Digital Archaeology: From Interdisciplinarity to the ‘Fusion’ of Core Competences Towards the Consolidation of New Research Areas

The aim of this article is to explore the interdisciplinary turn observed in the development of humanities computing, in terms of integration and fusion of expertise. The debate started with the Seminar on Discipline umanistiche e informatica. Il problema dell’integrazione, held in 1991 at the Accademia Nazionale dei Lincei. Moving backwards in time, already from the 1960s the role of ‘integration’ was at the heart of many interdisciplinary initiatives supported by the National Research Council of Italy and the Accademia Nazionale dei Lincei as part of their coordinated efforts to promote scientific progress. Through a number of archaeological case studies pivoting around the Etruscan civilisation, it will be shown how over time archaeological computing, and its evolution towards digital archaeology, has found in GIS and multimedia systems a unitary platform on which methods and practice of data acquisition, analysis, interpretation, and communication can converge. The concept of ‘fusion’, however, is much more recent and responds to a global resource management model, which combines the methods of archaeology with the objectives of Heritage Science, along the research path that goes from field and laboratory investigation to the protection, enhancement and communication of cultural heritage.

From Distant to Public Reading The (Hebrew) Novel in the Eyes of Many

From its very beginning, the term “distant reading” (Moretti 2000) was controversial, displacing ‘close reading’ by relying on literary histories and thereby reflecting on the entire global literary system. One of the weaknesses of this approach lies in its exclusive reliance on canonical and authoritative historiographies, one or two for each national literature, something which is bound to over-simplify the complexities of national literatures. As is known, Moretti’s proposal became a ‘slogan’ for Digital Humanities while algorithmic manipulation of texts has taken the place of reading literary (human) histories. Yet the problem of over-simplification remains, albeit differently. As an alternative, we offer a fusion approach, radicalising Moretti’s idea. In this article, we demonstrate how computer-based analysis of different readings carried out by many readers – not necessarily professionals – produces a relatively minute picture. Our case study will be the Hebrew novel, from its emergence in 1853 to the present day; a manageable corpus on which we gather information using questionnaires we have carefully created in our lab. Alongside the presentation of our approach, the actual research, and its initial findings, we will reflect theoretically on the conceptual benefits, as well as the limits, of public distance reading.

What is the Public of Public History? Between the Public Sphere and Public Agency

Public history constitutes a historical field, it includes several related journals, membership organisations, research centres, undergraduate and graduate programs all over the world. Most importantly, Public History has been marked by growing historiography and an increasing public interest in history. However, there is a lack of research on the most important constituent element of Public History, the ‘public’. The aim of this paper is to shed light on how Public History has approached the public in the last four decades. By focusing on the two different forms the public has taken, the public sphere and the public agency, the paper examines the notion of the public as it appeared in the historiography and how it determined the epistemology and methodology of Public History.

The Digital Urban Experience of a Lost City Using Mixed Methods to Depict the Historical Street Life of Edo/Tokyo

This paper digitally reconstructs street life in Edo (present-day Tokyo), the largest lost city of the pre-modern world. The ephemeral character of the Edo makes the historic urban experience extremely difficult to capture. We argue that the hypothetical digital reconstructions should incorporate evidence on human agency and spatial properties for a holistic simulation of historic street life. We develop a 3D hypothetical reconstruction based on multi-layered historical evidence to unlock the lost character of the Edo streets. It reveals the streets of Edo, including the rhythms of everyday life and the impact of the material culture.

‘I’m your automatic colour’ La colorazione automatica delle immagini in antropologia

Colour photographs now represent almost all the images produced with the new reality capture tools, mobile phones, which in 2020 ‘took’ 90% of all photos of that year. Black and white is relegated to artistic expression, even newspapers have converted to colour for some years. In the history of photography, although research on colour is attempted from the early stages, it is necessary to wait until 1861 with the experiences of James Clerk Maxwell who created a stable colour image. However, it is from the fifties of the twentieth century that the use of colour becomes ‘popular’ even in a more aesthetic dimension than an objective reproduction of reality. Part of the ethnographic, anthropological, archaeological and field research, on the other hand still makes use of consolidated and inexpensive black and white for a long time. On these images largely available online and open source you can conduct automatic colouring experiences. The procedure, managed with artificial intelligence algorithms with deep learning processes, is always more widely used with free applications and allows to obtain qualitatively more and more relevant results, even if some critical analysis is still necessary. This article presents the state of the art to 2021 of automatic colouring, with the comparison between algorithms developed since 2016 and showing with experimental examples both the possibilities of rendering and even the critical issues that emerged with the application in anthropological photographs, with the aim of extracting information that is not very evident in the originals in black and white.

Magazen: History of a Word Told Through a Project of Digital Lexicography

The paper presents the general structure of the research project Vocabolario storico-etimologico del veneziano (VEV), funded by the Swiss National Fund, and in particular the entry magazén, a word of Arabic origin, whose etymology and history are described in order to explain its widespread diffusion in the European languages and its peculiar semantic trajectory (from ‘storage’ to ‘wineshop’, in Venetian, and through the French word magasin, probably borrowed from Italian, to English and Global magazine ‘newspaper’).

Quality Assessment of Digital Elevation Models in a Treeless High-Mountainous Landscape A Case Study from Mount Aragats, Armenia

Global Digital Elevation Models (DEMs) are widely employed in geoarchaeology. Usually, their adequacy for particular landscapes is not tested. We assessed 30m-resolution-DEMs (ASTER, SRTM, ALOS, EU-DEM, NASADEM, NEXTMap) with local precision datasets. Our results reveal considerable differences (ASTER unsuitable for the region, NEXTMap and EU-DEM fit most closely to our reference model). This outcome does not necessarily apply to all similar regions. It rather stresses the need for a check of DEMs’ quality in any given study area, and it encourages the use of detailed topographic visualisations of DEMs in absence of suitable reference data.