The advanced CAD model of a cargo bike

This article describe a way to create generative model at the example of cargo bike model, which is very simple object which can be used to present all important rules applied during crating generative models. Great attention was paid to the issue of model parametrization which is elementary thing in all modelling. Besides these aspects, it is also shown how to transform parametric model into generative model using programming languages. In the last part of article was included tests of correct working of model which focused also to the right position cyclist on the bike and shows how model of cargo bike could change its sizes thanks to correctly created generative model.

The Subordinate Clause with Simple Object Hypotaxic Constructions in Svan

The paper presents such hypotactic constructions in Svan, where the subordinate clause is a simple object and plays the role of a simple object to any member of the principal clause, explains and clarifies the meaning of the simple object expressed by the pronoun. There is no comprehensive research on this issue in the scientific literature, where the data of all four dialects (Upper Bal, Lower Bal, Lentekhian, Lashkhian) would be considered. In our study, samples of Cholur speech are also presented, which provides a basis for making quite interesting conclusions. Research has shown that in Svan there is a lot of evidence of subordinate clause with simple object complex sentences and no significant difference between dialects is observed. The results of our research are also important in terms of teaching Svan.

Nonhuman and Nonhuman-Human Communication: Some Issues and Questions

Deciphering nonhuman communication – particularly nonhuman vocal communication – has been a longstanding human quest. We are, for example, fascinated by the songs of birds and whales, the grunts of apes, the barks of dogs, and the croaks of frogs; we wonder about their potential meaning and their relationship to human language. Do these utterances express little more than emotional states, or do they convey actual bits and bytes of concrete information? Humans’ numerous attempts to decipher nonhuman systems have, however, progressed slowly. We still wonder why only a small number of species are capable of vocal learning, a trait that, because it allows for innovation and adaptation, would seem to be a prerequisite for most language-like abilities. Humans have also attempted to teach nonhumans elements of our system, using both vocal and nonvocal systems. The rationale for such training is that the extent of success in instilling symbolic reference provides some evidence for, at the very least, the cognitive underpinnings of parallels between human and nonhuman communication systems. However, separating acquisition of reference from simple object-label association is not a simple matter, as reference begins with such associations, and the point at which true reference emerges is not always obvious. I begin by discussing these points and questions, predominantly from the viewpoint of someone studying avian abilities. I end by examining the question posed by Premack: do nonhumans that have achieved some level of symbolic reference then process information differently from those that have not? I suggest the answer is likely “yes,” giving examples from my research on Grey parrots (Psittacus erithacus).

PENGENALAN LUKIS KACA SEBAGAI MEDIA HIAS DAN CENDERA MATA PADA SISWA-SISWI SMA N 1 KOTA JANTHO

Everyone who likes beauty is beauty that is naturally created or that is created from human work. However, not everyone knows how to create beauty from the objects around them. How to turn a simple object into something that is more attractive, more beautiful and even has a sale value. The activity of introducing Glass Painting as a decorative medium and souvenirs will certainly hone the creativity of SMA N 1 Jantho City students. The introduction of glass painting trains students to be creative in processing the natural resources around them. From objects made of glass that are not used, they are given a touch of art and polished in such a way that they become works and art products that can later become souvenirs. It does not stop with the introduction and manufacture of glas painting, students are given directions and an understanding of how to make these works of art can have economic value. The products produced in this activity are expected to be marketed as a typical souvenir of the City of Jantho.Keywords: painting, glass, decorative media, souvenirs. AbstrakSetiap orang menyukai keindahan baik itu keindahan yang tercipta secara alami maupun yang diciptakan dari hasil karya manusia. Namun tidak setiap orang tahu bagaimana cara menciptakan keindahan dari benda-benda yang ada disekitarnya. Bagaiman cara menyulap sebuah benda sederhana menjadi sesuatu yang lebih menarik, lebih indah bahkan memiliki nilai jual. Kegiatan pengenalan Lukis Kaca sebagai media hias dan cendera mata tentu akan dapat mengasah kreatifitas siswa-siswi SMA N 1 Kota Jantho. Pengenalan seni lukis kaca melatih siswa-siswi untuk dapat kreatif mengolah sumber daya alam yang ada disekitar mereka. Dari benda-benda berbahan kaca yang sudah tidak terpakai diberi sentuhan seni dan dipoles sedemikian rupa sehingga menjadi sebuah karya dan produk seni yang nantinya dapat menjadi cendera mata. Tidak berhenti sampai pengenalan dan pembuatan lukis kaca, siswa siswi diberikan arahan dan pemahaman bagaimana caranya menjadikan karya seni tersebut dapat memiliki nilai ekonomis. Produk yang dihasilkan pada kegiatan ini diharapkan dapat dipasarkan sebagai cendera mata khas Kota Jantho Kata Kunci: lukis, kaca, media, cendera mata. Authors: Muhammad Ghifari : Institut Seni Budaya Indonesia AcehAnni Kholilah : Institut Seni Budaya Indonesia AcehMiftahun Naufa : Institut Seni Budaya Indonesia AcehReferenes: Azis, A. C. K. (2017). Pemanfaatan Sampah Plastik Menjadi Karya Seni Rupa di Kecamatan Deli Tua. BAHAS, 28(3). 268-272. https://doi.org/10.24114/bhs.v28i3.10077.Ghifari, Muhammad. (2020). “Kegiatan Pengabdian Seni Rupa”. Hasil Dokumentasi Pribadi: 2020, SMA N 1 Kota Jantho.Marchanda, Fajar. (2020). “Kegiatan Pengabdian Materi Seni Rupa”. Hasil Dokumentasi Pribadi: 2020, SMA N 1 Kota Jantho.Naufa, Miftahun. (2020). “Kegiatan Pengabdian Seni Rupa”. Hasil Dokumentasi Pribadi: 2020, SMA N 1 Kota Jantho.Putra, P. D., Lisyanto, L., Azis, A. C. K., & Zainal, A. (2019). Rekayasa Bahan Makanan dari Singkong Dalam Mensejahterakan Perekonomian Masyarakat di Kabupaten Labuhan Batu Utara. Jurnal Pengabdian Kepada Masyarakat, 25(3), 172-175. https://doi.org/10.24114/jpkm.v25i3.15396.Susanto, Mikke. (2002). Diksi Rupa Kumpulan Istilah Seni Rupa. Yogyakarta: Kanisius.

String-net models for nonspherical pivotal fusion categories

A string-net model associates a vector space to a surface in terms of graphs decorated by objects and morphisms of a pivotal fusion category modulo local relations. String-net models are usually considered for spherical fusion categories, and in this case, the vector spaces agree with the state spaces of the corresponding Turaev–Viro topological quantum field theory. In the present work, some effects of dropping the sphericality condition are investigated. In one example of nonspherical pivotal fusion categories, the string-net space counts the number of [Formula: see text]-spin structures on a surface and carries an isomorphic representation of the mapping class group. Another example concerns the string-net space of a sphere with one marked point labeled by a simple object [Formula: see text] of the Drinfeld center. This space is found to be nonzero iff [Formula: see text] is isomorphic to a nonunit simple object determined by the nonspherical pivotal structure. The last example mirrors the effect of deforming the stress tensor of a two-dimensional conformal field theory, such as in the topological twist of a supersymmetric theory.

Pengukuran Performa Pengiriman Data Absensi Menggunakan Simple Object Access Protocol dan ZKEM Control Pada Mesin Fingerprint

Penggunaan mesin fingerprint sebagai akses data absensi telah banyak digunakan, baik oleh organisasi maupun perusahaan. Pada penerapannya, setiap data absensi disimpan pada mesin fingerprint, kemudian data tersebut dapat ditarik dengan berbagai system dan diolah secara lebih lanjut. Terkadang, beberapa pengembang aplikasi menggunakan aplikasi yang sudah ada untuk proses pengambilan data absensi secara manual maupun dengan aplikasi yang sudah ada kemudian dilakukan pengolahan data dengan aplikasi yang telah dibuat. Proses manual biasanya dilakukan dengan pengambilan data menggunakan media penyimpanan seperti flashdisk kemudian melakukan proses ekspor data kedalam database. Selain itu, dapat menggunakan metode dengan memanfaatkan fasilitas yang sudah disediakan yaitu dengan fasilitas simple object access protocol dan ZKEM control. Pada penelitian membandingkan performa kedua fasilitas tersebut dalam mengirimkan data absensi dari mesin fingerprint ke database. Performa yang diukur adalah kecepatan waktu pengiriman data dan ketepatan jumlah data yang dikirimkan oleh mesin fingerprint. Hasil yang diperoleh dalam penelitian ini bahwa pengiriman data absensi dengan menggunakan fasilitas simple object access protocol dan ZKEM control mempunyai ketepatan data yang sama. Sedangkan, dari segi waktu pengiriman fasilitas ZKEM control dapat mengirimkan data 50% lebh cepat dibandingkan dengan menggunakan simple object access protocol.

Elizabeth Bowen on the Telephone

This chapter proposes that telephones are critical in the plotting of most of Bowen’s novels, as well as in some of her stories. Bowen’s plots are often organized around the telephone and around telephone calls in a way that would have been inconceivable at the start of the twentieth century. Making a telephone call in Bowen can be seen as an ideal version of speech and even as an ideal model for literature itself, precisely because the telephone generates a sense of immediacy and unmediated presence while at the same time marking absence. At the same time simple object and eerily human, the uncanny telephone in Bowen suggests that communication is what her writing, and what literature more generally offers while at the same time contesting, displacing, and resisting it. Bowen’s work thereby challenges our very understanding of how literature as a form of communication between author and reader can be said to work.