A Case Study of Undergraduates’ Proving Behaviors and Uses of Visual Representations in Identification of Key Ideas in Topology

Author(s):  
Keith Gallagher ◽  
Nicole Engelke Infante
Author(s):  
Anna Michalak

Using the promotional meeting of Dorota Masłowska’s book "More than you can eat" (16 April 2015 in the Bar Studio, Warsaw), as a case study, the article examines the role author plays in it and try to show how the author itself can become the literature. As a result of the transformation of cultural practices associated with the new media, the author’s figure has gained much greater visibility which consequently changed its meaning. In the article, Masłowska’s artistic strategy is compared to visual autofiction in conceptual art and interpreted through the role of the performance and visual representations in the creation of the image or author’s brand.


Author(s):  
Hilda Bø Lyng ◽  
Eric Christian Brun

The objective of this research is to explore the nature and role of analogies as objects for knowledge transfer in cross-industry collaborations. A case study of an organization seeking cross-industry innovation (CII) across two industry sectors was conducted, and the empirical data were analyzed qualitatively. We found that analogies used as knowledge mediation objects could be classified as explanatory or inventive, each expressed as linguistic or visual representations. Explanatory analogical objects help build prior knowledge of a foreign industry domain, thus easing later use of inventive analogical objects to identify how knowledge from one industry can be applied in another industry for innovation purposes. In these roles, the analogies serve as boundary objects. Both explanatory and inventive analogies can also serve as epistemic objects, motivating for further collaborative engagement. Visual representations of analogies help bridge the abstract with the concrete, thereby easing the process of creating analogies. They also enable nonverbal communication, thus helping bypass language barriers between knowledge domains. The reported research expands current research literature on knowledge mediation objects to the context of CII and provides added detailed understanding of the use of analogies in CII.


2019 ◽  
Vol 9 (1) ◽  
pp. 14 ◽  
Author(s):  
Ian Thacker ◽  
Gale Sinatra

The purpose of this design based research study was to better understand and build from students’ perceptual experiences of visual representations of the greenhouse effect. Twenty undergraduate students were interviewed as they engaged with an online visualization for the learning of the greenhouse effect. We found that, even though all students agreed that climate change is happening, a majority initially held a misconception about how it works. Upon engaging with the visualization, students made perceptual inferences and formulated causal rules that culminated in an improved description of how climate change works. This trajectory was supported with prompts from the interviewer to make predictions, observe specific interactions in the visualization and revise their causal inferences based on these observations. A case study is presented to illustrate a typical learning trajectory.


Author(s):  
Xiaolin Wu ◽  
Xi Zhang ◽  
Xiao Shu

Subitizing, or the sense of small natural numbers, is an innate cognitive function of humans and primates; it responds to visual stimuli prior to the development of any symbolic skills, language or arithmetic. Given successes of deep learning (DL) in tasks of visual intelligence and given the primitivity of number sense, a tantalizing question is whether DL can comprehend numbers and perform subitizing. But somewhat disappointingly, extensive experiments of the type of cognitive psychology demonstrate that the examples-driven black box DL cannot see through superficial variations in visual representations and distill the abstract notion of natural number, a task that children perform with high accuracy and confidence. The failure is apparently due to the learning method not the CNN computational machinery itself. A recurrent neural network capable of subitizing does exist, which we construct by encoding a mechanism of mathematical morphology into the CNN convolutional kernels. Also, we investigate, using subitizing as a test bed, the ways to aid the black box DL by cognitive priors derived from human insight. Our findings are mixed and interesting, pointing to both cognitive deficit of pure DL, and some measured successes of boosting DL by predetermined cognitive implements. This case study of DL in cognitive computing is meaningful for visual numerosity represents a minimum level of human intelligence.


2021 ◽  
pp. 009614422110485
Author(s):  
Sarah Collins

This article promotes the value of GIS methodologies to integrate and analyze a range of historic sources dating to the eighteenth century, utilizing Charleston, South Carolina as a case study. Data compiled from the 1790 Federal Census, the 1790 Charleston trade directory, and Ichnography of Charleston 1788 provide vital and complementary evidence that allows the population of the city to be located, which in turn provides a means of assessing late eighteenth-century residency patterns and the enslaved urban population. The value of data visualization is explored, underscoring the need for historians to engage with visual representations of data to communicate research results.


2011 ◽  
Vol 28 (3) ◽  
pp. 263-284 ◽  
Author(s):  
Linda Locke ◽  
Terry Locke

How might primary students utilise the stimulus of a painting in a collaborative composition drawing on a non-conventional sound palette of their own making? This practitioner research features 17 recorder players from a Year 6 class (10–11-year-olds) who attend a West Auckland primary school in New Zealand. These children were invited to experiment with the instrument to produce collectively an expanded ‘repertoire’ or ‘palette’ of sounds. In small groups, they then discussed a painting by an established New Zealand painter set in the Waitakere Ranges and attempted to formulate an interpretation in musical terms. On the basis of their interpretation, drawing on sounds from the collective palette (complemented with other sounds), they worked collaboratively to develop, refine and perform a structured composition named for their chosen painting. This case study is primarily descriptive (providing narrative accounts and rich vignettes of practice) and, secondarily, exploratory (description and analysis leading to the development of hypotheses). It has implications for a range of current educational issues, including curriculum integration and the place of composition and notation in the primary-school music programme.


2020 ◽  
Vol 9 (2) ◽  
pp. 201-223 ◽  
Author(s):  
Monica Geraffo

Marvel Comics superhero and founding member of The Avengers Janet Van Dyne, the Wasp, has been portrayed as an in-canon fashion designer not just of superhero costumes but also of civilian clothing. Through her continuous usage as a narrative device that functions as an authority on style and taste, the proliferous designs depicted as created by Van Dyne over her almost sixty-year history have expanded to be worn by so many heroes across the Marvel Universe that they subconsciously define our overall conceptions of superhero fashion. This article evaluates Van Dyne’s fictional fashion designs from the perspective of real-world fashion criticism in order to define Van Dyne’s design aesthetic. Through comparisons with key designers and movements within the fashion industry, this article asserts that the history of luxury fashion is the best model for placing Van Dyne designs into context and that the long-standing visual representations of Van Dyne fashions offer a unique case study to explore the narrative implications of luxury fashion within comics. This focus on fashion designs rather than iconographic superhero costumes creates new opportunities to emphasize discussions of the integrality of clothing to conceptions of superhero characterization and identity.


2020 ◽  
Vol 4 (1) ◽  
pp. 1-34
Author(s):  
Thomas Dixon

Abstract This essay uses the history of emotions to make two arguments – one destructive and one constructive. It uses examples from intellectual and cultural history to undermine the idea that the modern English term ‘anger’ refers either to a clearly defined mental state or to a coherent emotional concept. At the same time, it also questions the diagnosis of the present as an ‘age of anger’. Constructively, the essay uses the intellectual and cultural ancestries of modern ‘anger’ as a case-study in a distinctive approach to the history of emotions. With reference to works by linguists and anthropologists, to ancient philosophical and literary texts, and to some of the most influential visual representations of the irate body and the furious face, from Hieronymus Bosch to Charles Darwin, the essay explains and defends a pluralist and interdisciplinary approach, arguing that ‘anger’ is a modern English word without a stable transhistorical referent, and proposes the method of genealogical anatomy as a way to avoid the twin dangers of anachronism and essentialism in the history of emotions.


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