scholarly journals Botanical Illustrations

2019 ◽  
pp. 697-700
Phytotaxa ◽  
2021 ◽  
Vol 527 (1) ◽  
pp. 75-82
Author(s):  
MONA SALIMBAHRAMI ◽  
HOJJATOLLAH SAEIDI ◽  
ALI BAGHERI

Iris pseudomeda is described and illustrated as a new species of Iris section Oncocyclus from Kurdistan province in northwestern Iran. It occurs among subalpine flora of Zagros mountain range, on stony calcareous hillsides and the brink of grassland fields. A complete morphological description, conservation status, botanical illustrations, notes on habitat and distribution range are presented for the new species. Furthermore, taxonomic relationships of I. pseudomeda with other members of this rhizomatous bearded section, particularly I. meda, are also discussed.


Phytotaxa ◽  
2020 ◽  
Vol 475 (3) ◽  
pp. 125-177
Author(s):  
CAMILA DELLANHESE INÁCIO ◽  
LILIAN EGGERS

Here we present a first contribution to the taxonomic revision of Sisyrinchium (Iridaceae: Iridoideae) for Southern Brazil. Sisyrinchium sect. Cephalanthum is one of the six sections in which the Brazilian species of the genus are classified, and the second largest in number of taxa. This monograph presents the taxonomic treatment of 22 taxa characterized by a unique set of morphological and molecular features, assigned to the section by phylogenetic studies, as well as the unplaced S. elegantulum, which is included here due to morphological similarity. A new status and a new synonym are proposed, and nine lectotypes and one neotype are designated. An identification key is provided, and species are described, accompanied by botanical illustrations, pictures, and distribution maps. In addition, geographical distribution, habitat, phenology, notes, and examined specimens are presented. Species of the section are mainly distributed in the South American biogeographic dominions of Chacoan and Parana.


Taxon ◽  
1998 ◽  
Vol 47 (2) ◽  
pp. 371-380 ◽  
Author(s):  
Christopher D. K. Cook

Lankesteriana ◽  
2020 ◽  
Author(s):  
Adam P. Karremans ◽  
Isler F. Chinchilla ◽  
Gustavo Rojas-Alvarado ◽  
Marco Cedeño-Fonseca ◽  
Alexander Damián ◽  
...  

Despite the long-standing cultural importance and botanical interest in  Vanilla, many taxa belonging to the genus remain poorly understood. Vanilla species generally have broad geographical and ecological distributions. Most species are found in multiple countries, while local endemics are rare. Many names proposed in the eighteen and nineteenth centuries remain cryptic and unused despite having priority over more recently proposed names. Relatively few Vanilla species have been well-documented, both locally and across their entire distribution range, while a significant portion of novelties have been proposed on the basis of very few specimens that are compared only with local floras. After a careful inspection of the type materials, living plants, botanical illustrations, photographs and hundreds of additional herbarium specimens of Vanilla we tentatively recognize 62 species for the Neotropics. The taxonomy of Vanilla columbiana, V. hartii, V. inodora, V. karenchristianae, V. marowynensis, V. mexicana, V. odorata, V. phaeantha, V. planifolia, and V. pompona is revised. An updated typification, description, photographs, illustrations, list of studied specimens, distribution map, extent of occurrence and discussion is provided for each of the ten species. Taxonomic proposals include 28 new synonyms, 14 lectotypifications, and one neotypification. We stress on the importance of alpha-taxonomy for biological studies, emphasizing on the detrimental effects of taxonomic inflation and incorrect species determination on the inference of speciation rates, the understanding of biogeographical patterns, the correct estimation of ecological niches, seed dispersal studies, phylogenetic and genomic studies, and the assessments of conservation priorities, among others. Finally, the recently proposed genus Miguelia is placed under the synonymy of Vanilla. Key Words: Conservation, distribution, Miguelia, typification, Vanilla columbiana, V. hartii, V. inodora, V. karen-christianae, V. marowynensis, V. mexicana, V. odorata, V. phaeantha, V. planifolia, V. pompona


2019 ◽  
Vol 23 (2) ◽  
pp. 163-181
Author(s):  
Krystyna Jędrzejewska-Szmek ◽  
Łukasz Gniadek

Tropicale: Difficult beautyThe University of Warsaw Botanic Garden has a collection of over 30,000 illustrations depicting plants, which were compiled by a famous Polish cleric Władysław Michał Zaleski 1852–1925, Archbishop and Apostolic Delegate of East India. This collection, entitled Flore Tropicale, is based mostly on illustrations from European botanical publications, but it gathers tropical plants from all continents. Digitalization and historical works on the collection contributed to the implementation of the artistic project in the form of a book titled Tropicale. The book refers to the classic style of botanical albums while also playing with this convention. Botanical illustrations have been juxtaposed with other archival materials left by Archbishop Zaleski, which come from his never-published Stories for Polish Youth. To combine this content, the book uses Japanese binding and hides a second, parallel story in its inner pages. This text describes the artistic and conceptual frameworks of the project in terms of book layout, images selection and editing as well as the context of botanical expeditions employed by Zaleski.


2017 ◽  
Vol 139 (1) ◽  
pp. 60-94 ◽  
Author(s):  
Dahlia Porter

This essay argues that the modern literary anthology—and specifically its aspiration to delimit both aesthetic merit and historical representativeness—emerged as a response to changes in eighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanical metaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, and representational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked, pressed specimens with a new vitality. Erasmus Darwin’s Botanic Garden (1789, 1791) translated the aesthetic reanimations of visual art into a collection of poetic specimens, spurring compilations that promote a vitalist standard of literary value. By rejecting aesthetic reanimation as the figurative ground for poetic collecting, Charlotte Smith and Robert Southey forward an alternative historical model of literary merit, one grounded in the succession and continuity of representative literary types. These competing metrics for selection and valuation underwrite the anthology as we know it today.


2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Michelle Liu

Mutations in yellow, a serial arrangement of yellow pigments on rice paper are reflections on botany, viruses and empire.The studies investigate the materiality of yellow, using turmeric, cumin, cinnamon, chili powder to make imprecise diagrams; reminiscent of, but neither calligraphy nor painting; gestures that trouble and muddy the taxonomies of yellowness and the historical entanglements between 18th century colonial studies of plant disease, imperial routes and racial capitalism.The invention of “yellow” as a racial description associated with “dirty, lurid, treacherous, suspect, diseased, weak, lazy, melancholy, unproductive” appeared in natural science publications, frequently representing maladies and infectious afflictions to biological and human (European Man) health and reproduction. The images evade scientific conventions of pictorial accuracy that typify botanical illustrations and instead present the colour yellow as medium in non linear, non-teleological “mutations”—present and willfully unproductive, like withdrawal from the descriptive apparatus mapping “yellow” to infection, foreignness and invasion.  


2020 ◽  
Vol 63 (5) ◽  
pp. 1132-1159 ◽  
Author(s):  
EDWIN D. ROSE

AbstractThe construction and distribution of books containing large copperplate images was of great importance to practitioners of natural history during the eighteenth century. This article examines the case of the botanist and president of the Royal Society Sir Joseph Banks (1743–1820), who attempted to publish a series of images based on the botanical illustrations produced by Georg Forster (1754–94) on Cook's second voyage of exploration (1772–5) during the 1790s. The analysis reveals how the French Revolution influenced approaches to constructing and distributing works of natural history in Britain, moving beyond commercial studies of book production to show how Banks's political agenda shaped the taxonomic content and distribution of this publication. Matters were complicated by Forster's association with radical politics and the revolutionary ideologies attached to materials collected in the Pacific by the 1790s. Banks's response to the Revolution influenced the distribution of this great work, showing how British loyalist agendas interacted with scientific practice and shaped the diffusion of natural knowledge in the revolutionary age.


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