KOMI-PERMYAK TRADITIONAL CULTURE: Photographic Collection by A.F. Teploukhov on Early 20th-century Uralic Ethnography, Perm Regional Museum

2010 ◽  
Vol 38 (2) ◽  
pp. 128-140
Author(s):  
A.V. Chernykh
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century

scholarly journals THE IMAGE OF TATTA LAND AND YAKUTSK CITY IN THE FORMATION OF FIGURATIVE GEOGRAPHY IN THE EARLY 21 ST CENTURY

2022 ◽  
pp. 70-73
Author(s):  
И. В. Покатилова ◽  
А. Ф. Лукина
Keyword(s):  
20Th Century ◽  
Interdisciplinary Approach ◽  
Traditional Culture ◽  
Specific Region ◽  
Early 20Th Century ◽  
Modern Culture ◽  
Early 21St Century ◽  
Soviet Space ◽  
Methodological Approaches ◽  
Post Soviet Space

Актуальность темы связана с новыми методологическими подходами в исследовании современной культуры Якутии начала 21 века. Авторы попытались применить метод междисциплинарного подхода в исследовании образной географии Якутии начала 21 века на примере проекта «Образная карта - маршрут Таттинского улуса». Город и село в 20 веке являются разными средами обитания современного человека. В первой среде зарождается креативная культура, а во второй - дольше сохраняется традиционная культура. Трансформация традиционной культуры в начале 20 века в городе Якутске привело к зарождению нового креативного типа культуры, а в конце 20 века в постсоветском пространстве формируется образная география конкретного региона или улуса, стянув пространство ландшафта и памятников культурного наследия, что ярко прослеживается на материале Таттинского улуса. The relevance of the topic is related to new methodological approaches in the study of modern culture of Yakutia in the early 21st century. The authors tried to apply the method of an interdisciplinary approach in the study of the figurative geography of Yakutia of the early 20th century by the example of the project "Figurative map - the route of Tatta ulus". City and village in the 20th century are different environments of a modern man. In the first environment, creative culture is born, and in the second, traditional culture is preserved longer. Transformation of traditional culture at the beginning of the 20th century in Yakutsk city led to the birth of a new creative type of culture, and at the end of the 20th century, in the post-Soviet space, a figurative geography of a specific region is formed, pulling together the space of the landscape and cultural heritage monuments, which is clearly seen in the material of Tatta ulus.

MASCULINIZING THE FEMININE IN TU LUC VAN DOAN (A CASE STUDY KHAI HUNG’S COCK-HEN (TRỐNG MÁI))

2018 ◽  
Vol 63 (7) ◽  
pp. 22-28
Author(s):  
Tam Phan Thi Thanh
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
The Feminine ◽  
Vietnamese Literature ◽  
The Creation

Concerning an issue of individual emancipation and a feminist sense in Vietnamese literature in the 1930s, Khai Hung’s Cock-Hen describes Hien as a representative of an innovative women image in compare with the traditional culture. Masculinizing rules of the feminity in the creation of a character have provided Hien most characteristics of male privileges such as a powerful body, a strong personality, and the interest in adventures and risks. Cock-Hen, thus, helps us to identify a feature of feminism in Vietnamese society in the early 20th century.

The Influence of Far Eastern Culture on the Creative Work of S.M. Eisenstein

2018 ◽  
Vol 10 (3) ◽  
pp. 45-54
Author(s):  
Joon Il Song
Keyword(s):  
20Th Century ◽  
Far East ◽  
Historical Context ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Creative Work ◽  
Eastern Culture ◽  
Chinese Traditional Culture ◽  
The Far East ◽  
Far Eastern

The article investigates the influence of Japanese and Chinese traditional culture on Sergey Eisensteins theory of artistic thinking, his activity as a film director. The author explores the origin of Eisensteins interest for the Far East in the historical context of the late 19th - early 20th century. Special attention is paid to his reflection on the nature of Japanese and Chinese drama, painting and poetry as well as its results manifested in his montage theory.

Patronage and Traditional Culture in the Early 20th Century

2021 ◽  
pp. 137-149
Author(s):  
Carme Oriol
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Private Initiative ◽  
The Third ◽  
Award Winning

In the 1920s, the industrialist and humanist Rafael Patxot i Jubert (1872-1964) promoted and sponsored four cultural patronage projects on Catalan folklore. These were the Obra del Cançoner Popular de Catalunya, the Masia Catalana, the Llegendari Popular Català, and the Refranyer català. The aim of the projects was to collect large corpora of materials to showcase the vast wealth of traditional Catalan culture. In this chapter, the author studies the third of these projects, the Llegendari Popular Català (a collection of folk Catalan legends), by analyzing the importance of this private initiative, the competitions held to promote the collection, and the results achieved by the project. The author also evaluate the importance of one award-winning legend collection from the first competition – that presented by the modernist architect Cèsar Martinell.

scholarly journals Transport Culture of the Population of Gornaya Shoria in the Early 20th Century Based on Photographs by G.I. Ivanov

2020 ◽  
pp. 75-84
Author(s):  
D.V. Emelyanov ◽  
I.I. Nazarov
Keyword(s):  
Material Culture ◽  
20Th Century ◽  
Local Population ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Mountainous Areas ◽  
Mountain Rivers ◽  
Remote Areas ◽  
State Museum ◽  
The City

The publication analyzes a collection of photographs by Grigory Ivanovich Ivanov (1876-1930), which is kept in the Altai State Museum of Local Lore in the city of Barnaul. The photographs were taken by Ivanov in 1913 during his expedition to the remote areas of Gornaya Shoria. The introduction of these photographs into scientific circulation became possible only at the end of the 20th century. The photographs show the traditional culture of the indigenous inhabitants of this area - the Shors, who at the time of Ivanov's expedition still retained the traditional features of their ethnic culture. The photographs show the traditional material culture of the Shors, their traditional means of transportation and transport. The most developed among the Shors at that time were winter means of transportation and transport (skis, sledges, scraps), which ensured hunting. Water vehicles (boats, rafts, ferries), which made it possible to move people and goods along mountain rivers were equally important. In the early 20th century horses were used by the Shors for horseback riding, as well as for horse and goose transport of goods. The horse equipment used in this case was distinguished by great archaism. In remote mountainous areas, the local population also used archaic methods of transporting goods by hand. However, the photographs also show more developed forms of vehicles and transport, which the population of Gornaya Shoria began to use in the early 20th century under the influence of the Russian population.

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