Rumours in a Situation of Political Conflict: Catalonia and Its Referendum of Self-Determination

Catalonia is in a situation of political conflict with the Spanish State regarding its right to self-determination, a conflict that has been exacerbated in recent years by the growing demand from a part of Catalan society for an independent state. Throughout this situation rumours have appeared in relation to events as they unfold. One of the key moments in the conflict was the referendum on self-determination, which was approved, prepared, and held on 1 October 2017, in the face of continuous opposition from the Spanish State. The tensions, uncertainties, and fears experienced by those in favour of the referendum were fuelled by rumours that in many cases were ultimately proven to be false. The present paper will analyse the rumours that emerged in relation to the referendum and the political atmosphere at that time. The study will analyse the rumours relating to aspects such as the logistics required to hold the referendum, the key figures in the process, the organizations that support it and the actions of the media, among others.

The Image of the German, the Pole, the Latvian, and the Lithuanian in Lithuanian and Latvian Folklore

In multi-ethnic societies, one way in which ethnicity manifests itself is in classifying people according to their ethnic origin. Such classification is based on stereotyping and is typically achieved by emphasizing certain common characteristics rather than individual particularities. Both lived experience and folklore corroborate the fact that ethnic stereotypes, ethnic self-awareness, and identity are also influenced by historical circumstances. This article focuses on Lithuanians’ and Latvians’ attitudes towards Poles and Germans, and towards one another during the period between the eighteenth and the first half of the twentieth centuries. The aim of this article is to reveal how the folklore of the two neighbouring nations, Lithuanians and Latvians, depicts the aforementioned ethnic groups; what historical events, cultural and social factors determined the similarities and differences in their portrayal in Lithuanian and Latvian folklore.

Motifs of Inanimate Nature and Atmospheric Phenomena in Polish Folktales

The main purpose of this paper is to describe Polish folktales about inanimate nature and atmospheric phenomena. There are three reasons for the selection of this topic. Firstly, motifs of nature are not popular in Polish folktales despite the fact that nature itself plays an important role in the life of villagers. Secondly, the themes included in these folktales refer not only to Christianity, but also to local beliefs as well as to Slavic myths. And thirdly, Polish folktales perpetuate the separation of man from nature, with the latter being evil and dangerous.

Challenging Hegemonic Gender Norms in Emma Donoghue’s “The Tale of the Rose” and Disney’s Beauty and the Beast

While heteronormativity remained at the core of the classic fairy tale, a queer subtext existed in the form of subtle symbolic codes. By reflecting the changing socio- cultural discourses about sexuality and gender in time, the representation of queer sexuality in fairy tales has also developed. This paper attempts a queer reading of the revisioning of Madame Beaumont’s “Beauty and the Beast” in Emma Donoghue’s “The Tale of the Rose” and the 2017 Disney version. This paper demonstrates how Emma Donoghue’s adaptation deconstructs the heteronormativity of Beaumont’s tale by dismantling the binaries of Beauty/Beast and man/woman and represents queer sexuality and desire through multi-layered language. This paper also examines how in the Disney version the story takes a new dimension in close proximity to twenty-first century media culture and lends itself to queer interpretation.

Women of the Twilight: The Narrative Spaces of Women in the Icelandic Rural Community of the Past

The article deals with some of the spatial features of women’s storytelling traditions in rural Iceland in the late nineteenth century and early 1900s. The study is based on audiotaped sources collected by folklore collector Hallfreður Örn Eiríksson in the 1960s and 1970s from informants born in rural Iceland in the later part of the nineteenth century. The main focus of the article is on 200 women that figure in these sources and their legend repertoires, although a small sample group of 25 men and their repertoires will also be examined to allow comparison. The article discusses what these sources tell us about women’s mobility and the social spaces they inhabited in the past. It goes on to consider the performance space of the Icelandic turf farm in which women’s storytelling took place from the perspective of gender. After noting how the men and women in the sources incorporated different kinds of spaces into their legends, it takes a closer look at how the spatial components of legends told by the women reflect their living spaces, experiences, and spheres of activity. The article underlines that while women in the Icelandic rural community were largely confined to the domestic space of the farm (something reflected in the legends they told), they were neither socially isolated nor immobile. They also evidently played an important part in oral storytelling in their communities, often acting as the dominant storytellers in the performance space of the old turf farm.

Exploring the Transformative Power of Play in African Children’s Games

The transformative power of indigenous African children’s games can be demonstrated by how they were framed by the aesthetics of play such as imitation, imagination, make-believe, repetition, spontaneity, and improvisation. Such games could be regarded as ‘rites of passage’ for children’s initiation into adulthood as they occupied a crucial phase in the process of growing up. Using the illustrative paradigm of indigenous children’s games from the Shona-speaking peoples of Zimbabwe, this paper explores the transformative power of play as a means by which children engaged with reality. The paper proceeds to argue that the advent of modern agents of social change such as Christianity, formal education, urbanization, industrialization, scientific technology, and the cash economy not only created a fragmentation of African people’s cultural past but also threatened the survival of African cultural performance traditions. Although indigenous African children’s games were disrupted by modernity, they have managed to survive in a modified form.

Do Bulgakov’s Hella (Gella), Azazello, Behemoth, and Abadonna Have Ancient Near Eastern Origins?

This paper focuses on the issue of the possible Ancient Near Eastern origins of famous Russian writer Mikhail Bulgakov’s demonic characters, such as the vampire Hella (Gella), the cat-human Behemoth, and the demons Azazello and Abadonna from the novel The Master and Margarita. The nature of the members of Woland’s court have been analysed in several works; however, their roots are usually considered to go back to biblical times and context. Our aim is to try to shed some light on their possibly more ancient origins, since it is a well-known fact that Bulgakov was deeply interested in the Ancient Near East and used several of its elements in his novel. Therefore, in order to establish any potential Ancient Near Eastern impact on the essence of those characters, we need to look into Akkadian and Sumerian mythology and Mesopotamian religious texts (e.g., incantations).

Analysis of the Worldwide Distribution of the ‘Man or Animal in the Moon’ Motifs

For millennia, people have seen a man, an animal, or an object as they look at the moon. The motif of the ‘frog/toad in the Moon’ was recorded in writing in the Book of Changes (I Ching) over 2400 years ago. The ‘man in the Moon’ theme is found in old Norse literature in the Younger Edda. In Mesoamerica, the story of the ‘rabbit in the Moon’ is pre-Columbian. This study analyses the different versions by combining areal studies as well as structural and statistical analyses with information from ancient texts and archaeological artefacts. In particular, I compare the geographic distribution of the main motifs to the 2,278 motifs in Yuri Berezkin’s database. In this context, I report on the observed similarities between the geographic distribution of the ‘man or animal in the Moon’ motifs and the two of the most widespread earth creation myths.

Card Index of Former Latvian SSR KGB Agents: Trauma and the Path to Public Reconciliation

In August 1991, the Republic of Latvia took over the documents of the former Latvian SSR KGB, including the card index of KGB agents. At that time, by postponing the card index publication, the political authorities made the issue of former KGB agents a hostage of their political interests. Discussion on the fate of the card index continued in Latvian public sphere over the next 27 years. The stance of the political elite, which found support in some groups of society, was opposed to the publication of the card index, being concerned about a possible witch-hunt and psychological trauma of the people mentioned in the card index as well as their relatives. However, as a result of public pressure, after lengthy indecision, the card index was made public in December 2018. Unfortunately, the publication of the card index has offered only a formal solution to the issue of the former KGB agents, and the expected results have been achieved from the aspect of neither historical truth nor public reconciliation. Only a small number of people mentioned in the card index have admitted the fact of their cooperation and just a few have expressed public regret. In turn, after 27 years of political elite’s hesitancy, most of the KGB persecution victims accepted the publication of the card index in silence. However, it is clear that denial and silence are not the way to public reconciliation and comprehension of trauma. Those few attempts to make one’s experience public show that in today’s situation people can seek reconciliation only with themselves and within themselves.

After the War and Repressions: Mediating of Traumatic Experiences in Estonian Life Stories

This article looks at how contemporary life stories reflect the historical-political events that took place in the 1940s, and their impact on the development of family relationships. The focus is on the expression of traumatic experiences caused by these events. Observable events, such as the Second World War, living under a foreign power, political repressions, escape to the West, etc., and their impact on Estonian society have been analysed by Estonian sociologists using the concept of cultural trauma. Literary researchers have studied this subject from the perspective of literary trauma theory. This article provides an analysis of Estonian life stories, which is based on the tools of folkloristic narrative research and the trauma conception. Although the narrators do not use the word ‘trauma’, it can be assumed that they express their traumatic experiences in some special way. It appears, for instance, that these first-person narratives provide a laconic description of the situation, relatively free of the emotion that possessed the narrator in the situation being described. The narrative style is determined by the distance between the narrator and the event that traumatizes them. This distance can be created by the narrator through using urban legends and rumours to characterize the general attitudes of the period being described. When the events of the twentieth century were discussed in the stories told in the 1990s, the dynamics of family relationships between two or three generations came to the fore in the stories told in the present time. The changing focus of the stories, shifting from events to the subject of intimacy, directs researchers to observe the transmission and transformation of trauma in a new context.