Embodied Songs: Insights Into the Nature of Cross-Modal Meaning-Making Within Sign Language Informed, Embodied Interpretations of Vocal Music

Embodied song practices involve the transformation of songs from the acoustic modality into an embodied-visual form, to increase meaningful access for d/Deaf audiences. This goes beyond the translation of lyrics, by combining poetic sign language with other bodily movements to embody the para-linguistic expressive and musical features that enhance the message of a song. To date, the limited research into this phenomenon has focussed on linguistic features and interactions with rhythm. The relationship between bodily actions and music has not been probed beyond an assumed implication of conformance. However, as the primary objective is to communicate equivalent meanings, the ways that the acoustic and embodied-visual signals relate to each other should reveal something about underlying conceptual agreement. This paper draws together a range of pertinent theories from within a grounded cognition framework including semiotics, analogy mapping and cross-modal correspondences. These theories are applied to embodiment strategies used by prominent d/Deaf and hearing Dutch practitioners, to unpack the relationship between acoustic songs, their embodied representations, and their broader conceptual and affective meanings. This leads to the proposition that meaning primarily arises through shared patterns of internal relations across a range of amodal and cross-modal features with an emphasis on dynamic qualities. These analogous patterns can inform metaphorical interpretations and trigger shared emotional responses. This exploratory survey offers insights into the nature of cross-modal and embodied meaning-making, as a jumping-off point for further research.

Outsourced hearing in spiders by using their webs as auditory sensors

Hearing is a fundamental sense of many animals, including all mammals, birds, some reptiles, amphibians, fish and arthropods1,2. The auditory organs of these animals are extremely diverse in anatomy after hundreds of millions of years of evolution3-5, yet all are made up of cellular tissue and are embodied meaning that its functional anatomy is constrained by developmental morphogenesis. Here we show hearing in the orb-weaving spider, Larinioides sclopetarius is not constrained by embodiment but is extended through outsourcing hearing to its proteinaceous, self-manufactured orb-web, and hence under behavioral control, not developmental biology. We find the wispy, wheel-shaped orb-web acts as a hyperacute acoustic array to capture the sound-induced air particle movements that approach the maximum physical efficiency, better than the acoustic responsivity of all previously known ears6,7. By manipulating the web threads with its eight vibration-sensitive legs8-10, the spider remotely detects and localizes the source of an incoming airborne acoustic wave emitted by approaching prey or predators. By outsourcing its acoustic sensors to its web, the spider is released from embodied morphogenetic constraints and permits the araneid spider to increase its sound-sensitive surface area enormously, up to 10,000 times greater than the spider itself11. The use of the web also enables a spider the flexibility to functionally adjust and regularly regenerate its 'external ear' according to its needs. This finding opens a new perspective on animal hearing - the 'outsourcing' and 'supersizing' of auditory function in a spider, one of the earliest animals to live on land12. The novel hearing mechanism provides unique features for studying extended and regenerative sensing13-15, and designing novel acoustic flow detectors for precise fluid dynamic measurement and manipulation16-18.

Embodied meaning-making in the experiences and behaviours of persons with dementia

Background The aim of the study was to explore and articulate how meaning-making appears and how meaningfulness is experienced in persons with severe dementia. Although there is little knowledge about meaning-making and experience of meaningfulness for this group, this article assumes that persons with dementia are as much in need of meaningfulness in life as any others, and hence, that they are involved in the process of meaning-making. Methods The study was conducted using a qualitative method with exploratory design. Ten patients with severe dementia at a specialized dementia ward at an old age psychiatric department in hospital were observed through participant observation performed over four months. The field-notes from the observation contained narratives carrying with them a dimension of meaning played out in an everyday setting and thus named Meaning-making dramas. The narratives were analyzed looking for expressions where experiences of meaning-making and meaningfulness could be identified. Results The narratives demonstrate that persons with severe dementia are involved in processes of meaning-making. The narratives include expressions of meaning-making, and of interactions that include apparent crises of meaning, but also transitions into what may be interpreted as meaningfulness based on experiences of significance, orientation and belonging. The role of the body and the senses has proved significant in these processes. The findings also suggest that experiences of meaning contribute to experience of personhood. Conclusions The relevance to clinical practice indicates that working from a person-centred approach in dementia care also includes paying attention to the dimension of meaning. This dimension is important both for the person living with dementia and for the people caring for them. Acknowledging meaning as a central human concern, it is crucial to seek understanding and knowledge about the significance of meaning in vulnerable groups such as persons with dementia.

The Aesthetics of Encounter: A Relational-Performative Design Approach to Human-Robot Interaction

This article lays out the framework for relational-performative aesthetics in human-robot interaction, comprising a theoretical lens and design approach for critical practice-based inquiries into embodied meaning-making in human-robot interaction. I explore the centrality of aesthetics as a practice of embodied meaning-making by drawing on my arts-led, performance-based approach to human-robot encounters, as well as other artistic practices. Understanding social agency and meaning as being enacted through the situated dynamics of the interaction, I bring into focus a process ofbodying-thinging;entangling and transforming subjects and objects in the encounter and rendering elastic boundaries in-between. Rather than serving to make the strange look more familiar, aesthetics here is about rendering the differences between humans and robots more relational. My notion of a relational-performative design approach—designing with bodying-thinging—proposes that we engage with human-robot encounters from the earliest stages of the robot design. This is where we begin to manifest boundaries that shape meaning-making and the potential for emergence, transformation, and connections arising from intra-bodily resonances (bodying-thinging). I argue that this relational-performative approach opens up new possibilities for how we design robots and how they socially participate in the encounter.

Sociosemiotic approach to teaching foreign language listening: linguodidactic implications of adopting views on interrelation of verbal and non-verbal semiotic resources in communication.

The following article raises the issue built around teaching foreign language listening by the restrictions imposed by the theory of oral activity that influences the view on the nature of communication and human social behavior. In particular, the conducted analysis of the theoretical underpinnings of social semiotics and multimodal approach to human communication gives scientific credence to assuming the meaning-making potential of non-verbal language comparable to the one of verbal language. In addition to that, it becomes evident that non-verbal language has a tendency to complicate inferencing the meaning of the verbal activity rather than merely simplify it. As a consequence, the linguodidactic basis of teaching listening necessitates revision in this vein. Grounded on multimodal and sociocognitive approaches, the idea is put forward to interpret foreign language listening as a constituent part of sociocognitive activity, the distinguishing features of which are embodied perception and orientation to embodied meaning-making. On the basis of aforementioned, the article enriches psycholinguistic theory of listening with aspects of aural-visual (multimodal) perception as well as offers a view on the alignment of semiotic resources to produce meaning. As a result, there were formulated a set of specific methodological principles intended to govern the teaching process of intertwined aural-visual perception and inferencing of cross-mode meanings and subsequently ensure high performance in foreign language listening in the context of multimodal communication.

Social representations theory: An approach to studying translators’ socio-cognitive processes

Social Representations Theory provides a comprehensive theoretical model for researching translators’ socio-cognitive processes. Developed in social psychology in the 1960s, the theory offers an integrative view of both individual and social processes in the construction and re-construction of knowledge. It draws attention to embodied meaning-making and the effect of material surroundings in perpetuating and disseminating social representations. Importantly, Social Representations Theory does not see representations as individual, solely conscious, or static mental constructions but as dynamic social–psychological phenomena that are enacted in discourse and social interaction. This article discusses Social Representations Theory as an approach to the empirical study of translators’ cognitive processes. Introducing the main concepts of the theory and using translators’ conceptualizations of source-text authors and target-text readers as an example, the article suggests avenues for using the theory in Cognitive Translation Studies.