organization of movement and breathing. Muscles’ release from excessive tension and the activation of the faction level in movement organization, the natural anatomical work of joints and their strengthening, the structure of the body interrelations - all of the abovementioned should precede the technical dance mastery as a high-quality physical training of a student for further mastering of professional disciplines. That is why, in our opinion, a modern student-dancer should be knowledgeable about the body by the following parameters: how human movement is organized, structural peculiarities of the skeletal mobile zones (joints), the understanding what makes the body move in space, what is the center of the body gravity, how the movement of a person from the lower tier to the upper tier in space is organized, what is primary for understanding and training your body and why breathing is acknowledged as the number one item in teaching contemporary dance, what are fasciae and why the experienced dancers-teachers talk so much about them during their classes, how the floor plays the role of a partner and allows you to feel the zones with excessive tension in your body during movement, what BF (Bartenieff Fundamentals) and LMA (Laban Мovement Аnalysis) are and more.

The Efficient and Tentative Model for Extenics Replications of the Moveable Robots

Background: On the most elementary level, you and I (human beings) were created with five main mechanisms (or parts): • A body which is termed as the main structure of the human being. • A sensory system that takes certain information around the body and the immediate environment. • A muscle system to aid the body move easily. • A control base to trigger the muscles and sensors. • A brain system that develops sensory data and tells the muscles what to do in other words the way forward. Obviously, we likewise have some imperceptible qualities, for example, intellect and ethics, among others but on an absolute corporeal level. Robots, on the other hand, can be created with five main mechanisms or more. Objectives: This research aims at implementing robots in some tedious jobs that as supposed to be executed by human beings in various factories and industries. This study also presents the practical and tentative model for Extenics replications of the moveable mechanical device (robot) useful on VIPRO stage. Methods: Momentary antiquity and indication of the pertinent hypothetical ideas are provided. The intelligent boundary for drawn-out switch uses a novel element for synthetic intelligence which is drawn-out control (Extenics) to expand DHFPC switch rapid enactment of mobile robots. Result: Applying Extenics specific methods and application in vague interplanetary result in a novel, advanced application for the VIPRO stage which can be used to feign and device innovative switch approaches of moveable robots.

Agent causation as a solution to the problem of action

My primary aim is to defend a nonreductive solution to the problem of action. I argue that when you are performing an overt bodily action, you are playing an irreducible causal role in bringing about, sustaining, and controlling the movements of your body, a causal role best understood as an instance of agent causation. Thus, the solution that I defend employs a notion of agent causation, though emphatically not in defence of an account of free will, as most theories of agent causation are. Rather, I argue that the notion of agent causation introduced here best explains how it is that you are making your body move during an action, thereby providing a satisfactory solution to the problem of action.

Freezing of Oocytes and Its Effect on the Displacement of the Meiotic Spindle: Short Communication

Our investigations focused on spindle dynamics/displacement in frozen-thawed human oocytes. In each oocyte, prior to freezing and after thawing and culturing, the presence/location of the spindle was determined with the Polscope technique. A total of 259 oocytes have been thawed with a survival rate of 81.1%. From the 210 survived oocytes, 165 were fertilized (78.6%) and 89.1% of them cleaved. A total of 143 embryos were transferred into 63 patients resulting in 11 clinical pregnancies (17.5%), 7 of which resulted in live birth of 8 babies (1 twin pregnancy). We were able to detect the spindle in 221 of 259 oocytes (85.3%). After thawing and culturing the oocytes, we were able to visualize the spindle in 177 of 210 oocytes (84.3%). In 83 of these 177 oocytes, the spindle was observed to be in the same location as it was before cryopreservation (46.9%). However, in 94 of these 177 oocytes (53.1%), the spindle reformed in a different position/location relative to the polar body. Our results show that after thawing and culture in half of the spindle-positive oocytes the spindle was detected in a new location, indicating that the spindle and the polar body move relative to each other.

Does the Body Move the Soul? The Impact of Arousal on Music Preference

people often report changes in emotional arousal when listening to their preferred music. Can this subjective impression be related to objective physiological measures? And if so, does preference induce arousal or could arousal also influence preference? In Study 1, participants listened to 18 pieces of music and rated the strength of preference as well as their experienced emotional arousal for each piece. In addition, physiological arousal was measured via heart rate, skin conductance, and respiration rate. Results showed that subjective reports about emotional arousal were much more closely connected to the strength of music preference than were physiological measures such as heart rate or skin conductance. The two types of arousal (emotional, physiological) were not substantially associated with each other. In Study 2, we manipulated physiological arousal while one group of participants watched their faces in a mirror during music listening. Effects on music preference differed: For a given piece of unknown music, higher induced arousal yielded higher preference ratings. However, this result only held when the music was not too complex. The results indicated that arousal was not solely a consequence of listening to preferred music but might also be a potent determinant of music preference.