scholarly journals Global Factory and Local Field: Convergence and Divergence in the International Cane-Sugar Industry, 1850–1940

2004 ◽  
Vol 49 (1) ◽  
pp. 1-25 ◽  
Author(s):  
Ulbe Bosma ◽  
Roger Knight

Technological convergence in the international sugar economy began in the 1830s and was substantially complete by the outbreak of World War I in 1914. By the end of the nineteenth century, the industrialized sugar factory was a global phenomenon like the steamship and the railway engine (to which key aspects of its innards were closely related). We will argue that the single most important fact about nineteenth-century sugar industries was the degree of technological convergence that came to characterize their manufacturing sectors, regardless of the type of labour involved. A revisiting of the literature of the past twenty-five years, both in the New and Old Worlds, suggests that historians have yet fully to come to terms with the global character of this convergence and with the question of why convergence in the factory had no parallel in the field, where there continued to be a striking global divergence between the means and modes by which the industry was supplied with raw material. This problem in the recent historiography of the subject also highlights issues relating to the “proletarianization” of labour and the assumption that industrial capitalist modernity was inextricably associated with the development of “free labour”. More specifically, it draws attention to major flaws in the terms of reference of the now classic debate about the nexus between technological change and the predominant forms of labour in the Caribbean production area. In so doing, it underlines the need for a global rather than simply regional approach to the dynamics of change in the international sugar industry of the late colonial era. The latter part of our article outlines the broad historical parameters of this divergence in the sugar-cane field, and suggests the need for exploring the political economies surrounding the sugar producing areas and their mechanisms of ethnic segmentation of the labour force in particular.

2007 ◽  
Vol 38 (2) ◽  
pp. 275-291 ◽  
Author(s):  
Ulbe Bosma

AbstractEver since the interregnum from 1811 to 1816 of Lieutenant Governor General Stamford Raffles, British trading interests had been firmly established in colonial Indonesia. The implementation of the Cultivation System in 1830 on Java by the Dutch colonial government was an attempt to bring this potentially rich colony under Dutch economic control, but it is usually considered a departure from the principles of economic liberalism and a phase during which private entrepreneurs were barred from the emerging plantation economy. However, on the basis of census data and immigration records, and with reference to recent literature on the development of the nineteenth-century sugar industry, this article argues that British trading houses present on Java in the early nineteenth century continued to play an important role in the development of the production there of tropical goods, and that the emerging plantation economy attracted a modest influx of technicians and employees from various European nations. This article proposes to consider the Cultivation System and private enterprise not as mutually exclusive, but as complementary in making the cane sugar industry of Java the second largest in the world after that of Cuba.


2009 ◽  
Vol 44 (3) ◽  
pp. 477-515 ◽  
Author(s):  
G. ROGER KNIGHT

AbstractThis paper discusses the commercial history of the Java sugar industry in the interwar decades of the 1920s and 1930s. Java's late colonial industry had a uniquely exogenous character, in that, amongst the world's major producers of cane sugar in the late colonial era, it was singularly devoid of metropolitan or quasi-metropolitan markets. Instead, it sought its markets pre-eminently on the Asian ‘mainland’ to its north and northwest. The Indian subcontinent formed one such market, but East Asia formed the second, and it is the Java industry's fortunes in China and Japan that provide the focus of the present paper. This focus highlights the extent to which the partial collapse of the industry in the mid-1930s related to factors altogether more complex than a simple fall in consumption and drop in prices associated with the interwar Depression. Fundamentally, it was evolving economic autarchy throughout east Asia, encouraged by Depression conditions, which lay at the heart of the Java sugar industry's problems in this sector of its market. Key factors were Java's ambivalent relationship with an expanding but crisis-ridden Japanese sugar ‘empire,’ and the effect on its long-standing links with British sugar refineries in Hong Kong because of the latter's increasing difficulties in the China market. In tandem, they underscored the commercial hazards inherent in Java sugar's exogenous situation.


2017 ◽  
Vol 52 (4) ◽  
pp. 439-466 ◽  
Author(s):  
Stefanie Affeldt

Abstract This article investigates the history of the Queensland cane sugar industry and its cultural and political relations. It explores the way the sugar industry was transformed from an enterprise drawing on the traditional plantation crop cultivated by an unfree labour force and employing workers into an industry that was an important, symbolical element of ‘White Australia’ that was firmly grounded in the cultural, political, nationalist, and racist reasoning of the day. The demographic and social changes drew their incitement and legitimation from the ‘White Australia’ culture that was represented in all social strata. Australia was geographically remote but culturally close to the mother country and was assigned a special position as a lone outpost of Western culture. This was aggravated by scenarios of allegedly imminent invasions by the surrounding Asian powers, which further urged cane sugar’s transformation from a ‘black’ to a ‘white man’s industry’. As a result, during the sugar strikes of the early 20th century, the white Australian sugar workers were able to emphasize their ‘whiteness’ to press for improvements in wages and working conditions. Despite being a matter of constant discussion, the public acceptance of the ‘white sugar campaign’ was reflected by the high consumption of sugar. Moreover, the industry was lauded for its global uniqueness and its significance to the Australian nation. Eventually, the ‘burden’ of ‘white sugar’ was a monetary, but even more so moral support of an industry that was supposed to provide a solution to population politics, support the national defence, and symbolize the technological advancement and durability of the ‘white race’ in a time of crisis.


2020 ◽  
Vol 20 (4) ◽  
pp. 372-381
Author(s):  
Suzana Kutnjak-Mravlinčić ◽  
Jadranka Akalović ◽  
Sandra Bischof

AbstractFunctionality and appearance are key aspects of good footwear. Developments in recent science and technology offer a wider scope of innovations, contributing to diversity and higher complexity of the production concept of footwear. Contemporary industrial footwear market offers a practically limitless number of new design and fashion solutions, often of quite similar appearance, but with significant differences in quality level, both regarding manufacture, raw material content, durability, and in some special functional finishes. The materials for footwear manufacture are functionalized for functional protective purposes, such as antimicrobial, waterproofing, fire resistant, wear and tear resistant, and recently for some therapeutical purposes. Novelties in material functionalization for the materials built in the footwear are most often promoted and presented on tags and labels and are used as advertisement issues, while some functionalities have become a logo for some brands.


2020 ◽  
pp. 40-50
Author(s):  
Boris Morgenroth ◽  
Thomas Stark ◽  
Julian Pelster ◽  
Harjeet Singh Bola

Optimization of process steam requirement in order to maximize sugar recovery and export power along with manpower optimization is a must for sugar factories to survive under difficult conditions and to earn additional revenues. The process steam demand of greenfield and revamped plants has been reduced to levels of 32–38% from originally more than 50% steam on cane in the case of the brownfield plants. In addition, significant improvement in the power requirement of the plants has been achieved. Bagasse drying offers a good potential to improve the power export. Different available concepts are compared with a focus on bagasse steam drying and low temperature bagasse drying. In order to set up an optimized highly efficient plant or to optimize an existing plant to achieve competitive benchmarks, good process design and the right equipment selection are very important. Experience has been gained with multiple stage or double effect crystallization in the beet sugar industry offering further steam optimization potential. Vapour recompression is also an option to substitute live steam by electrical power. This even provides options to reduce the steam demand from the power plant for the sugar process down to zero. Key aspects concerning the process design and equipment selection are described.


Author(s):  
Mark Franko

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.


Author(s):  
Karen Ahlquist

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”


Author(s):  
Daniel M. Grimley

Images of landscape lie at the heart of nineteenth-century musical thought. From frozen winter fields, mountain echoes, distant horn calls, and the sound of the wind moving among the pines, landscape was a vivid representational practice, a creative resource, and a privileged site for immersion, gothic horror, and the Romantic sublime. As Raymond Williams observed, however, the nineteenth century also witnessed an unforeseen transformation of artistic responses to landscape, which paralleled the social and cultural transformation of the country and the city under processes of intense industrialization and economic development. This chapter attends to several musical landscapes, from the Beethovenian “Pastoral” to Delius’s colonial-era evocation of an exoticized American idyll, as a means of mapping nineteenth-century music’s obsession with the idea of landscape and place. Distance recurs repeatedly as a form of subjective presence and through paradoxical connections with proximity and intimacy.


Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 320
Author(s):  
Ralph Lee

In many countries with a strong Orthodox Christian presence there are tensions between Evangelicals and Orthodox Christians. These tensions are rooted in many theological, ecclesiological, and epistemological differences. In practice, one of the crucial causes of tension comes down to different practical understandings of what a Christian disciple looks like. This paper examines key aspects of discipleship as expressed in revival movements in Orthodox Churches Egypt, India and Ethiopia which are connected to the challenges presented by the huge expansion of Evangelical Protestant mission from the nineteenth century. Key aspects will be evaluated in comparison with aspects that are understood to characterize disciples in Evangelical expressions, including: differing understandings of the sacraments and their place in the life of a disciple; ways in which different traditions engage with the Bible and related literary works; contrasting outlooks on discipleship as an individual and a community way of life; and differing understanding of spiritual disciplines.


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