The Status of African American Men in the New York City Construction Industry

Author(s):  
Timothy Bates ◽  
David Howell
ILR Review ◽  
1992 ◽  
Vol 45 (3) ◽  
pp. 606
Author(s):  
George W. Brooks ◽  
Ronald Goldstock ◽  
Martin Marcus ◽  
Thomas D. Thacher ◽  
James B. Jacobs

2011 ◽  
Vol 42 (3) ◽  
pp. 361-369 ◽  
Author(s):  
Perry N. Halkitis ◽  
Sandra A. Kupprat ◽  
Donna Hubbard McCree ◽  
Sara M. Simons ◽  
Raynal Jabouin ◽  
...  

2012 ◽  
Vol 17 (3) ◽  
pp. 931-938 ◽  
Author(s):  
Melvin C. Hampton ◽  
Perry N. Halkitis ◽  
Erik D. Storholm ◽  
Sandra A. Kupprat ◽  
Daniel E. Siconolfi ◽  
...  

Cancer ◽  
2001 ◽  
Vol 91 (1) ◽  
pp. 164-172 ◽  
Author(s):  
Alfred R. Ashford ◽  
Steven M. Albert ◽  
Gerald Hoke ◽  
Linda F. Cushman ◽  
Daniel S. Miller ◽  
...  

2020 ◽  
Vol 13 (3) ◽  
pp. 305-318 ◽  
Author(s):  
Valentina Rapetti

Tina Benko is an American stage, screen and television actress who has steadily trodden the Broadway boards for twenty years while starring in films and TV series and teaching acting and movement in New York City. An intensely focused and versatile performer, Benko has played in a broad variety of genres, ranging from screwball and Shakespearean comedies to realistic Russian, Scandinavian and American plays. In this interview, she discusses the factors that attracted her to drama and theatre, her acting training and approach to character-building, and theatre as a space for healing and reconciliation as she experienced it while working in Desdemona (2012), a cross-cultural theatre adaptation of William Shakespeare’s Othello staged by American theatre and opera director Peter Sellars, with texts by African American Nobel Laureate Toni Morrison, and music and lyrics by Malian singer-songwriter Rokia Traoré.


2019 ◽  
pp. 29-46
Author(s):  
Christopher J. Smith

The first of two companion chapters, this essay focuses especially on the historical meeting of European and African American movement vocabularies in English-speaking early-nineteenth-century contexts. It focuses particularly upon public music and dance in two creolized cities: Kingston, Jamaica, and New York City. Primary source evidence includes period illustrations (most notably, a ca. 1802 watercolor entitled A Grand Jamaica Ball) and period accounts of entertainments at lower Manhattan’s African Grove Theater; both are analyzed for the evidence they provide regarding the synthesis of creolized movement vocabularies and, by extension, cultural experiences. Methodology is drawn especially from iconography and kinesics.


Author(s):  
Robert S. Kurtz

In New York City, from the 1990s to the present, covert racism is alive and well in the field of medicine and medical education. The most heavily impacted are African American and Caribbean American females and males. The inequitable treatment thus engendered has concrete results ranging from unwarranted criticism in residency education to forced changes of medical occupations and jobs, to false attributions of behavioral health issues. Combating these challenges requires fortified character armor, seeking percipient well positioned minority, white and off-whites allies, and a willingness to maintain continued vigilance. With persistence and tenacity, success is possible in terms of protecting minorities both in the educational process, and in a mature medical life.


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