: Molodezh' v obriadovoi zhizni russkoi obshchiny XIX - nachala XX veka: Polovozrastnoi aspekt traditsionnoi kul'tury (Juveniles and Adolescents in the Ritual Life of the Russian Peasant Commune in the 19th and Early 20th Century: The Age and Gender Aspect of Traditional Culture) . Tat'iana Aleksandrovna Bernshtam.

1990 ◽  
Vol 92 (2) ◽  
pp. 530-531
Author(s):  
Jovan E. Howe
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Age And Gender ◽  
And Gender ◽  
Gender Aspect

scholarly journals THE IMAGE OF TATTA LAND AND YAKUTSK CITY IN THE FORMATION OF FIGURATIVE GEOGRAPHY IN THE EARLY 21 ST CENTURY

2022 ◽  
pp. 70-73
Author(s):  
И. В. Покатилова ◽  
А. Ф. Лукина
Keyword(s):  
20Th Century ◽  
Interdisciplinary Approach ◽  
Traditional Culture ◽  
Specific Region ◽  
Early 20Th Century ◽  
Modern Culture ◽  
Early 21St Century ◽  
Soviet Space ◽  
Methodological Approaches ◽  
Post Soviet Space

Актуальность темы связана с новыми методологическими подходами в исследовании современной культуры Якутии начала 21 века. Авторы попытались применить метод междисциплинарного подхода в исследовании образной географии Якутии начала 21 века на примере проекта «Образная карта - маршрут Таттинского улуса». Город и село в 20 веке являются разными средами обитания современного человека. В первой среде зарождается креативная культура, а во второй - дольше сохраняется традиционная культура. Трансформация традиционной культуры в начале 20 века в городе Якутске привело к зарождению нового креативного типа культуры, а в конце 20 века в постсоветском пространстве формируется образная география конкретного региона или улуса, стянув пространство ландшафта и памятников культурного наследия, что ярко прослеживается на материале Таттинского улуса. The relevance of the topic is related to new methodological approaches in the study of modern culture of Yakutia in the early 21st century. The authors tried to apply the method of an interdisciplinary approach in the study of the figurative geography of Yakutia of the early 20th century by the example of the project "Figurative map - the route of Tatta ulus". City and village in the 20th century are different environments of a modern man. In the first environment, creative culture is born, and in the second, traditional culture is preserved longer. Transformation of traditional culture at the beginning of the 20th century in Yakutsk city led to the birth of a new creative type of culture, and at the end of the 20th century, in the post-Soviet space, a figurative geography of a specific region is formed, pulling together the space of the landscape and cultural heritage monuments, which is clearly seen in the material of Tatta ulus.

MASCULINIZING THE FEMININE IN TU LUC VAN DOAN (A CASE STUDY KHAI HUNG’S COCK-HEN (TRỐNG MÁI))

2018 ◽  
Vol 63 (7) ◽  
pp. 22-28
Author(s):  
Tam Phan Thi Thanh
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
The Feminine ◽  
Vietnamese Literature ◽  
The Creation

Concerning an issue of individual emancipation and a feminist sense in Vietnamese literature in the 1930s, Khai Hung’s Cock-Hen describes Hien as a representative of an innovative women image in compare with the traditional culture. Masculinizing rules of the feminity in the creation of a character have provided Hien most characteristics of male privileges such as a powerful body, a strong personality, and the interest in adventures and risks. Cock-Hen, thus, helps us to identify a feature of feminism in Vietnamese society in the early 20th century.

The Influence of Far Eastern Culture on the Creative Work of S.M. Eisenstein

2018 ◽  
Vol 10 (3) ◽  
pp. 45-54
Author(s):  
Joon Il Song
Keyword(s):  
20Th Century ◽  
Far East ◽  
Historical Context ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Creative Work ◽  
Eastern Culture ◽  
Chinese Traditional Culture ◽  
The Far East ◽  
Far Eastern

The article investigates the influence of Japanese and Chinese traditional culture on Sergey Eisensteins theory of artistic thinking, his activity as a film director. The author explores the origin of Eisensteins interest for the Far East in the historical context of the late 19th - early 20th century. Special attention is paid to his reflection on the nature of Japanese and Chinese drama, painting and poetry as well as its results manifested in his montage theory.

scholarly journals CLINICAL PHENOMENOLOGY OF DEPRESSIVE BEHAVIOR DISORDER IN ADOLESCENTS: DIAGNOSIS, THERAPY, PREVENTION

World Science ◽  
2020 ◽  
Author(s):  
Iemiliia Mykhailova
Keyword(s):  
Behavioral Disorders ◽  
Depressive Disorders ◽  
Behavior Disorder ◽  
Complex Nature ◽  
Age And Gender ◽  
Depressive Behavior ◽  
Clinical Phenomenology ◽  
And Gender ◽  
Diagnosis Therapy ◽  
Gender Aspect

The informativeness of behavioral patterns of depressive behavior disorder in adolescents in the age and gender aspect is determined. It is proved that many variants of behavioral disorders in adolescents with depressive disorders indicate the complex nature of relationships formation of behavioral disorders presence, which is the practical value for the development of specific preventive therapeutic programs.

Seismische Erschütterungen und female empowerment: Erdbeben-Narrative und Gender vom 18. bis zum frühen 20. Jahrhundert

2019 ◽  
Vol 29 (3) ◽  
pp. 553-572
Author(s):  
GABY PAILER
Keyword(s):  
20Th Century ◽  
San Francisco ◽  
Literary Texts ◽  
Female Empowerment ◽  
Early 20Th Century ◽  
And Gender ◽  
Theoretical Considerations

Abstract Der Beitrag untersucht Erdbeben-Narrative, d. h. seismische Erschütterungen als Motiv, Metapher, Agens und Medium in literarischen Texten variabler Genres vom 18. bis zum frühen 20. Jahrhundert. Er konzentriert sich auf die historisch desaströsen Ereignisse von Lissabon 1755, Messina 1783, Guadeloupe 1843 und San Francisco 1906 und ihre Diskurs- und Mediengeschichte. Die Ausführungen basieren auf theoretischen Überlegungen zu Vorstellungen von Anthropozän, Aufklärung und gender.This article examines earthquake narratives, i.e. seismic upheavals as motif, metaphor, agent, and medium within literary texts of various genres, from the 18th to the early 20th century. It is focused on the historical disastrous events of Lisbon 1755, Messina 1783, Guadeloupe 1843, and San Francisco 1906, and their discourse and media histories. The argument is based on theoretical considerations regarding notions of anthropocene, enlightenment, and gender.

Social Practices of Confucianism at the Early 20th Century: Kang Youwei and the “Heaven People”. Kang Youwei. Datong shu, Sixth Part, Fragments, Trans. from Chinese into Russian and Comm. by Dmitry E. Martynov

2021 ◽  
pp. 199-203
Author(s):  
Dmitry E. Martynov ◽  
◽  
Yulia A. Martynova ◽  
Keyword(s):  
20Th Century ◽  
Gender Inequality ◽  
Russian Translation ◽  
Social Practices ◽  
Future Generations ◽  
Early 20Th Century ◽  
The Family ◽  
Kang Youwei ◽  
Ancient Times ◽  
And Gender

Readers are invited to the first Russian translation of extracts from the first chap­ter of the sixth part Datong shu(“The Book of the Great Unity”) by Kang Youwei (1858–1927). Kang Youwei proposed an original project for the radical liberation of humanity, in which the traditional mechanisms of family, marriage and gender inequality and coercion will be eliminated, and the state will take care of each person at every stage of his life. Kang Youwei adhered to the view that the main goal of a person's life is to achieve a state of happiness and satisfy all emerging needs. Congenital hedonism is in conflict with the need to reproduce. According to Kang Youwei, the institution of the family was created in ancient times and is the product of violence and suppression. In the future, free partnership will be re­lieved of the burdens of raising and educating future generations.

Patronage and Traditional Culture in the Early 20th Century

2021 ◽  
pp. 137-149
Author(s):  
Carme Oriol
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Private Initiative ◽  
The Third ◽  
Award Winning

In the 1920s, the industrialist and humanist Rafael Patxot i Jubert (1872-1964) promoted and sponsored four cultural patronage projects on Catalan folklore. These were the Obra del Cançoner Popular de Catalunya, the Masia Catalana, the Llegendari Popular Català, and the Refranyer català. The aim of the projects was to collect large corpora of materials to showcase the vast wealth of traditional Catalan culture. In this chapter, the author studies the third of these projects, the Llegendari Popular Català (a collection of folk Catalan legends), by analyzing the importance of this private initiative, the competitions held to promote the collection, and the results achieved by the project. The author also evaluate the importance of one award-winning legend collection from the first competition – that presented by the modernist architect Cèsar Martinell.

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