scholarly journals THE IMAGE OF TATTA LAND AND YAKUTSK CITY IN THE FORMATION OF FIGURATIVE GEOGRAPHY IN THE EARLY 21 ST CENTURY

2022 ◽  
pp. 70-73
Author(s):  
И. В. Покатилова ◽  
А. Ф. Лукина
Keyword(s):  
20Th Century ◽  
Interdisciplinary Approach ◽  
Traditional Culture ◽  
Specific Region ◽  
Early 20Th Century ◽  
Modern Culture ◽  
Early 21St Century ◽  
Soviet Space ◽  
Methodological Approaches ◽  
Post Soviet Space

Актуальность темы связана с новыми методологическими подходами в исследовании современной культуры Якутии начала 21 века. Авторы попытались применить метод междисциплинарного подхода в исследовании образной географии Якутии начала 21 века на примере проекта «Образная карта - маршрут Таттинского улуса». Город и село в 20 веке являются разными средами обитания современного человека. В первой среде зарождается креативная культура, а во второй - дольше сохраняется традиционная культура. Трансформация традиционной культуры в начале 20 века в городе Якутске привело к зарождению нового креативного типа культуры, а в конце 20 века в постсоветском пространстве формируется образная география конкретного региона или улуса, стянув пространство ландшафта и памятников культурного наследия, что ярко прослеживается на материале Таттинского улуса. The relevance of the topic is related to new methodological approaches in the study of modern culture of Yakutia in the early 21st century. The authors tried to apply the method of an interdisciplinary approach in the study of the figurative geography of Yakutia of the early 20th century by the example of the project "Figurative map - the route of Tatta ulus". City and village in the 20th century are different environments of a modern man. In the first environment, creative culture is born, and in the second, traditional culture is preserved longer. Transformation of traditional culture at the beginning of the 20th century in Yakutsk city led to the birth of a new creative type of culture, and at the end of the 20th century, in the post-Soviet space, a figurative geography of a specific region is formed, pulling together the space of the landscape and cultural heritage monuments, which is clearly seen in the material of Tatta ulus.

Waiting for Abkhazia: Secession and Borders as International Legal Instruments in Contested Sovereignty

2020 ◽  
Vol 89 (1) ◽  
pp. 1-37
Author(s):  
Shorena Nikoleishvili
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Soviet Space ◽  
The Law ◽  
Post Soviet Space

The article explores the contested claims for sovereignty of Abkhazia through the lens of secession. It maps the evolution of the law on secession from the early 20th century to the present, with an attempt to find a doctrinal fit to the claims of Abkhazian secession from Georgia. The article suggests that rather than reflecting any of the existing modalities for legal or legitimate secession, Abkhazia together with other cases stemming from the post-Soviet space constitute a sui generis modality for secession. The article argues that this modality has a particularly tragic outcome for all of its participants, sentencing the secessionist regions in the post-Soviet space to a permanent state of flux.

MASCULINIZING THE FEMININE IN TU LUC VAN DOAN (A CASE STUDY KHAI HUNG’S COCK-HEN (TRỐNG MÁI))

2018 ◽  
Vol 63 (7) ◽  
pp. 22-28
Author(s):  
Tam Phan Thi Thanh
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
The Feminine ◽  
Vietnamese Literature ◽  
The Creation

Concerning an issue of individual emancipation and a feminist sense in Vietnamese literature in the 1930s, Khai Hung’s Cock-Hen describes Hien as a representative of an innovative women image in compare with the traditional culture. Masculinizing rules of the feminity in the creation of a character have provided Hien most characteristics of male privileges such as a powerful body, a strong personality, and the interest in adventures and risks. Cock-Hen, thus, helps us to identify a feature of feminism in Vietnamese society in the early 20th century.

The Influence of Far Eastern Culture on the Creative Work of S.M. Eisenstein

2018 ◽  
Vol 10 (3) ◽  
pp. 45-54
Author(s):  
Joon Il Song
Keyword(s):  
20Th Century ◽  
Far East ◽  
Historical Context ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Creative Work ◽  
Eastern Culture ◽  
Chinese Traditional Culture ◽  
The Far East ◽  
Far Eastern

The article investigates the influence of Japanese and Chinese traditional culture on Sergey Eisensteins theory of artistic thinking, his activity as a film director. The author explores the origin of Eisensteins interest for the Far East in the historical context of the late 19th - early 20th century. Special attention is paid to his reflection on the nature of Japanese and Chinese drama, painting and poetry as well as its results manifested in his montage theory.

METHODOLOGICAL APPROACHES TO ADAPTATION OF OLDER PEOPLE

2020 ◽  
Vol 70 (2) ◽  
pp. 285-289
Author(s):  
K. E. Tauenov ◽  
◽  
T.T. Espenova ◽  
Keyword(s):  
Soviet Union ◽  
Nursing Homes ◽  
Older People ◽  
Former Soviet Union ◽  
Adaptation Period ◽  
Factors Affecting ◽  
Soviet Space ◽  
Methodological Approaches ◽  
New Situation ◽  
Post Soviet Space

The article is devoted to the analysis of scientific works devoted to the adaptation of older people to modern reality, their adaptation in nursing homes, as well as the consideration of criteria for successful adaptation consisting of several stages including the time of adaptation and post-adaptation period. In the scientific works of foreign, Soviet and domestic scientists, the key problem of studying the condition of elderly people in nursing homes, difficulties of adaptation, factors affecting adaptation, is to solve the problem of adaptation of older people to modern conditions. The complex political and economic change that occurred in the former Soviet Union countries living in the post-Soviet space is the source of the problem under consideration. Therefore, studying the adaptation of older people to the new situation in a changing society in the next 30 years is one of the most pressing issues.

scholarly journals The Transformation of a Music Festival in St. Petersburg “The World of Art. Contrasts”

ICONI ◽  
2019 ◽  
pp. 159-171
Author(s):  
Anton А. Rovner ◽  
Keyword(s):  
20Th Century ◽  
Arnold Schoenberg ◽  
Early 20Th Century ◽  
Music Festival ◽  
Early 21St Century ◽  
Avant Garde ◽  
The World ◽  
History Of ◽  
Italian Music ◽  
The 19Th Century

The article presents the history of an extraordinary music festival organized in St. Petersburg by two composers Igor Rogalev and Igor Vorobyev. The festival was fi rst called “From the Avant-garde to the Present Day,” subsequently “From the Avant-garde to the Present Day. Continuation,” and during the last three years — “The World of Art. Contrasts.” This festival was founded in 1992, and its aim was to create a venue for performance of music by contemporary composers and representatives of the “forgotten generation” of the early 20th century Russian avant-garde movement, such as Nikolai Roslavetz, Alexander Mosolov, Arthur Lourie, etc. Many premieres of these and other composers were performed at this festival, as well as well-known works by such early 20th century established masters as Arnold Schoenberg, Alexander von Zemlinsky, Igor Stravinsky, Bela Bartok, etc. Some of the leading contemporary composers of the late 20th and early 21st century were invited to participate in the festival, as were numerous outstanding performances, ensembles and orchestras up to the St. Petersburg Mariinsky Theater, artists, poets and writers. At the present time the artistic goal of the festival is to connect the strata of music by contemporary composers with the masterpieces of the great classics of the previous centuries — from the Renaissance era to the 19th century. Each year the festival has a certain particularthemes, such as, for instance, Italian music or Japanese music, around which the program is built endowed with a broad stylistic and genre-related pallette.

scholarly journals Verbal Projection of Comparable Translations of a Detective Story

2020 ◽  
pp. 1-27
Author(s):  
Yan Wang
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Language Use ◽  
The Other ◽  
Early 20Th Century ◽  
Source Text ◽  
Detective Story ◽  
Early 21St Century ◽  
Classical Chinese ◽  
The Early 21St Century

Abstract Based on the systemic functional framework, this paper attempts to compare verbal projection in two comparable translated texts of a detective story entitled A Scandal in Bohemia, one from the early 20th century (henceforth TT1) and the other from the early 21st century (henceforth TT2). Approximately one hundred years apart, these two translations are strikingly different in their language use, with classical Chinese being used in TT1 and plain (colloquial) Chinese being used in TT2. By analysing and comparing the lexicogrammatical features of the verbal clauses in the two translated texts, this paper summarises the choices made by the translators in these two different historical moments: when translating the source text, TT1 translators show more flexibility by incorporating more addition and omission into their translation than TT2 translators.

Patronage and Traditional Culture in the Early 20th Century

2021 ◽  
pp. 137-149
Author(s):  
Carme Oriol
Keyword(s):  
20Th Century ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Private Initiative ◽  
The Third ◽  
Award Winning

In the 1920s, the industrialist and humanist Rafael Patxot i Jubert (1872-1964) promoted and sponsored four cultural patronage projects on Catalan folklore. These were the Obra del Cançoner Popular de Catalunya, the Masia Catalana, the Llegendari Popular Català, and the Refranyer català. The aim of the projects was to collect large corpora of materials to showcase the vast wealth of traditional Catalan culture. In this chapter, the author studies the third of these projects, the Llegendari Popular Català (a collection of folk Catalan legends), by analyzing the importance of this private initiative, the competitions held to promote the collection, and the results achieved by the project. The author also evaluate the importance of one award-winning legend collection from the first competition – that presented by the modernist architect Cèsar Martinell.

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