Sentimentalization, fear, and alternate domestic form in East Berlin: Generation II

1992 ◽  
pp. 155-201
Keyword(s):  
East Berlin ◽  
Domestic Form

Issues Surrounding the Development of the Neo-Nazi Scene in East Berlin

2000 ◽  
Vol 33 (2) ◽  
pp. 45-50 ◽  
Author(s):  
Eric Brothers
Keyword(s):  
New York ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
Third Reich ◽  
Communist Regime ◽  
The Political ◽  
Social Culture ◽  
East Berlin ◽  
The Third ◽  
The Third Reich

The rise of neo-Nazism in the capital of the former German Democratic Republic (GDR) was not inspired by a desire to recreate Hitler's Reich, but by youthful rebellion against the political and social culture of the GDR's Communist regime. This is detailed in Fuehrer-Ex: Memoirs of a Former Neo-Naxi by Ingo Hasselbach with Tom Reiss (Random House, New York, 1996). This movement, however, eventually worked towards returning Germany to its former 'glory' under the Third Reich under the guidance of 'professional' Nazis.

Delineating Lake Types of the Jurassic East Berlin Formation, Hartford Basin, Newark Supergroup

2016 ◽  
Author(s):  
Alexander A. Conti ◽  
◽  
Elizabeth H. Gierlowski-Kordesch
Keyword(s):  
New England ◽  
Tholeiitic Basalt ◽  
Geochemical Evolution ◽  
Lake Basin ◽  
East Berlin ◽  
Definitive Evidence ◽  
Lacustrine Facies ◽  
Lake Deposits ◽  
First Time ◽  
Biomarker Data

The Mesozoic Hartford Basin, a fault-bounded half-graben in New England, is composed of four sedimentologic units displaying lacustrine, playa, and alluvial conditions separated by three tholeiitic basalt flows. Limited outcrop, however, has restricted analyses across the basin. The Jurassic East Berlin Formation, in particular, crops out only in the southern and northern extents of the basin, exposing the upper 100-118-m of deposits. As a result, a new core analysis across a 600-m-transect of East Berlin rocks has been completed in the central region of the basin, exposing the entire 195-m thickness of the formation for the first time. Cores expose eight 3-m-thick lacustrine mudrock units, the upper six of which are correlative to lake deposits identified in the southern and northern extents of the basin. Additionally, thin chicken-wire evaporites demarcate the lowermost, previously unexposed, lacustrine unit, 7-m beneath a 15-cm-thick tufa horizon. Thin playa deposits and thick sheetflood and Vertisol packages separate these lake sequences over 5-30-m of vertical distance.To supplement these sedimentologic data, and better understand lake geochemistry of the basin during East Berlin time, new biomarker analyses have been applied to each of the eight lacustrine mudrock units for the first time. Biomarker data are useful for determining the lake-basin type, a paleolake classification system derived by Bohacs, Carroll, and others to describe predictable physical and geochemical evolution within rift basins from fluvial facies to over-filled, balance-filled, and under-filled lacustrine facies; subsequently, balance-filled lacustrine facies grade to a terminal fluvial facies during changes in accommodation space through time. While fluvial facies envelope lake deposits within the Hartford Basin, identifying the lake types within the East Berlin has been problematic because of limited exposures. These new sedimentologic and biomarker analyses, however, suggest balance-filled lacustrine conditions at the base of the East Berlin that grade into under-filled conditions upsection. These new biomarker data finally provide definitive evidence for changing lake types during East Berlin time.

scholarly journals From Private Photography to Mass Circulation: The Queering of East German Visual Culture, 1968–1989

2015 ◽  
Vol 48 (3) ◽  
pp. 405-423 ◽  
Author(s):  
Josie McLellan
Keyword(s):  
Visual Culture ◽  
Interest Group ◽  
Coming Out ◽  
Male Homosexuality ◽  
East Berlin ◽  
Gay Male ◽  
East German ◽  
Mass Circulation ◽  
Part Feature ◽  
The Church

AbstractThis article describes how a particular kind of queer figure moved from private photography into the mainstream of East German visual culture. It begins with a set of private photographs from the late 1960s from the collection of Heino Hilger, a regular, with his friends, at the East Berlin bar Burgfrieden. The photographs show how dressing in drag and the act of photography were important ways of constituting a gay male subculture. After the decriminalization of sex between men in 1968, the gay scene became bolder and more political in East Germany. The subversion of gender norms was central to the activism of groups such as the Homosexual Interest Group Berlin (HIB) and Gays in the Church. The visibility of the queer figure culminated in the late 1980s, when parts of the film Coming Out were filmed in Burgfrieden and when the popular monthly Das Magazin published a three-part feature on male homosexuality. What all these cultural artifacts and events had in common was not just a critique of the heterosexual norm, but also a queering of the boundaries between masculinity and femininity.

scholarly journals Der Mythos vom faulen Ossi

1993 ◽  
Vol 23 (91) ◽  
pp. 251-268 ◽  
Author(s):  
Birgit Müller
Keyword(s):  
Job Security ◽  
The West ◽  
East Berlin ◽  
East German ◽  
Objective System ◽  
Socially Isolated

In a situation when high demands were made on the skills and work performances of East German workers and when they could expect little reward for it in the form of job security and high wages, they startcd to define themselves increasingly in contrast to the image they produced of West Germans in general. More and more East Germans characterize the West Germans as socially isolated, obsessed by their work, unable to share and indifferent towards the development of the GDR. The interpretations and views collected while doing fieldword in three enterprises in East Berlin since May 1990 are the basis for analysing how the image of the market as a truely honest and objective system changed since the fall of the wall and how the East Germans reacted to the Western stereotype of the lazy Ossy (East German).

scholarly journals Kontanthjælpsmodtagerens kritiske register

2015 ◽  
pp. 63-77
Author(s):  
Mathias Herup Nielsen
Keyword(s):  
Political Protest ◽  
Policy Reforms ◽  
Joint Work ◽  
The Public ◽  
Political Protests ◽  
The Individual ◽  
The Unemployed ◽  
Depth Interviews ◽  
Domestic Form ◽  
Shed Light

This article investigates different acts of political protests currently floating from unemployed citizens who are being affected by recent retrenchment policy reforms. Whereas most of the existing literature tends to portray political protest as either collective and public or individual and private, this article attempts instead to shed light on the plurality of normative resources activated by the unemployed in a highly critical situation. Thereby the analysis moves between the collective and the individual as well as between the public and the private. Using the theoretical framework developed by Laurent Thévenot and Luc Boltanski in their joint work on justification, the article analyses a specific case, namely unemployed Danish recipients of social assistance who are affected by a new policy initiative meaning that their income has been lowered. Drawing on newspaper articles and qualitative in-depth interviews with affected citizens, the analysis unfolds and theorizes upon three very different forms of protesting: a civic, an industrial and a domestic form of resistance.

scholarly journals "Kann jemand, der diese Musik gehört hat, […] noch ein schlechter Mensch sein?" – om Wieslers forandring og kunstens påståtte rolle i denne prosessen

Nordlit ◽  
2012 ◽  
Vol 16 (2) ◽  
pp. 35
Author(s):  
Roswitha Skare
Keyword(s):  
East Berlin ◽  
Guardian Angel ◽  
The Guardian ◽  
The Way

The Life of Others (2006) has been a successful film, winning the Oscar for Best Foreign Feature in 2007. It is a film about surveillance, but also about  the lives of artists and writers in East Berlin in the middle of the 1980s, and about what role  literature and art played in the GDR and in the events of autumn 1989. The article focuses on the way the film portrays Wiesler’s transformation from hard-boiled Stasi officer into the guardian angel of his target, and shows how art – both literature and music – plays an important role in this process. 

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