This chapter discusses the cultural and industrial significance of boy soprano and child star Bobby Breen, who starred in a series of popular musical films in 1930s Hollywood. It argues that Breen’s status as a presexual child allowed his queer-coded voice and persona to escape the condemnation of gender-nonconforming adult male singers that was prevalent at the time, opening up spaces for queer reception, resistance, and celebration. An interdisciplinary, intersectional framework is applied to identify Breen’s particular affordances, offering a broad and inclusive application of the word “queer” to demonstrate how Breen’s boy soprano activated multiple kinds of social difference. Breen’s narratives place his characters in direct opposition to white, middle-class, masculinist, heteronormative men and the institutions they represent, giving representation and agency to otherwise marginalized groups as central narrative actors, industry professionals and audience members, including gender-variant and queer people, women, working-class white ethnics, and Black and other communities of color.