Freeing the voice, creating the self

2004 ◽  
pp. 17-33 ◽  
Author(s):  
Christopher Mulvey
Keyword(s):  
The Self ◽  
The Voice

scholarly journals Transpersonal Psychology And The Self-Field: An Overview Of The Works Of Jungian Analyst Erich Neumann

2018 ◽  
Vol 11 (11) ◽  
pp. 57
Author(s):  
Steven Herrman
Keyword(s):  
Transpersonal Psychology ◽  
Depth Psychology ◽  
The Self ◽  
Collective Unconscious ◽  
Structural Diagram ◽  
Tel Aviv ◽  
The World ◽  
History Of ◽  
Human Psyche ◽  
The Voice

In this essay the author gives a concise overview of the use of the word transpersonal in the life and writings of the Israeli Jungian analyst, Erich Neumann, who was born in Berlin Germany in 1905 and lived from 1934 until his untimely death, in 1960, in Tel Aviv. The paper provides readers with an overview of the correspondence that took place between Neumann and Jung from 1934-1959 and traces the way in which the word transpersonal was used in their mutual efforts to map out the terrain of the human psyche. What is made clear in the paper is that while Jung remained within the epistemological limits of empirical psychology in his theory of the collective unconscious, Neumann attempted to extend Jung’s epistemology into metaphysical territory, and in so doing he charted out a structural diagram of the psyche that extends beyond the archetypal field, to what he called the Self-field. The Self-field, Neumann argued, is a necessary postulate to include it in any complete inventory of depth-psychology that attempts to reach a new Weltanschauung. His attempts to extend Jung’s hypothesis of the Self into transpersonal territory began in his 1948 Eranos lecture in Ascona, Switzerland, “Mystical Man”. His calling from the Self led Neumann to venture forth a postulate of what he called a “New Ethic” for the field of depth-psychology as a whole. A distinction is made between the personal and archetypal shadow and evil, and the “Voice” Neumann refers to as part of the Transpersonal Self. The essay concludes saying it is tragic Neumann died at so young an age of 55, before he could formulate further how his Ethic related to his metaphysic. Neumann was the first Jungian analyst to present the world with a truly transpersonal theory of the Self that the author sees as essential reading for any transpersonal pedagogue who attempts to place Jungians in the history of the Integral movement. KEYWORDS Mystical man, numinous, Godhead, transpersonal, field-knowledge, Voice, Self-field, Wholeness, New Ethic, archetypal shadow, evil.

Stutter and phenomena: The phenomenology and deconstruction of delayed auditory feedback

2020 ◽  
Vol 5 (2) ◽  
pp. 197-213
Author(s):  
Roshaya Rodness
Keyword(s):  
Auditory Feedback ◽  
The Self ◽  
Husserlian Phenomenology ◽  
Human Consciousness ◽  
Delayed Auditory Feedback ◽  
The Voice ◽  
Internal Division

Jacques Derrida’s early critique of Husserlian phenomenology discusses the production of the ‘phenomenological voice’ as the consummate model of human consciousness. Challenging Husserl’s conviction that consciousness is produced from the self-enclosed act of ‘hearing-oneself-speak’, Derrida points to vocality as the complex site of the self’s relationship to presence and exteriority. The internal division between hearing and speaking, he argues, introduces difference into the generation of conscious life. The use of delayed auditory feedback (DAF) as a prosthetic for stuttering provides an opportunity to engage Derrida’s insights on the connection between consciousness and voice with an ear to the speech of people who stutter. DAF, which may reduce or increase dysfluency depending on the speech of the user, introduces a series of delays, alterations and supplements to speech that underwrite the heterogeneous experience of conscious life. What can the philosophy of deconstruction add to conversations about the function of DAF, and what can theory about and experiences with DAF teach us about the self’s presence to itself and the role of alterity in shaping speech? What does stuttering teach us about the necessity of dysfluency for all speech? This article examines the relation between the voice and the phenomenological voice, and between stuttering and prosthetics. Concluding with an analysis of Richard Serra’s experimental recording, Boomerang (1974), it argues that voice is always already prostheticized with alterity, and that in hearing-oneself-speak we exist with voice in an expansive and unfinished conversation with our own mystery.

Hearing the voice of Donbas: art and literature as forms of cultural protest during war

2017 ◽  
Vol 45 (2) ◽  
pp. 256-273 ◽  
Author(s):  
Yuliya Ilchuk
Keyword(s):  
The Self ◽  
Direct Access ◽  
Street Art ◽  
Art Works ◽  
Communication Space ◽  
Occupied Territories ◽  
Art And Activism ◽  
The One ◽  
Public Reaction ◽  
The Voice

This paper analyzes literary, visual, and street art works of writers and artists from Eastern Ukraine produced during 2014. Two Donetsk artists, Serhii Zakharov and Anzhela Dzherikh, and two Luhansk writers, Serhii Zhadan and Olena Stepova, play with the myth of the proletarian Donbas, on the one hand, and debunk the popular perception of Donbas people as being in consent with the politics of the self-proclaimed Donetsk and Luhansk People's Republics, on the other. They explore familiar tropes and images of Donbas and use guerrilla tactics (shock effects, provocativeness, and deception) to initiate public reaction to the war. Their works are united by their search for a shared communication space and direct access to the audience on occupied territories. These artists challenge the accepted perception of Donbas as a free but uncivilized space and participate in the creation of a new Donbas text. The interaction between politics, art, and activism makes their voices and vision powerful and infectious and can help achieve civic consolidation in Donbas.

The Voice of the Redeemer in Paradise Lost

PMLA ◽  
1955 ◽  
Vol 70 (5) ◽  
pp. 1082-1089
Author(s):  
Joseph H. Summers
Keyword(s):  
Paradise Lost ◽  
Turning Point ◽  
The Self ◽  
Adam And Eve ◽  
The Voice

After the initial intoxication, the Fall of Man is delineated in Paradise Lost largely in terms of the charges and counter-charges, the fear and hatred, the self-aggrandizement and the isolation of Adam and Eve. Only after Adam's most bitter denunciation of Eve is the direction changed with Eve's famous “Forsake me not thus, Adam … ”(x.914–936). Eve's speech is the turning point, for it is here that one of the guilty pair first attempts to take upon herself the burden of guilt, shows love and asks for love. The direction once taken, Adam is moved to similar affection, and the resulting reconciliation between man and woman is the inevitable prologue and type of the ensuing reconciliation between man and God.

scholarly journals Psychoanalysis and Deconstruction, A Love Story

2015 ◽  
Vol 23 (2) ◽  
pp. 35-44
Author(s):  
Kelly Oliver
Keyword(s):  
Social Contract ◽  
The Self ◽  
The Other ◽  
Love Story ◽  
The Social ◽  
Origin Story ◽  
The Right ◽  
The Voice

In The Right to Narcissism: A Case for Im-Possible Self-Love, Pleshette DeArmitt opens the space for an alternative to origin story so popular with political philosophers, namely, the social contract, which assumes a rational and self-identical subject.  She does this obliquely by deconstructing narcissism as love of the self-same, or, love of what Kristeva might call “the clean and proper self.”  Like Echo interrupting Narcissus’s soliloquy of deadly self-absorbed pleasure and his solitary auto-affection upon seeing his own reflection, Pleshette interrupts the seeming proximity of self-same, the closeness of near, and the propinquity of proper by deflecting the image of Narcissus onto the voice of Echo, who comes into her own by repeating his words.  How, asks Pleshette, can Echo’s reiteration of the words of another be anything more than mere repetition or reduplication?  Echoing Derrida, she answers that it is through a declaration of love.  Echo’s repetition of the words of Narcissus take on new meaning, and allow her to express herself, and her love, through the words of the other.  After all words are words of the other.  Language comes to us from the other.  Echo becomes a self, a “little narcissist,” through an address from and to the other, through the appropriation and ex-appropriation of the other’s words. 

scholarly journals Literary Perspective in Autobiography: Book "Days" and "My life" Comparison Study

2018 ◽  
Vol 227 (1) ◽  
pp. 45-83
Author(s):  
Assist. Prof. Dr. Eman Abdu-Dakeel Esae ◽  
Lecturer. Dr. Julan Hussian Judy
Keyword(s):  
Cultural Background ◽  
The Self ◽  
Historical Background ◽  
Clear Picture ◽  
The Novel ◽  
Comparison Study ◽  
Modern Arabic ◽  
The Voice ◽  
Creative Vision

Autobiography is the written type that related to "I" author, which is relevant to his experience life and written: their worries, affairs, sorrows, and concerns. Hence this study appeared to show how to diagnosis the nature of literary for this type, drawing it's historical background and it's relationship with literary trends in the modern Arabic prose especially the novel, which was nearest to it and most impact in its development, then stand on the denotations type of autobiography, the role of motivation, cultural background, creative vision and the talent in formulating the referential aspect through my book "days" and "my life" the two outcome out the study of comparison which settlement in the field of Arabic autobiography in modern way, telling similar accidents in many times, and telling autobiography of life in different ways that giving a clear picture of comparison through literary perspective then stand on the more accurate literary concept of this writing type about the self, finally we stand on how to draw the literary perspective and determine it in the field of autobiography through managing the most important construction of telling the narrative as an important tool of comparison to diagnosis the literary perspective by studying how to tell and use the voice, the kind of description, it's function of comparison, the measure of availability in choosing text to differentiate the function of the study for these texts which as long as stopped by critics. The study concluded that the literary function of autobiography is unstable in which it is found in one study and absent from another.   

Dilemmas of a subculture: An analysis of BDSM blogs about Fifty Shades of Grey

Sexualities ◽  
2019 ◽  
Vol 23 (5-6) ◽  
pp. 987-1008
Author(s):  
Lucie Drdová ◽  
Steven Saxonberg
Keyword(s):  
Mass Media ◽  
Public Debate ◽  
The Self ◽  
The Novel ◽  
The Public ◽  
Documentary Analysis ◽  
Self Image ◽  
The Mass Media ◽  
The Voice ◽  
Fifty Shades Of Grey

Recently, much has been written in the mass media about the novel and film Fifty Shades of Grey. It was widely portrayed as an example of BDSM (a common abbreviation for the terms bondage, discipline, dominance, submissivity, sadism and masochism) subculture and used as a symbol of sadomasochistic identity. But is this public view based on the self image of BDSM subcultural members or is it a figment of the imagination of writers and journalists? This article presents the voice of BDSM activists, who are silenced and excluded from the public debate. Using a virtual ethnographic method, we analyse the BDSM blogosphere as a platform for subcultural expressions of opinion. We combine this with a documentary analysis. In doing so, we examine how BDSM subculture members perceive themselves in contrast to the mainstream view of them pictured in the book Fifty Shades of Grey. This article investigates to what extent the subcultural conception of BDSM corresponds to the book's depiction and where it differs fundamentally.

Vocal Congruence: The Voice and the Self Measured by Interoceptive Awareness

2019 ◽  
Author(s):  
Karen M. Crow ◽  
Miriam van Mersbergen ◽  
Alexis E. Payne
Keyword(s):  
The Self ◽  
Interoceptive Awareness ◽  
The Voice
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