simple narrative
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Author(s):  
Dong Jiawei

Taking the novel Hills Like White Elephants written by Hemingway as the study object, the thesis analyzes the connotation of the novel from the perspective of stylistic features. The writer adopted simple narrative technique, concise language and abundant metaphors in this short story to not only convey the incompatible contradiction between the American man and the girl but also deepen the tragic theme of the lost generation represented by the two characters.


2021 ◽  
Vol 90 (3) ◽  
pp. 345-376
Author(s):  
Elizabeth O’Brien Ingleson

In December 1977, a tiny group of U.S. glove makers—most of whom were African American and Latina women—launched a petition before the U.S. International Trade Commission calling for protection from rising imports. Their target was China. Represented by the Work Glove Manufacturers Association, their petition called for quotas on a particular kind of glove entering the United States from China: cotton work gloves. This was a watershed moment. For the first time since the Communist Party came to power in 1949, U.S. workers singled out Chinese goods in pursuit of import relief. Because they were such a small group taking on a country as large as China, their supporters championed the cause as one of David versus Goliath. Yet the case has been forgotten, partly because the glove workers lost. Here I uncover their story, bringing the history of 1970s deindustrialization in the United States into conversation with U.S.-China rapprochement, one of the most significant political transformations of the Cold War. The case, and indeed the loss itself, reveals the tensions between the interests of U.S. workers, corporations, and diplomats. Yet the case does not provide a simple narrative of U.S. workers’ interests being suppressed by diplomats and policymakers nurturing globalized trade ties. Instead, it also underscored the conflicting interests within the U.S. labor movement at a time when manufacturing companies were moving their production jobs to East Asia.


2021 ◽  
Vol 7 ◽  
pp. 237802312110019
Author(s):  
Raul Hinojosa Ojeda ◽  
Edward Telles

Donald Trump presented immigration and trade as the cause of the diminished prospects of white working-class voters, the core of his political base. The authors’ research—the first that examines actual immigration and trade exposure with attitudes and Trump voting—demonstrates that white voting for Trump was unrelated to immigration levels and, paradoxically, strongest in counties with low levels of trade. Anti-immigrant and antitrade attitudes more consistently and strongly explain voting for Trump and Republicans in 2016 and 2018 than actual immigration and trade. The authors also find descriptive support that over four years, Trump’s false narrative unraveled as his support declined in those counties most exposed to immigration and trade. Although Trump elaborated a white nationalist narrative on the basis of anti-immigrant and antitrade politics that was widely accepted as truth, the authors show that virtually no aspects of Trump’s simple narrative have any factual basis in actual reality.


Paideusis ◽  
2020 ◽  
Vol 17 (1) ◽  
pp. 45-58
Author(s):  
Peter Roberts

The Journey to the East is Hermann Hesse’s most deeply personal book. This enigmatic novel, with its deceptively simple narrative structure, lends itself well to multiple interpretations. To date, however, little attention has been paid by educationists to the book. This paper attempts to address this lacuna in the literature, beginning with an examination of the autobiographical and dream-like qualities of the novel. This is followed by a detailed analysis of the ritual of confession undertaken by H.H., the narrator and central figure in the book. H.H. lives in despair following the apparent dissolution of the League of Journeyers to the East. He seeks to overcome his despair, and learns the League is alive and well, through the character of Leo. At the end of the book H.H., having confessed his ‘sins’ and faced both his League brothers and himself, believes he has found the answer to his troubles. This paper argues that in his solution, H.H. fails to grasp of the importance of education, questioning and critique in self understanding and development. This being so, it is suggested, he will be unable to make the most of the knowledge available to him through the League archives, and his reflections on himself, Leo and the purpose of his existence will have only limited lucidity. He will, the paper concludes, have a long way to go on his journey to ‘the East’.


2020 ◽  
Vol 65 (8) ◽  
pp. 23-30
Author(s):  
Hang Dao Thi Thu

Convenient Store Woman is the 10th novel of a young and aspiring Japanese writer Murata Sayaka. By the lighthearted and simple narrative style derived from some details like parody and minimalism from the first-person narrator Keiko, the writer establishes a new type of character in the post-modernist era: a non-characteristic character. Besides, from the behavior of mockery and minimalism, her work raises many questions of “the norms” and “anomalies”, and poses the core value of human life.


2020 ◽  
Vol 7 (2) ◽  
pp. 532-551
Author(s):  
Dilshad Mustafa Raheem Razawa

The power of silence, however, it might attend an invisible discourse framework, it goes further to the sphere of killing the opportunity of exploring the invisibility codes. Exploring the space that has been explored previously, there was a simple narrative of the victims’ stories, that could help the researcher go much deeper through different kinds of concepts that could help in the interpretation process, or create an intentional approach for the sake of the victims' subjectivities and opening wider space for its appearance. In other words, to get out of the limitations of silence we must appropriate several terms from different context to help us face its hegemony and embarking in its strong boundaries. For instance, when we simply look at an image, we do not know the intention or purpose of the image (photograph in particular) is the process of perpetuating the moment of taking it, or to freeze the time in the moment of any process. We do not look at the circumstances and the situation that produces the image, as far as our focus goes to the faces and components within the image. This mainstream and simple comprehension is a clear sign of a lack of understanding to the image’s language. That language helps to show what is touring inside who has been captured, who simply says: I was there. This study tries to find the keys that give the power of expression to the image, so that it can represent the wounded’s memory, therefore, starts to convey it through a carefully deliberated process from invisible to visible, from narrative to imagery.Dealing with the memory of wounds spreading on the Kurdish body needs a different type of approach, in a way that has not been explored previously. Explore through different means away from the prevalent and familiarity.The researcher believes that taking benefit from the experience of others in the process of representing the wounded can help in the elimination of hesitancy domination and incursion into other more open spaces by exploring a set of criteria and factors that form other extents of expression such as motion picture, cinema for example. From this standpoint, we find that the process of representing the memory of the victims in the massacres of the Jews (The Holocaust) is the most successful process during the last century until nowadays. Therefore, taking into account how to take advantage of the methods and the forms that has been used in the Holocaust imagery process can take us to a broad and informed horizon. This research tries to explore a way that can help the victims to get rid of psychological constraints and express themselves through a trustable medium that could be cinema. In the case of Kurds, exploring that type of cinema which can enhance the victims to narrate their stories without any restrictions.


2020 ◽  
Vol 34 (s1) ◽  
pp. 141-153 ◽  
Author(s):  
Kari Koljonen

AbstractBy reading qualitative studies, surveys, organisational histories, and textbooks, one can claim that the ethos of journalists has undergone fundamental changes in recent decades. The “high modern” journalistic ethos of the 1970s and 1980s was committed to the core values of the journalistic profession: objectivity, public service, consensus maintenance, gate-keeping, and recording of the recent past. After the millennium, these central ideals have become more ambivalent and “liquid”: subjectivity, consumer service, the watchdog role, agenda-setting, and forecasting the future seem to be more tempting alternatives than before. This article develops an analytic framework that elaborates the simple narrative from “high modern” to “liquid modern” journalism. Five key elements, namely, (1) knowledge, (2) audience, (3) power, (4) time, and (5) ethics, are discussed and problematized to suggest a more nuanced view of the changing professional ethos of journalism.


AJIL Unbound ◽  
2020 ◽  
Vol 114 ◽  
pp. 380-384
Author(s):  
Ryan Gauthier

Sport is a useful area of study to test assumptions of international law. International law has traditionally focused on states and on international organizations that oversee specialized areas of human activity. International sport is overseen by an NGO—the International Olympic Committee (IOC). Yet sport is of great interest to states, serving as a testing ground of national superiority by providing a simple narrative of “winners” and “losers” in competition. Meanwhile, entities that are not yet states have historically been able to participate in international sport more readily than in other areas of international relations. This essay will examine the connection between participation in the Olympic Games and claims to statehood. In doing so, this essay will outline the modern approach to statehood, consider sport's role in that approach, and examine two case studies: the German Democratic Republic, and Kosovo.


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