VARRO AND POMPEY: SOME MORE (MULTIPLE) HEBDOMADS?

2021 ◽  
pp. 1-6
Author(s):  
Joseph Geiger
Keyword(s):  
Female Poets

Abstract This article argues that a group of fourteen female statues seen in the Theatre of Pompey in Rome by Tatian belonged to Greek female poets. This group, along with the statues representing the fourteen nationes vanquished by Pompey, and certain groups of statues in the Forum of Augustus should all be ascribed to the influence of the Hebdomades of Pompey's familiaris Varro.

Voice of Protest in Nepali Poetry by Women

2020 ◽  
Vol 10 ◽  
pp. 51-62
Author(s):  
Indira Acharya Mishra
Keyword(s):  
Gender Roles ◽  
The Political ◽  
Feminine Gender ◽  
Theoretical Support ◽  
Norms And Values ◽  
Female Foetus ◽  
Nepali Women ◽  
Female Poets ◽  
The Voice ◽  
Feminine Gender Roles

This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ridicule the restrictive feminine gender roles that limit women's opportunity. To examine the voice of protest against patriarchy in the selected poems, the article takes theoretical support from French feminism, though not limited to it. The finding of the article suggests that Nepali women have used the genre to the political end, as a medium to advocate women's rights.

COLLECTED WORKS BY THE TURKİSH POETESS İN REPUBLİC OF MACEDONİA

2018 ◽  
Vol 28 (7) ◽  
pp. 2301-2308
Author(s):  
Fatime Liman ◽  
Mahmut Celik ◽  
Imer Yusufi
Keyword(s):  
Ottoman Empire ◽  
Educational Process ◽  
Republic Of Macedonia ◽  
The Social ◽  
Time Periods ◽  
Female Writers ◽  
Female Poets

It is almost impossible to get some relevant results from researches on the topic- works of the Turkish female writers and Turkish female poets in Republic of Macedonia yet not considering the social and political circumstances that ocured in SFRJ, The Balcan Peninsula and all the countries under the Ottoman Empire reign. Before getting to topic, what is ,the works of the Turkish female writers and the Turkish female poets in Macedonia we would like to impose a retrospective of the social and political circumstances in the Balcan Peninsula and circumstances and events in Macedonia.We shall give a retrospective of some different time periods such as: before the Ottomans reign,during their reign and the period after their reign.The educational process and the Turkish sign will undouptly influence the Literature.Epmhases will be put on the literature of the Turks from Macedonia,and the circumstances on which that literature was able to survive in various conditions and quality.Therefore some Turkish female writers and poets will be presented from which in more detail-Melahat Engullu,Tulay Ibrahim,Leyla Husein,Meral Kayin and Rabiya Rusid.Some main themes from their works will also be presented.

Midwife of Female Poets

1944 ◽  
Vol 4 (1) ◽  
pp. 8
Author(s):  
Ernest E. Leisy ◽  
Joy Bayless
Keyword(s):  
Female Poets

scholarly journals Revolutionary Poetic Voices of Victorian Period: A Comparative Study between Elizabeth Barrette Browning and Christina Rossetti

2016 ◽  
Vol 6 (1) ◽  
pp. 69
Author(s):  
Jannatul Farhana
Keyword(s):  
Comparative Study ◽  
Christina Rossetti ◽  
Victorian Era ◽  
Goblin Market ◽  
Victorian Women ◽  
Victorian Period ◽  
Aurora Leigh ◽  
New Form ◽  
Female Poets ◽  
Independent Thinking

<p>This article is an attempt to provide a comparative study between Elizabeth Barrette Browning and Christina Rossetti, two famous authors in the Victorian period. As the first female poet Browning throws a challenge by dismantling and mingling the form of epic and novel in her famous creation <em>Aurora Leigh. </em>This epic structurally and thematically offers a new form that questions the contemporary prejudices about women. Being influenced and inspired by Browning, Rossetti shows her mastery on sonnets in <em>Monna Innominata: A Sonnet of Sonnets</em>. Diversity in the themes of her poem allows Rossetti to demonstrate her intellect and independent thinking, which represents the cultural dilemma of Victorian women. Though Browning is addressed as the ‘first female poet’ and the pioneer of revolutionary female poets, her <em>Aurora Leigh </em>recognizes and celebrates the success of a female poet in that period but at the same time acknowledges the importance of traditional romance as well as marriage union at the end of the poem. On the other hand, in <em>Mona Innominata, </em>Rossetti mingles the traditional idea of romance with High Anglican belief to establish and uphold the position of women in the society as an individual and self sufficient one. She is the first poet in Victorian period who boldly denies the dominance of men in a woman’s life by celebrating sisterhood in her another famous work <em>Goblin Market</em>. Though Browning and Rossetti belong to the same period, Rossetti is quite advanced than Browning in terms of experimenting with forms, themes and breaking the conventions of Victorian era.</p>

scholarly journals Negotiating Alienation and marginality in the Selected Verses of Indo-Guyanese Poet Mahadai Das

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Renuka Laxminarayan Roy ◽  
Keyword(s):  
Cultural Heritage ◽  
Physical Abuse ◽  
South Asian ◽  
West Indian ◽  
Caribbean Literature ◽  
Indian Literature ◽  
Female Authorship ◽  
Female Writers ◽  
Political Turmoil ◽  
Female Poets

Indo-Caribbean literature opens a new vista of study of successful female poets and writers who have contested a literary space for themselves in the arena of West Indian literary discourse. These female writers have boldly denounced any legacy of Eurocentric literature and established their independent school of writing. The emancipation from ‘colonial possessiveness’, (July,1993, p. 80) (a term used by Ramabai Espinet in her writing) and a frantic effort to find new roots in the land of exile are the unique features of Indo-Caribbean literature. A rich cultural heritage, ancestral art, exotic cuisine, customs and costumes are the marks of exclusive oriental culture that is distinctly imprinted in their literature. Indo-Guyanese poetess, Mahadai Das (1954-2003), a prolific poetess of South- Asian descent in her collection of poetry I want to be a Poetess of my People (1977) presents an unparalleled account of the Guyanese people’s journey from immigration to independence. The episodes of violence, mutilation and physical abuse gave Indo-Caribbean female writers a new ability to articulate their woes of immigration and annihilation. The images like sailing back to India, the torments of indentureship and exile as well as racial and political turmoil in the land are interwoven together to form the prime content of their work. These female writers battle the fear of female authorship, since their voice had been long suppressed owing to the monopoly of male literary artists in the mainstream West Indian literature. The present paper proposes to study the theme of alienation and marginality as reflected in the selected verses of Indo-Guyanese writer Mahadai Das.

Whoso List to Find?

2022 ◽  
Vol 34 (1) ◽  
pp. 1-26
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Health And Wellness ◽  
Modern Period ◽  
Female Poets ◽  
Popular Ballads ◽  
Cheap Print

Seeing what Englishwomen saw in the early modern period brings them into view in a variety of new ways, many of them managed and enhanced by the machinery of cheap print. In contrast with Petrarchan poetry, which imagined women with fear and described love as plague, print established other models of health and wellness, and other ways of registering women’s powers. Women known as searchers who were charged to enter houses and locate plague rather than flee from it shared their findings with town officials who printed up statistics in weekly Bills of Mortality. The searcher was both a ‘harbinger of disaster’ and a tool of recovery, and popular ballads of the time frequently deploy her example along with her abilities to avoid ruin and register signs of life. These ballads supply alternatives to Petrarchan demographics, and I examine the ways early modern female poets draw upon their methodology, too.

The Woman behind the Man behind the World: Mary Wells and the Feminisation of the Late Eighteenth-Century Newspaper

2018 ◽  
Author(s):  
Claire Knowles
Keyword(s):  
Eighteenth Century ◽  
Print Media ◽  
Late Eighteenth Century ◽  
The World ◽  
Late Eighteenth ◽  
Female Poets

The rediscovery of the Della Cruscans, a late-eighteenth century poetic coterie, has helped to revive an interest in papers of “elegance” such as John Bell’s the World, which established a successful template for the late eighteenth-century newspaper, one that was exploited by many of the papers that followed in its wake. In this chapter, Claire Knowles examines the contribution made to this paper not only by women in general, but by one woman in particular, Mary Wells. Wells was a popular actress and the mistress of the paper’s proprietor, Edward Topham. She was implicated in the paper’s establishment and played an important role in its daily running. By examining Wells’ largely unacknowledged role at the World alongside the work of the female poets that the paper encouraged, Knowles suggests that the paper can be seen as an important example of the increasing feminisation of print media in the late-eighteenth century.

Women’s Poetry in the Magazines

2018 ◽  
Author(s):  
Jennifer Batt
Keyword(s):  
Eighteenth Century ◽  
Women Poets ◽  
Women's Poetry ◽  
Male And Female ◽  
Poetic Expression ◽  
The Rich ◽  
Poetic Community ◽  
Female Poets ◽  
Poetic Culture ◽  
Shed Light

Nearly every monthly magazine published in the eighteenth century had a poetry section, a regular slot given over in each issue to poetic expression of all kinds, written by a broad range of writers, both male and female, provincial and metropolitan, amateur and established. This chapter assesses the place that women poets, both familiar and unfamiliar, occupied in the rich poetic culture that made magazines possible. Jennifer Batt’s case studies are drawn from national periodicals such as the Gentleman’s Magazine (1731–1922), London Magazine (1732–85) and British Magazine (1746–51), as well as from regional magazines. Collectively, these examples shed light on the possibilities that periodicals made available to female poets (of giving them a voice, a readership, a public profile and place within a poetic community). At the same, Batt demonstrates that women could be exploited by the medium and its editorial practices (publishing without author consent, for instance, or intrusive framing of poems) in ways that have overdetermined women poets’ critical reception.

Beyond the Bower

2020 ◽  
pp. 41-60
Author(s):  
Heather Braun
Keyword(s):  
Nineteenth Century ◽  
Women Writers ◽  
Natural World ◽  
Female Characters ◽  
Artistic Production ◽  
Interior Spaces ◽  
Romantic Era ◽  
Definition Of ◽  
Poetic Creation ◽  
Female Poets

Romantic male poets typically describe bowers as lush, ecological spaces for quiet introspection and poetic creation within a distinctly masculinize landscape. In contrast to these idyllic spaces in Nature, the word bower meant something quite different for many nineteenth-century British women writers. For Romantic female poets, these garden bowers were isolated and fragmented spaces where artistic production was inhibited rather than nurtured. Their poems imagine a very different kind of bower, one that is aligned most directly with a second definition of the term: namely, a lady’s apartment in which “embowered” characters are trapped in interior spaces. These barren, claustrophobic bowers offered the antithesis of the freedom and inspiration male poets of the Romantic-era associated with outdoor garden bowers. Poet, essayist, and activist Caroline Norton demonstrates how these artificial domestic prisons produced paralysis and self-division rather than comfort and poetic inspiration. Cut off from the ecological spaces available to their male contemporaries, Norton’s female characters are silenced, distracted, and confined unable to leave their stifling bowers to create space for themselves in the natural world. Many nineteenth-century women writers reconfigured the Romantic garden bower as an unnatural lady’s bower from which female artists must flee in order to create.

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