scholarly journals #Smiling, #venting, or both? Adolescents’ social sharing of emotions on social media

2018 ◽  
Vol 84 ◽  
pp. 211-219 ◽  
Author(s):  
Anne Vermeulen ◽  
Heidi Vandebosch ◽  
Wannes Heirman
Semiotica ◽  
2018 ◽  
Vol 2018 (222) ◽  
pp. 321-346 ◽  
Author(s):  
Mauro Sarrica ◽  
Manuela Farinosi ◽  
Francesca Comunello ◽  
Sonia Brondi ◽  
Lorenza Parisi ◽  
...  

AbstractIn this paper we examine the use of Twitter and Facebook in two dramatic earthquakes that hit Italy: L’Aquila (in 2009) and Emilia (in 2012). Indeed, disasters disrupt everyday life and engage people in meaning-making processes aimed at recovering meaning and control of their world. In these cases, we argue that the use of social media may contribute to social representations processes and functions: cognitive coping, social sharing of emotions, preserving self-efficacy, boosting identity, and community empowerment. Different methods were adopted to examine the use of social media in the immediate aftermath, a few days after, and in the medium-long term. Differences between the events, combined with the differences between Twitter and Facebook, entailed a multiplicity of uses. Nevertheless, the analyses point to the same conclusions: by fostering new forms of communication and encounters, social media played an increasingly important role during and after the earthquakes. First, they were used for providing information and material coping, then they favored the social sharing of emotions and joint remembering, and finally they contributed to claiming voice and control. Results thus suggest that the use of social media favored different representational functions, which progressively contributed to community empowerment.


2021 ◽  
Vol 27 (4) ◽  
pp. 245-251
Author(s):  
Anton Chornobylskyi ◽  
Oksana Kyrylova

The relevance of the article is explained by the communicative significance and the functions that the social media system has today. American platform Reddit is not only a platform for world-class communication but also it’s a space for possible implementation of offline interaction models. Currently, both the popularity of Reddit and its influence on the physical world are growing. The object of the study is users’ comments to the highly talked creepypasta “My Sleep Paralysis Demon is Actually A Pretty Chill Guy”. This creepypasta is published in NoSleep community that is the most popular subreddit for sharing horror posts. We use a creepypasta as a convenient material for research due to its communicative nature. This is digital fictional content that is perceived as real (through the internal rules of the NoSleep community) and is not temporal. The article studies the process of social exchange of emotions, their re-experience during the description of the event that caused them. The aim of the study is to find out whether Reddit allows the laws of real social interaction to be transferred to the online space. To solve the problem was used a set of methods, chief among them was the intent analysis. Results. The study has shown that user feedback can be represented by one of three forms (or their certain combination): direct emotional feedback that expresses a certain emotion obtained after reading the creepypasta, commenting on a story that is predominantly a rational expression of thoughts about a story, and a personal experience that is a presentation of information about users commenting on creepypasta. Their calculation showed the existence of common features between offline social sharing of emotions and its digital counterpart. The ratio of different forms of comments depends on the degree of discussion of creepy paste and the specifics of the central topic. Creepypasta is currently actively attracting the attention of scientists around the world, but its formation and formation as a genre of the digital environment is mainly studied. This study focused on the specifics of Creepypasta on Reddit, taking into account the internal rules of the community. For further research, it seems promising to study other genres of the digital environment from the perspective of social sharing of emotions.


Author(s):  
Natalya N. Bazarova ◽  
Yoon Hyung Choi ◽  
Victoria Schwanda Sosik ◽  
Dan Cosley ◽  
Janis Whitlock

2014 ◽  
Vol 10 (6) ◽  
pp. 801-808 ◽  
Author(s):  
Ullrich Wagner ◽  
Lisa Galli ◽  
Björn H. Schott ◽  
Andrew Wold ◽  
Job van der Schalk ◽  
...  

2021 ◽  
pp. 174239532110397
Author(s):  
Magdalena Pluta

Objectives Women with breast cancer share their experiences and emotions about the illness on Instagram – a tool understudied when it comes to chronic illness. The paper characterizes the women's activities, and both online self-disclosure and social sharing of emotions concepts are used to help explain the women's practices. Methods Using qualitative conventional content analysis, four profiles of women are manually analysed, with posts as the unit of analysis ( n  =  811). Based on eleven subcategories, three broad analytical categories are introduced: self-disclosure of negative information (C1), self-disclosure of positive information (C2) and disclosure of information about other people (C3). Results The women post narratives about suffering resulting from cancer, and the fears they experience. Also, the posts relate to positive emotions, joyful life events, self-acceptance, or self-affirmation. While writing, the women share information about people supporting them on their way to recovery. Discussion The activity of women cannot be explained only by their online self-disclosure, where anonymity and lack of offline support are often emphasized. Women on Instagram are not anonymous and report on support by relatives and other people. Rimé's concept of social sharing of emotions is used to explain this phenomenon.


Author(s):  
Shalin Hai-Jew

If human-created objects of art are historically contingent, then the emergence of (social) network art may be seen as a product of several trends: the broad self-expression and social sharing on Web 2.0; the application of network analysis and data visualization to understand big data, and an appreciation for online machine art. Social network art is a form of cyborg art: it melds data from both humans and machines; the sensibilities of humans and machines; and the pleasures and interests of people. This chapter will highlight some of the types of (social) network art that may be created with Network Overview, Discovery and Exploration for Excel (NodeXL Basic) and provide an overview of the process. The network graph artwork presented here were all built from datasets extracted from popular social media platforms (Twitter, Flickr, YouTube, Wikipedia, and others). This chapter proposes some early aesthetics for this type of electronic artwork.


2008 ◽  
Vol 103 (1) ◽  
pp. 11-22 ◽  
Author(s):  
Véronique Christophe ◽  
Gérald Delelis ◽  
Pascal Antoine ◽  
Jean-Louis Nandrino

This study provides new evidence of motives of secondary social sharing of emotions. In a retrospective study, 140 female ( Mage = 29.4 yr., SD=12.8) and 116 male ( Mage = 29.5 yr., SD=13.1) participants were asked to recall a recent situation in which they had talked to a third person about a positive or negative, low or high intensity emotional narrative they had heard. 70% of the respondents reported having secondarily shared the reported event rapidly after the narration with several persons and at several times. Moreover, they not only described the event, the speaker's reaction and their own reactions, but also revealed the identity of their first confidant. Participants reported having spread the emotional narrative more widely in the high negative condition in order to seek emotional support and social comparison.


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