SETTLERS, THE STATE AND COLONIAL POWER: THE COLONIZATION OF QUEEN ADELAIDE PROVINCE, 1834–37

1998 ◽  
Vol 39 (2) ◽  
pp. 221-246 ◽  
Author(s):  
ALAN LESTER
Keyword(s):  
Twentieth Century ◽  
Large Body ◽  
The Other ◽  
Late Nineteenth Century ◽  
Eastern Cape ◽  
Colonial Power ◽  
Direct Control ◽  
Late Nineteenth ◽  
The One ◽  
Colonial Government

Queen Adelaide Province consisted of some 7,000 square miles of Rarabe Xhosa territory annexed by the British Cape colonial government in May 1835 during the Sixth Frontier War. The province was held only until the end of 1836 when it was abandoned under pressure from the imperial government, but it represented the first British attempt to extend direct control over a large body of formerly independent Africans. No such ambitious scheme had ever been attempted before in the Cape, and no such scheme was to be attempted elsewhere in Africa until the late nineteenth century.Given its short-lived nature, Queen Adelaide Province has not been extensively analysed in any of the prominent histories of the eastern Cape. However, while the treatment is brief, its significance has been widely recognized. This early, temporary colonization of Xhosa territory has served as a lens through which to view colonial extension in the eastern Cape as a whole. In the late-nineteenth and early twentieth-century settler histories of George Cory and George McCall Theal, the annexation of Queen Adelaide Province represents a temporary advance within a much broader colonial progress. One episode in the epic attempt to extend colonial civilization across ‘Kaffraria’, expansion within the province was unfortunately thwarted by misguided Cape and metropolitan philanthropy. In W. M. Macmillan's liberal critique of the late 1920s and early 1930s, the disputes over the province between the land-hungry settlers, the strategically-minded Governor D'Urban and the humanitarian Secretary of State for the Colonies, Lord Glenelg, are again viewed as part of a much broader struggle. But rather than Cory's struggle between civilization and savagery, this is seen as a contest between malicious and benign conceptions of colonialism. The province represents an early collision between, on the one hand, evangelical and humanitarian versions of cultural colonization that guaranteed Xhosa access to their land (a kind of trusteeship that Macmillan advocated for his own times) and, on the other hand, the practice of colonization founded upon settler-led conquest and dispossession.

Jessie Fauset’s Not-So-New Negro Womanhood

2018 ◽  
pp. 222-247
Author(s):  
Meredith L. Goldsmith
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
The Other ◽  
Late Nineteenth Century ◽  
New Negro ◽  
Jessie Fauset ◽  
History Of ◽  
Late Nineteenth ◽  
The One ◽  
Other Regarding

Chapter 8 responds to two prevailing arguments about the fiction of Jessie Fauset—the one labeling her work retrograde, the other regarding it as subtly subversive—by viewing the writer’s work as part of a history of long nineteenth-century representation. Countering the dominant perception of the Harlem Renaissance as a break from the past—a view that has shunted Fauset’s work to the sidelines—the essay argues that Fauset’s work explores the legacy of late-nineteenth-century US culture in the emergent modernity of the early twentieth century. Excavating the literary, cultural, and scientific tropes of feminine representation that burst from the pages of Fauset’s fiction, the essay identifies a recent literary past that informs Fauset’s constructions of her modern urban heroines.

The Book as Waste: Henry Mayhew and the Fall of Paper Recycling

2012 ◽  
Author(s):  
Leah Price
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Electronic Media ◽  
Wood Pulp ◽  
The Other ◽  
Late Nineteenth Century ◽  
Pulp Paper ◽  
Late Twentieth ◽  
Late Nineteenth ◽  
Late Twentieth Century

This chapter suggests that two phenomena that usually get explained in terms of the rise of electronic media in the late twentieth century—the dematerialization of the text and the disembodiment of the reader—have more to do with two much earlier developments. One is legal: the 1861 repeal of the taxes previously imposed on all paper except that used for printing bibles. The other is technological: the rise first of wood-pulp paper in the late nineteenth century and then of plastics in the twentieth. The chapter then looks at Henry Mayhew's London Labour and the London Poor (1861–62), the loose, baggy ethnography of the urban underclass that swelled out of a messy series of media. Mayhew's “cyclopaedia of the industry, the want, and the vice of the great Metropolis” so encyclopedically catalogs the uses to which used paper can be turned.

Two Treatments of a Subject: Proust's “La Regarder Dormir” and Valéry's La Dormeuse

PMLA ◽  
1956 ◽  
Vol 71 (5) ◽  
pp. 900-909
Author(s):  
Henry A. Grubbs
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Present Status ◽  
The Other ◽  
Recent Survey ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Prose Fiction ◽  
Figure Of Speech ◽  
Late Nineteenth

A critical cliché often heard today is that Proust was fundamentally a poet rather than a novelist. The historians of literature and the critics do not put it quite as crudely as that, but their remarks frequently permit such an assumption on the part of the reader. Thus the Castex and Surer manual, in its twentieth-century volume, finds in “toute l'œuvre [de Proust] un climat d'intense Poesie” (p. 82). And Georges Cattaui, in his recent survey of the present status of Proust, though he does not in so many words call Proust a poet or his novel a poem, does say that Proust is above all the heir “de Nerval, de Baudelaire, de Mallarmé,—de ces poètes qui lui ont enseigné l'art de transfigurer les choses, l'art de délivrer la beauté prisonnière … ” Now all this is true if it is merely taken as a vivifying figure of speech, if it merely means that Proust was not a realistic novelist, and that he shows the influence of the great French poets of the late nineteenth century, or that, to use a convenient term, he was a symbolist, like his contemporaries, Claudel, Gide, and Valéry. But it has so often been said in our time that the twentieth century has seen the breaking down of the distinctions between the novel and poetry, that it seems to me useful to demonstrate, by studying two treatments of the same subject, one that of a novelist, Proust, the other that of a poet, Valéry, that there remains a fundamental and profound difference between the intent and the method of prose fiction and of poetry, at least the type that is today called “pure” poetry.

scholarly journals The Meat City: urban space and provision in industrial Copenhagen, 1880–1914

Urban History ◽  
2017 ◽  
Vol 45 (2) ◽  
pp. 233-252
Author(s):  
MIKKEL THELLE
Keyword(s):  
Nineteenth Century ◽  
Urban Space ◽  
The Other ◽  
Late Nineteenth Century ◽  
The Public ◽  
Production And Consumption ◽  
Late Nineteenth ◽  
Ambivalent Attitude ◽  
The One ◽  
The City

ABSTRACT:This article investigates the emergence of the Copenhagen slaughterhouse, called the Meat City, during the late nineteenth century. This slaughterhouse was a product of a number of heterogeneous components: industrialization and new infrastructures were important, but hygiene and the significance of Danish bacon exports also played a key role. In the Meat City, this created a distinction between rising production and consumption on the one hand, and the isolation and closure of the slaughtering facility on the other. This friction mirrored an ambivalent attitude towards meat in the urban space: one where consumers demanded more meat than ever before, while animals were being removed from the public eye. These contradictions, it is argued, illustrate and underline the change of the city towards a ‘post-domestic’ culture. The article employs a variety of sources, but primarily the Copenhagen Municipal Archives for regulation of meat provision.

The Opium Trade in Szechwan 1881 to 1911

1966 ◽  
Vol 7 (2) ◽  
pp. 93-99 ◽  
Author(s):  
S.A.M. Adshead
Keyword(s):  
Rapid Expansion ◽  
The Other ◽  
Western China ◽  
Late Nineteenth Century ◽  
Developing Economy ◽  
Opium Trade ◽  
Opium Production ◽  
Late Nineteenth ◽  
The One ◽  
First Time

This paper examines three aspects of the Opium trade in Szechwan from 1881, when for the first time there is evidence that China consumed as much native as foreign opium and that Szechwan was both the largest producer and consumer, until 1911, when the cultivation of the poppy was completely suppressed in the province as a result of the vigorous imperial campaign against the trade. It will consider first, the demand for opium who smoked it and why; second, the production of opium, how it fitted into and contributed toward the economy of the province; finally, the character of the suppression campaign of 1906–1911 as it affected Szechwan will be considered. The conclusions of the paper may be summarised as follows. (1) While the expansion of the opium habit in Szechwan, as in the rest of China, had no one cause, in Szechwan it has for its background a prospering society whose values and accepted goals had not kept pace with its economic expansion, a society which provided increasing wealth and leisure on the one hand, but only limited opportunities for socially approved spending on the other. (2) The rapid expansion of opium production in late nineteenth century Szechwan was part of the development of a market economy both within the province and in its relations with the rest of China. (3) The opium suppression campaign, because it undermined a developing economy, was much less popular in Western China than it was in the east, and contributed to the widespread unrest in those parts, which in turn led to the revolution of 1911.

scholarly journals A EUROPEAN WITH A UKRAINIAN SOUL

2017 ◽  
pp. 111-120
Author(s):  
Ivan Zabyaka
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Foreign Languages ◽  
Late Nineteenth Century ◽  
Literary Critic ◽  
Classical Literature ◽  
Level Of Education ◽  
Late Nineteenth ◽  
The One ◽  
High Level

The article deals with Vasyl Gorlenko, one of the most prominent Ukrainian culturologists of the late nineteenth century – beginning of the XX century. Whose name on the one hand did not belong to the forgotten names: it is fixed in all professional encyclopedias, many articles have been written about it, it is mentioned in the memoirs of contemporaries, there are even three monographs, on the other hand all this is very small, going out from what was done by Vasily Petrovich. There are a lot of problems raised in the writings of V. Gorlenko. There are some that are extremely important. It was established that studying at the famous Sorbonne, he passed the beautiful school of the French theoretician of literature and art critic Ivan T., French classical literature and art, thus receiving a high level of education, education of the best spiritual traits of behavior, possessed at least 5 foreign languages. It was discovered that when V.Gorlenko returned to his homeland, he first met in St. Petersburg with many prominent figures who came from his native land. One of these places of acquaintances is "Tuesdays" by M. Kostomarov. It was on them that V. Gorlenko was a true school of Ukrainian studies. And when Ukraine appeared periodicals that were in line with its patriotic interests, V. Gorlenko began to work with them. In the newspaper Trud, after twenty years of actual silence about T. Shevchenko, the first in Ukraine is a fragment of Russian tales of Taras Shevchenko "A walk with pleasure and not without morality" and the story "The Musician" with some reproach to everyone else who hadn’t done it already. It was found out that the Ukrainian elite rallied around the magazine "Kievan old woman" (1882-1906): V. Antonovich, D. Bagaliy, M. Belyashivsky, P. Golubovsky, V. Domanytsky, P. Efimenko, P. Zhitetsky, O. Lazarevsky, O. Levitsky, M. Sumtsov, V. Tarnovsky and many others. Here were M. Drahomanov, M. Kostomarov, V. Vynnychenko, Panas Mirnyi, I. Franko, M. Staritsky and dozens of other Ukrainian scholars and writers. Among them Vasyl Horlenko. Currently, 114-th of his publications, contained in this publication, are known. Articles, reviews, reviews of publications, information, folk records - each of these publications is an example of scientific conscientiousness and responsibility of the author. It was here that his multifaceted talent of journalist, literary critic and historian, ethnographer and folklorist, art historian, expert in Ukrainian antiquity was revealed. Quite often, V.n Gorlenko was the first, who write about the works of P. Mirny, I. Franko, I. Karpenko-Karyi, M. Kropivnitsky, I. Manzhuro and many others. Invaluable source in the study of both the personality of V. Gorlenko and his environment is his correspondence. Currently, there are about 40 recipients and more than 700 letters to him and partly to him. He corresponded with many Ukrainian and foreign writers, scholars, and cultural figures. He loved Ukraine most of all and was afraid of those revolutions that were devastated, death, spiritual impoverishment, barbarism; advocated the steadfast development of society, feeling as an integral part of its people, small and great Nature. Therefore, it remained for us a bright star of the unimpeded space of culture.

Modernity, Print Media, and the Middle Class in Colonial East Africa

2019 ◽  
pp. 105-122
Author(s):  
Emma Hunter
Keyword(s):  
Twentieth Century ◽  
Middle Class ◽  
Public Sphere ◽  
East Africa ◽  
The Other ◽  
Middle Classes ◽  
Colonial Economy ◽  
Late Nineteenth ◽  
The One ◽  
Racial Hierarchies

This chapter takes a look at colonial East Africa. On the one hand, the chapter shows that the colonial economy and racial hierarchies of East Africa offered little potential for the growth of an African bourgeoisie. On the other hand, it demonstrates that in the cultural rather than the economic sphere, a slightly different picture emerges. Looking at the Swahili-language government and the mission newspapers of colonial Zanzibar and Tanganyika between the 1880s and the 1930s, the chapter reveals the ways in which a small but growing literate elite in late nineteenth and early twentieth-century East Africa used the medium of print in order to allow them to create “a space in which new collectivities could be imagined and identities constructed.” The particular space offered by newspapers and periodicals thus provided a possibility for African middle classes to create a distinct public sphere and to assert their distinctiveness by rhetorically identifying with, and making a claim of belonging to, an imagined global bourgeoisie.

Naming Charlie

2018 ◽  
pp. 94-128 ◽  
Author(s):  
Kama Maclean
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social Hierarchy ◽  
The Other ◽  
Late Nineteenth Century ◽  
Individual Identity ◽  
Immigration Restriction ◽  
National Community ◽  
Late Nineteenth ◽  
Important Marker

This chapter discusses the racist environment in late nineteenth-century Australia which resulted in the Immigration Restriction Act of 1901 designed to prohibit entry of non-white immigrants from the Commonwealth. The chapter discusses the evolution of various collective terms like ‘alien’, ‘coolie’ or ‘Hindoo’ to identify Indians as the ‘other’ of the national community. From biographical details and photographs in the Certificates Exempting from Dictation Test (CEDTs), which monitored the movement and identities of non-white residents, the chapter reveals how many Indians had undergone a change of name during immigration, an important marker of individual identity. The chapter argues that the most commonly ascribed name ‘Charlie’, was a means of ‘infantilizing and subordinating’ Indian migrants. The CEDT images of migrants in Indian clothes and identified with their new names are seen as locating Indian settlers in early twentieth-century Australia in a position of subordination within the colonial social hierarchy.

The Impact of Late Nineteenth-Century Unions on Labor Earnings and Hours: Iowa in 1894

ILR Review ◽  
1987 ◽  
Vol 40 (4) ◽  
pp. 501-515 ◽  
Author(s):  
Barry Eichengreen
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Labor Market ◽  
The Other ◽  
Late Nineteenth Century ◽  
Wage Dispersion ◽  
Labor Earnings ◽  
Other Hand ◽  
Late Nineteenth ◽  
The Impact

This paper presents an analysis of data on male workers taken from an 1894 survey of the Iowa labor market. Consistent with the results of earlier research by Paul Douglas, the author finds evidence of a statistically significant and economically important union earnings premium. The analysis also shows that late nineteenth-century unionism, like unionism in the twentieth century, tended to reduce wage dispersion. On the other hand, the author finds no evidence that late nineteenth-century unions reduced the length of the workday for union members compared to nonunion workers.

Culture and musical hermeneutics: The Salome complex

1990 ◽  
Vol 2 (3) ◽  
pp. 269-294 ◽  
Author(s):  
Lawrence Kramer
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Cultural History ◽  
The Other ◽  
Late Nineteenth Century ◽  
Richard Strauss ◽  
Late Nineteenth ◽  
Female Bodies ◽  
Musical Hermeneutics ◽  
Gustave Moreau

From Flaubert to Richard Strauss, male artists in late nineteenth-century Europe were fascinated by the figure of Salome. This fascination, indeed, amounted to a genuine craze. One representation sparked another: J.-K. Huysmans fantasised about paintings by Gustave Moreau; Oscar Wilde expanded on Huysmans; Aubrey Beardsley illustrated Wilde. Fine editions of Wilde's Salome with Beardsley's illustrations remained cult objects well into the twentieth century. In general, the Salome craze, like the science and medicine of its day, sought to legitimise new forms of control by men over the bodies and behaviour of women. The present paper revisits this well-known episode in cultural history with two distinct aims in mind, one interpretative, the other methodological. The interpretative aim is to offer a feminist approach to the fin-de-sièclecompulsion to retell the Salome story with lavish attention to misogynist imagery - those quivering female bodies and gory male heads. The methodological aim is to find a meeting ground for literary criticism and musicology as both disciplines aspire to become vehicles of a more comprehensive criticism of culture.

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